Wordsworth theory of language of poetry and Coleridge’s criticism on it‚ is of great significance in the history of literary criticism. Wordsworth revolts against the poetic diction of eighteenth century. His theory has some merits and at the same time has certain demerits. Rejection of Poetic Diction and Background of his theory Wordsworth rejects poetic diction by saying‚ “avoid poetic diction”. He says that neither there is nor could be any difference in the language of prose and that of metrical
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nature-William Wordsworth. This concern is to appreciate the sublime beauty of nature as living personality‚ to search for the union between the mind and nature‚ and to acquire aspiring insights by embracing nature. In almost of his poems‚ Wordsworth described the pure beauty of nature through his gentle words and also conceived that nature as living personality. He believed that there is a divine spirit pervading all the objects of nature. This belief was expressed in “the daffodils”. Wordsworth sees a
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The modern “rational” world which Wordsworth came from was becoming increasingly polluted and destructive. It prohibited the imaginative escape of authors and so people like Wordsworth found solace and escape in what was left of nature and their own imaginative poems. Poems like “Strange Fits of Passion have I Known” and “the Solitary reaper” illustrate Wordsworth’s passion for the spiritual and the emotional freedom that nature and the mind offered. Wordsworth utilised traditional poetic techniques
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William Wordsworth was one of the key figures in the Romantic Movement‚ his early poems helping to define the new movement of Romanticism. Wordsworth sought to bring a more individualistic approach‚ his poetry avoided high flown language however the poetry of Wordsworth is best characterised by its strong affinity with natureand in particular the Lake District where he lived. The early nineteenth century was a time of rapid change and industrialisation‚ but like his contemporaries‚ Blakeand Coleridge
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poems are obscuPoems on Nature were a rarity in William Wordsworth’s time in England. Almost all wrote about Kings‚ Knights‚ Heroes and their mighty deeds. A few were called Cockneys who wrote about the life in cities‚ especially in London. Even Wordsworth was one among them once. But his Solitary Reaper changed things. It was a pure poem of feelings and emotions evolving from man’s attachment to the mother earth. There was no chivalry in a solitary reaper standing on a field in a lone mountain valley
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connection to life and awe with it’s beauty. What Wordsworth himself said about the Ode: Intimations of Immortality‚ offers many clues for understanding what he is dealing with. (The Norton Anthology‚ 6th Edition pg.1382) “Nothing was more difficult for me in childhood then to admit the notion of death as a state applicable to my own being. ...My difficulty came as from a sense of the indomitableness of the spirit within me.” With these words‚ Wordsworth speaks to the heart of the dilemma that this poem
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Comparison of Daffodils and The Prelude by Wordsworth To Ode to the West Wind by Shelly. ’Romanticism as a literary movement lasted from about 1789 to 1832 and marked a time when rigid ideas about the structure and purpose of society and the universe were breaking down. During this period‚ emphasis shifted to the importance of the individual’s experience in the world and his interpretation of that experience‚ rather than interpretations handed down by the church or tradition.
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Before one can undertake a comparative study of these two poet’s philosophies‚ their background and sentiments must be panoramically surveyed. However‚ due to time constraints‚ I will focus on the little that time permits me to. Wordsworth writes in a subjective style. He examines his state of mind or consciousness before attempting to write a creative work. This is largely why he fell in love in nature and became a natureworshipper. He believes in a primodial relationship between the mind of man
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Romantic period‚ roughly between the years of 1785 to 1830‚ was a period when poets turned to nature‚ their individual emotions‚ and imagination to create their poetry. Romantic poets such as Wordsworth‚ Coleridge‚ Shelley‚ and Keats rejected conventional literary forms‚ regular meters‚ and complex characters and experimented with emotion and nature subjects in their poems which marked a literary renaissance. Besides a response to the Enlightenment‚ the industrial revolution also influenced the Romantic
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Romantic poet‚ William Wordsworth‚ and Folk singer-songwriter‚ Joni Mitchell‚ both comment about their respective "worlds" and the way these worlds have been perceived or treated. Although both artists are from a different time in history‚ their work somehow cast off the anchors of their own eras with material that continually remains relevant through generations of listeners and readers. Mitchell’s "Big Yellow Taxi" and William Wordsworth’s "The World is too Much With Us" are perfect examples.
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