Reading 7 Hertzog‚ N. B. (2001). Reflections and impressions from Reggio Emilia: “It’s not about art!”. Early Childhood Research & Practice‚ 3(1). Retrieved from http://ecrp.uiuc.edu/v3n1/hertzog.html ECRP. Spring 2001. Reflections and Impressions from Reggio Emilia: "It’s Not about ... Page 1 of 9 Reflections and Impressions from Reggio Emilia: "It’s Not about Art!" Nancy B. Hertzog University of Illinois at Urbana-Champaign Abstract This article discusses an early childhood program administrator’s
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philosophers have considered the dilemma of balancing reason and passion. Myths like the fall of Icarus tell of the calamities that occur when one takes precedence over the other— in this example‚ when passion supersedes reason. In his play Othello‚ Shakespeare illustrates this same predicament in an altogether different fashion. Three characters—Roderigo‚ Othello‚ and Iago—let passion override reason‚ with disastrous results. Roderigo’s infatuation with Desdemona prevails over his common sense. At
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Power in Othello: Othello: Othello‚ the principle character‚ at the beginning seems to have power- whether it is physical‚ psychological‚ political or military. He is portrayed to the audience as a symbol of power and strength. As an experienced soldier‚ a General to be precise‚ Othello has had little experience with women. Even though he is a high ranking military official‚ he is less respected because of his dark skin and being a foreigner. His stature and tone of voice‚ along with his self-confidence
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they are nothing more than objects to him. When he talks to Emilia and Desdemona and insists that women are manipulative and lustful. First he describes them in different situations and implies how manipulative they are. When they are out in public or at home‚ he claims they are “pictures out of doors/Bells in your parlours‚ wild-cats in you kitchens” (109-110). He is saying that they are beautiful and pretty as pictures in public; they have no flaws and act like angels. However‚ at home‚ he says‚
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language to interpret and understand the complexities of our own social system‚ it follows that ways of speaking about specific ideas and beliefs are instrumental in the formation and manipulation of ideologies in such a system. In the context of Othello‚ Moor of Venice‚ discourse around gender works to both reinforce and challenge the dominant assumptions of patriarchal society through the marginalisation and empowerment of primary female characters. The Elizabethan era marked an interesting
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Othello written by William Shakespeare is a very interesting and double-minded play. I chose the passage of Emilia’s speech to Desdemona not because it was odd but because Emilia stood out to me as a very opinionated woman. I wanted to work with it more closely because Emilia captured my attention with her slightly exaggerated opinions on men. I got a strong sense of inequality with this whole scene (4.3). Emilia thinks that it is the husbands’ fault for their wives to be cheating: “But I do
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As Othello is constantly being told his wife is unfaithful he begins to believe the notion that his wife is cheating and begins to become angry with her. He makes a comment towards the end of the play which illustrates the feelings he is developing for Desdemona and the actions he believes she is performing. He says‚ “Damn her‚ lewd minx! O‚ damn her!/ Come‚ go with me apart; I will withdraw‚/ To furnish me with some swift means of death/ For the fair devil” (3.3). Othello wanted to take
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Natalia Grube Othello Paper The tragedy of Othello was caused by the insecurities and changing character of Othello himself. Racism and the villainous Iago both contributed to the evolution of Othello’s character. G.K Hunter the author of “Othello and Colour Prejudice.” Discusses how the prejudices against Othello‚ both in the play and also the prejudices Shakespeare’s audience already conveyed towards darker skinned people‚ were framed to doom Othello from the start. Hunters article gives
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Weeping Willow: The Smothering of Desdemona’s Will in Othello Among William Shakespeare’s vast array of deeply flawed characters‚ Desdemona of Othello stands out as remarkably virtuous and pure of heart. Furthermore‚ Desdemona’s character initially displays a sense of independence and agency that is rare amongst other female characters in literature at the time that Othello was written. However‚ by the story’s end‚ Desdemona is a much more submissive and passive character‚ accepting her tragic
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the partnership and possibly end it. Shakespeare’s protagonist‚ Othello‚ becomes deceived and unable to decide in whom to place his trust. The noble Moor chooses wrongfully and places himself under the loyalty of Iago‚ allowing him to corrupt and transform him‚ destroying his sanity and relationships with others. Consequently‚ the Moor’s trustworthiness and envy become his weaknesses and result in his downfall. In the play "Othello"‚ by William Shakespeare‚ the protagonist’s flaws contribute to
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