HISTORY OF MODERN ARCHITECTURE ARCHITECTURE 310 TEST #1 October 3‚ 2012 ESSAY ANSWER DUE beginning of class! 10/10/2012 ______________________ NAME 1. A How windows fit into a wall. In the old traditions of the revivalist architecture of the past (pre -1850)‚ there were no windows on the buildings. Instead‚ what people made in order to let the sun light pass through and
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Nicholas Garcia Inga Kenney‚ Ph.D Landscape Architecture 221 September 3‚ 2013 The Process of Landscape Architecture In the modern world‚ there are many ways to go about doing any given project‚ but with Landscape and architecture‚ there seems to be a constant of how to plan out a design. A landscape architect plans and designs land areas for different places such as parks‚ recreational facilities‚ highways‚ airports‚ and other properties. Their project sites may vary from subdivisions and
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Towards a New Architecture ‘Let us summarize the principal characteristics of a rhizome...it is comprised not of units but of dimensions‚ or rather directions in motion’ Giles Deleuze. 1. Introduction We may have to wait for the “end of history”. Francis Fukiyama (1992) originally made claims of political and cultural stability in an essay of the late 1980s‚ perhaps the high noon of the Postmodern era. If his historical predictions seem premature a generation later‚ then by some consensus
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The building in Renaissance architecture[ Despite its history‚ the building is seen as one of the great examples of the new style. Its more notable features include: • the attempt to create a proportional relationship between nave and aisle (aisle bays are square whereas nave bays are 2X1. • the articulation of the structure in pietra serena (Italian: “dark stone”). • the use of an integrated system of column‚ arches‚ entablatures. • a clear relationship between column and pilaster‚ the
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CAREER CHOICE FACTORS OF HIGH SCHOOL STUDENTS This Term Paper is a partial fulfillment of the requirement in English IV under the supervision of Mrs. Cynthia S. Tamayo Presented by: Jacquilyn V. Borre ACKNOWLEDGEMENTS This term paper is made possible through the help and support from everyone‚ including: parents‚ teachers‚ family‚ friends and in essence‚ all sentient brings. Especially Jovilyn‚ my sister‚ never doubted me; she gave me the support
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with every choice we make. If I chose to attend the University of Michigan rather than NYU I would limit myself to a campus rather than living in the city. If I chose to travel to Europe during winter break I limit myself to seeing only a few countries rather than if I go during summer when I have more time. The decisions we make will always have consequences‚ whether good or bad. In Tracy Poe’s‚ “The Origins of Soul Food in Black Urban Identity”‚ the southern blacks made a Food “choice”. They chose
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Complexity and Contradiction in Architecture Robert Venturi In this article the author Venturi talks about the importance of applying inner complexity and contradiction to create more sophisticated‚ diverse architecture over over-simplified‚ black-or-white architecture. Non Straightforward Architecture: Gentle Manifesto In modern society even a simple building holds many complex aspects‚ its program‚ structure‚ mechanical program‚ and expression. The author opens up a view that is different
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Course: ARC 103 Title: Architecture and Sensitivity: A Manifesto for Sustainable Design This manifesto proposes an approach to sustainable design that I am interested in exploring during my time studying architecture. The idea of sustainability is a complex one‚ not without apparent contradictions. This makes it difficult to define in a wholly satisfactory manner. For the purposes of this manifesto I will advert to the definition proposed by Jason McLennan who asserts that sustainable design:
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Architecture‚ Formal Ornamentation Re-emergence of use of ornaments in architectural practice has occurred on a global scale over the past decade. Several architects are unwrapping a lost language that had been an intrinsic mode of communication in architecture. The language of ornament in architecture has been readily confused with the realms of decoration and pattern among others. However‚ ornament decoration is used in architecture and decorative art to embellish an object or part of a
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has introduced me to various factors in architecture regarding what it represents and should be in society through Louis Sullivan’s words. A Terminal Station: • The Masculine Implies forceful‚ direct‚ clear and straightforward‚ • The Feminine Implies intuitive sympathy‚ suavity‚ grace‚ and qualities of soothe‚ elevate‚ and refined. • Should be easy to get in and out (efficiency) • Outward aspect of the style takes on the ambulance of architecture. I agree‚ a terminal station should be
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