The Propriety and Amalgamation of an Effective Crime Film Crime is a genre that often times follows an often times intelligent‚ malicious criminal. Sometimes it follows the criminal chronologically and sometimes is follows the criminal through their victims. But simply following this generic guideline does not define a crime movie‚ there are defining factors that make a crime movie. In order for a crime movie to be effective it must have a criminal with a motive. A criminal and his motive are
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Metropolis: “Breaking down the utopia” In January of1927 Metropolis was released to the German public. The film‚ which was directed by Fritz Lang‚ was one of the first science fiction movies in the history of film. The film focuses on the differences between the working class who power the city and the wealthy whom indulge in it. The film was host to many German stars at the time such as Alfred Abel and Brigette Helm. As this conflict is going there is a separate yet relative
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and On the Waterfront seem two structurally independent and unrelated movies that only share some basic theme elements in their plot. However‚ analyzing both‚ side by side and frame by frame‚ can give us a more profound understanding of the American film industry‚ Hollywood in particular‚ and its relation to the McCarthyism in 1950s‚ a dark chapter in the US history. Salt of the Earth‚ directed by Herbert Biberman‚ is a 1954 blacklisted movie based on a true story about the struggles of Mexican
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Pariah Many terms come to mind when thinking about the independent (“indie”) film industry. Low-budget‚ inexperienced actors‚ non-commercialized‚ and shallow plotline. However‚ there are several major stylistic aspects of independently produced films that define the genre in comparison to films that are produced by large production companies. When producing an independent film‚ the director is not inhibited by the limitations the larger companies have. Without these limitations‚ the directors can
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Second Essay Comparing Bad Animals and Miss Julie In the play ’’Miss Julie’’ by August Strindberg and Joel Yanofsky’s memoir ’’Bad Animals’’ there are great differences and similarities respecting to power‚ money and family. In Miss Julie the main characters are Julie‚ the daughter of the Count and a shockingly feminist mother and Jean‚ the manor’s thirty year old valet who has big desires to be rich. In Bad Animals the main characters are Joel‚ Cynthia and Jonah‚ Joel and Cynthia are
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French high-wire walker Philippe Petit that becomes the subject of a film treatment – a man that cemented his legacy by performing depth-defying walks in and between some of the world’s most impressive structures‚ which include the Notre Dame Cathedral‚ New York’s Lincoln Center‚ and of course‚ the two
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it?” said by Mr. McGuire to Benjamin Braddock‚ the main character. The film‚ The Graduate‚ directed by Mike Nichols in 1967 shows the audience how hard it is to stand out in a “plastic” world through the uses of screenplay‚ performance‚ cinematography‚ music and sound. Nichols wanted us to feel what Benjamin felt as well as be engaged in his decisions. Nichols achieved this by using subjective shots in the film. The cinematography in this film shows many symbols that are often the protagonist’s point
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director of the film is Paul Mcguigan‚ who decided to take some creative liberty on the story. This new spin on the classic tale‚ is shown through the eyes of Igor Victor’s hunchback assistant played by Daniel Radcliffe. Which is highly interesting because
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Dope is a film directed by filmmaker Rick Famuyiwa‚ released in 2015 about three high school students that get caught up in a huge drug scheme. The story revolves around Malcolm and his two best friends‚ Jib and Diggy‚ as they find themselves with a huge possession of drugs following the birthday party of Dom: the local drug dealer. Malcolm comes to terms that he must sell all the drugs while concurrently making sure he gets accepted into Harvard. The movie is filled with adventure‚ comedy‚ drugs
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The films‚ ‘The Butler’ and ‘The Intouchables’ are representations of the ordeals that African American’s were forced to go through in the past years and the implications of such experiences to the current production of films. It is without any doubt that because of the inferior status that was given to African Americans‚ most films that are produced today exhibit African Americans to be of a lesser status (Toledano and Olivier 5; Ager and Aubyn 1). For example‚ in both of the aforementioned films
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