In book 7‚ in Plato’s Republic‚ Plato illustrates a metaphor dealing with education and knowledge. This‚ metaphor is known as the Allegory of the Cave. In the cave there are men chained up facing the end of the cave. They can’t turn their heads either side and behind them are puppeteers statue like in front of the fire. Shadows are made by this and are pictured in front of the prisoners. They speak about the shadows as we do of our world. They call the shadows different names that we would call dogs
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Plato’s “The Allegory of the Cave” refer to the illusionary aspect of the human senses and how easily a fake reality can arise from those tricked senses. Plato would have seen the famous melting clocks representing time’s dynamic nature in dreams and understood their importance to false realities because dreams are a form of false realities. He would conclude that the melting clocks represent the upper world looking down at the lower world; therefore‚ the painting must represent those in the cave who have
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In Plato’s Allegory of the Cave there were multiple beliefs brought upon by the prisoners of this cave. The prisoners of the cave are supposed to parallel everyday people in the sense of how reality is perceived. The prisoners of the cave believed and only knew that reality of the shadows and developed their own belief structure and way of processing that information. Plato connected that to everyday people due to the fact that although we strongly believe the reality we have made for ourselves‚
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Inception and the Allegory of the Cave The movie “Inception” is a great example of Plato’s Allegory of the Cave. The idea that through a dream you can achieve a state of enlightenment directly relates to changing a way of thinking. The hero in the movie Cobb has demons to exercise from his former way of thinking In order to achieve his goal of “reality”. His sun or enlightenment is ridding himself of his wife Mal and showing himself the reality with Fisher. Mal represents the old way of thinking
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Allegory of The Cave Reaction Paper Plato argues that perceptions of material objects are imperfect reflections of an unchanging form of truth that can be pursued through the quest for knowledge and belief. He outlines the order in which the escaped prisoner would ascend in understanding; “At first it would be easiest to make out shadows‚ and then the images of men and things reflected in water‚ and later on the things themselves… last of all‚ he would be able to look at the sun and contemplate
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It is important to realize‚ when reading the allegory of the cave and of the line‚ that Plato means to depict not only four ways of thinking‚ but four ways of life. To use an example‚ imagine that a person in each of these stages were asked to say what courage is. The understanding of courage would differ widely from stage to stage. Working with a possible interpretation of the imagination stage‚ an individual’s notion of courage in this stage would appeal to images from culture. Such an individual
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Alyssa Ness Honors English 4B September 7‚ 2010 Plato’s Ideology “The Allegory of the Cave” demonstrates many of Plato’s beliefs‚ impacting the way he views education. …the power and capacity of learning exists in the soul already; and that just as the eye was unable to turn from darkness to light without the whole body‚ so too the instrument of knowledge can only by the movement of the whole soul be turned from the world of becoming into that of being… (Plato 5). This quote implies
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Annotated Bibliography Plato. Allegory of the Cave. Austin: Austin Community College‚ 20 Jan. 2011. PDF file. Plato’s “The Allegory of the Cave” draws on the idea that reality is what we make it to be based on what we see and what we experience. To explain this he provides an example of humans who have spent their entire life chained up in an underground cave. He then explains that their reality is the shadows shown in front of them for that is all they see‚ and what they grew up believing. Afterwards
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In “The Allegory of the Cave” by Plato‚ a prisoner living in a cave is forced to learn the truth. The shadows he sees are not real‚ but are made to seem like they are. He is taken up into the sun and learns the truth. Figuratively‚ the truth he learns is that God is real and the shadows being created by society are not. He has a choice to make on whether he will go back into the cave to tell others about what he learned‚ or stay and keep the truth hidden. Plato’s “Allegory of the Cave” is really
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Plato’s “Allegory of the Cave” there is an internal struggle with in the protagonist to escape from the only place he has known as home just to find out that is like out of the cave. Within the cave it is extremely censored on what the people/prisoners are able to see and the only way they are shown anything is through shadow images that are projected upon the cave walls. They are shown manipulated images of birds‚ people‚ and other objects which in turn scares them into staying within the cave. The
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