Sankofa Film Analysis Who is Haile Germia? Haile Germia is an Ethiopian filmmaker‚ film director‚ screenwriter who was born March 4‚ 1946 and raised in Gondar‚ Ethiopia who now lives in the United States. He immigrated here to the United States in 1968 to pursue acting‚ and enrolled in the Goodman School of Drama located in Chicago. He is best known for his film Sankofa which raised a lot of awareness to the African American community. He is also known for the Los Angeles school of black filmmakers
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DOCUMENTARY FILM ANALYSIS Among the four documentaries‚ I have chosen “F*ck You Buddy” in “The Power of Nightmares” and “Love and Power” in “All Watched Over By Machines Of Loving Grace” to be the materials for me to analyze in this paper. First‚ “F*ck You Buddy” is an episode produced by Adam Curtis‚ who is an English filmmaker who has been exploring Sigmund Freud’s theories in the aspects of sociology‚ psychology‚ philosophy‚ and political history throughout his career. In this episode
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The Corporation Film Analysis The Corporation was based on a book written by Joel Bakan. It is a documentary film that looks at the history of corporation and follows them up until present day to illustrate their dominance in society. I found this film very interesting with me once being part of the corporate world and finding my way onto another career path for many of the reasons illustrated in this film. This film had an underlying statement of corporations’ number one concern was profit
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| Julie Heffernan Self portrait as Wunderkabinett | | | 7/2/2013 | Museum Visit Assignment | | | Julie Heffernan Self portrait as Wunderkabinett Museum visit assignment The Mint Museum in Charlotte‚ NC is a timeless building and a work of art itself. The building was designed with a contemporary style and is an outward expression of its artistic‚ belongings inside. I visited the Museum on Tuesday‚ July 02‚ 2013‚ at around 2 in the afternoon. I was within the museum for about 2 ½ hours‚ observing
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Date: 02/24/2015 To: Dr. Sal Kukalis From: Ryan Musante Subject: Industry Analysis: Feature Film Production The motion picture industry produces and distributes films for theatrical release‚ home entertainment‚ and various other markets. The product of this industry is passive entertainment‚ typically viewed as a leisure activity. Various genres target all market segments‚ the largest of which is in the 18-35 year old age group. The same product is released via two main distribution channels
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The beginning of the film Jaws starts of with the first attack. This scares the viewer from the very start and excites them‚ wanting to know what happens next and who else will be victims. The first victim‚ a girl‚ is attacked at night‚ so this would mean it would have been dark. This is done for two reasons‚ one the dark is scary to everyone as no one can see what is coming for them‚ or what it out there‚ and that links into the second reason‚ so we don’t see the shark‚ leaving a sense of mystery
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within the span of the beginning to the end of the scene. As a result‚ it is with the aspects such as character goals‚ changing knowledge‚ and emotion evoking performances‚ that the risk of having his siblings tell their mother about E.T‚ in particularly Gertie‚ transitions into Elliot’s siblings promising to keep it a secret instead. For starters‚ this is displayed through the shift of character goals that Gertie has throughout the course of the scene. However‚ it much be stated that the goal that
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audience‚ you expect-if not both-that one of them gets caught or that they catch each other. In one particular scene‚ Billy is tailing Colin‚ and as the audience you feel like something going to happen and you’re hooked. Above all I enjoyed the characters of Billy Costigan (Leonardo DiCaprio) and Colin Sullivan (Matt Damon). For the majority of the movie‚ they don’t even meet. Yet‚ they are so connected; through Frank Costello (Jack Nicholson)‚ Madolyn (Vera Farmiga)‚ their mutual love interest‚
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Film Analysis: The Conformist The Conformist‚ directed by Bernardo Bertolucci portrays the struggle of Marcello Clerici‚ who is torn between two worlds. To emphasize this battle between good and evil‚ right and wrong‚ the production design and visual composition include an excellent use of light and shadow. In particular‚ it was quite compelling to see the lighting shift as Clerici vacillated between being a good fascist and living a normal life. In virtually every scene that highlighted fascism
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Warm Bodies was directed by Jonathan Levine. It tells the love story between a zombie‚ R‚ and a human‚ Julie. The zombies begin to change and turn into the living. As they do this‚ they must convince the humans. R and his friend‚ M‚ go into the protected stadium to prove they are changing. When the bonies (the zombies in the final stage of decay) catch onto their change‚ they go after the zombies. The zombies then join the humans to fight against them. Levine uses dark and dreary settings to capture
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