I attended The Wind Ensemble on March 9‚ 2016 that took place in San Jose State University Concert Hall. The program was part of San Jose State University School of Music and Dances performances Spring ’16. There were two conductors for this performance‚ Dr. Edward Harris was the director as well as the main conductor of this performance‚ and the graduate conducting associate Paul Herrea. In this ensemble‚ there were two percussion soloists by Professor Galen Lemmon and Anne Hsu‚ an alumni from SJSU
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Student Recitals The concert I attended for my review was the Student Rectials at Bailey Hall on November 14‚ 2014‚ and there were six different performers. Donald Victor Leopold performed Kinderszenen‚ op. 15‚ composed by Robert Schumann. Richardson Victor Leopold performed Fantasia in D Minor‚ K. 397‚ composed by Wolfgang Mozart. Luis Alvorado played Concerto in G minor by Antonio Vivaldi on the violin. Jade Martin performed Nel cor piu non mi Sento by Givoani Paisiello by singing opera. Steven
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COLLABORATION CONCERT Collaboration dance pieces are always a joy to watch‚ especially when the performers dance as if it was their last performance. On December 11‚ 2013‚ I had a chance to witness the Collaboration Concert of the dance departments of the two phenomenal schools of Cass Technical High School and Renaissance High School. And may I state‚ both schools brought the talent that resembles that of professionals. The concert involved thirteen performances of the young‚ but talented dancers
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Concert report 1 The concert I went to was called “Afternoon Chamber Music.” Even thought I left my house early‚ I still managed to arrive 10 minutes late. When I finally found the correct room‚ I had to wait outside a few minutes until one of the acts was over. When I finally got inside‚ the small room seemed to be packed‚ but I managed to find an empty seat in the front row. The sitting arrangements were the basic for any performances‚ same as in all the lecture class rooms. Most of the people
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On October 11‚ 2012 I went to the Collage chorus concert. When I went there I got to experience the variety of the performances which made the concert interesting. The overall artistry was an aspect of the performance that really stood out to me. As each choral group performed‚ they interpreted their emotions in the songs‚ the energy to the dancing and singing‚ in Sound check and Girls in Heels‚ and the individual styles of all the groups emphasized the talent of the performers. As I was listening
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Nischal Shrestha Perspectives in Music: Music 204 Concert Critique 2 Double Reed Recital November 21‚ 2014 It was Monday‚ November 17 cold and snowy outside Ophelia Paris Concert Hall‚ Truman State University but inside it was all warmth and light as Elaine AuBuchon started the Double Reed Recital. Having not been to any actual classical music concert‚ I was excited to hear the talent that we have in our campus. I took it upon myself to go with an open mind‚ without having any previous predispositions
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Natalie Concepcion Prof. Gwen D’Amico MSC 1003 PR13 December 7‚ 2010 Concert Paper On November 18‚ 2010 in the Engelman Recital Hall‚ the Baruch Performing Arts Center presented Alexander String Quartet and the Music of Mozart‚ Kodály‚ and Dvořák. The Alexander String Quartet had four male performers; two of the performers played violins‚ the third performer played the viola‚ and the fourth performer played the cello. They performed only one song‚ which was Wolfgang Amadeus Mozart’s String
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selections. The two poems I will be using are “Symptom Recital” by Dorothy Parker and “Symptoms of Love” by Robert Graves. These are two of the poems I found most interesting within our selections‚ because in both “Symptom Recital” and “Symptoms of love” both authors depict the feelings their speakers encounter with love. In these two poems the differences out weight the similarities. The differences in these poems are very noticeable. In “Symptom recital” Dorothy Parker expresses a woman’s feelings after
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WU Recital The Washburn University Recital was held in the White Concert Hall. It featured 6 different ensembles‚ each having their own compositions. The program began with the euphonium horn with piano accompaniment. The second performance included the flute with piano accompaniment. The third performance included the tuba with piano accompaniment. The fourth performance was a male singer with accompaniment from the piano. The fifth performance was the euphonium horn with piano accompaniment.
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The Renaissance spanned across over two centuries‚ beginning in the opening years of the 15th century and extending through to the 16th century‚ into the early years of the 17th century.[1] The duchy of Burgundy was a center of “French culture and civilisation”[2] and cultivated music with much vigour. The immense wealth enabled dukes to maintain at Dijon one of the most magnificent courts in Europe. The influence of the Dukes of Burgundy was great during the Renaissance‚ ruling much of northern
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