Under The Bridge ‘Under The Bridge’ is a relatively slow song with lots of chord progressions. When it was released‚ on their 1991 album ‘Blood Sugar Sex Magik’‚ it sent the band into mainstream success. This led to the department of their guitarist‚ John Frusciante‚ who couldn’t cope with the fame and spiralled into a serious heroin addiction. However‚ he would later return to join the band in 1998 to work on the album ‘Californication’. The song remains to be a landmark song for the band.
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>my one and only you< Verse: 1 A E It took one look F#m D And forever laid out in front of me A E One smile and I died F#m D (pause after the chord "D") But I do need to be revived by you Verse: 2 A There i was E F#m Thought i had everything figured out D A E Goes to show just how much i know F#m
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from Rnb and Soul. It instead uses an improvisational technique‚ to ‘vamp’‚ which is to remain on a chord for an intro for a number of bars before proceeding to the tune.This draws in elements of improvisational jazz‚ to which where the chords where usually taken from the Bebop Genre belonging to Jazz. Funk musicians where trained in these genres and often added these jazz extensions to their chords and solos. Like much african-influenced genres‚ funks main speciality is complex groove played on both
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approaching atonality or polytonality. This is emphasized through reinforcing a traditional diminished seventh chord with embellishing chord tones with trills‚ building additional triads from existing chord tones and building melodic material from intervals present in the diminished seventh (see Ex. 6). Ex. 6. Strauss‚ Salome‚ Scene 4 “Dance of the Seven Veils” Within the diminished seventh chord is the interval of a tritone‚ the basis of Debussy’s Prélude a l’après midi d’un Faune (Bernstein 243).
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be of musical prominence today for "its heartfelt melancholic lyrics"‚ "interpretations in the fields of folk and classical music"‚ and for having a melody "so evocative of English countryside". The fact that it is comprised of a simple sequence of chords with a repeating bass shows that it uses a form more familiar with the slow/focused tempo of the Renaissance period‚ but is also influential to the later‚ significant ritornello and basso continuo form developed in the Baroque period. The form of
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are different in terms of difficulty. A. Blues is easier than Jazz to learn. 1. Chord progression of Blues is quite standing. Most of Blues songs have the same chord progression that is called 12 Bar Blues chord progression. However‚ some Blues songs are written with 8 or 16 Bar Blues chord progression. 2. Blues is normally played with only the dominant chords that are not complex like the chords played on Jazz. 3. There are only a few of scales for Blues music. Blues scale is the
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Running Head: History of Trigonometry History of Trigonometry Rome Fiedler History of Mathematics 501 University of Akron April 29‚ 2012 History of Trigonometry: An Introduction Trigonometry is useful in our world. By exploring where these concepts come from provides an understanding in putting this mathematics to use. The term Trigonometry comes from the Greek word trigon‚ meaning triangle and the Greek word meatria meaning measurement. However it
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All blues commentry Introduction The piece "all blues" is from the album Kind of Blue‚ the composer is Miles Davis and it was composed in 1959. the style of the piece is Jazz and another example of Jazz is Louis Armstrong (trumpet/cornet/voice) Terrible Blues with his band the Red Onion Jazz Babies. Background Miles Davis was born in Illinois in May 1926. He knew from a very young early age that he wanted to be a musician. He started learning the trumpet at a young age‚ looking up to his heroes
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Alexander Zouev 000051 - 060 - 3 - Extended Essay – Mathematics Alhazen’s Billiard Problem Introduction: Regarded as one of the classic problems from two dimensional geometry‚ Alhazen’s Billiard Problem has a truly rich history. The problem is believed to have been first introduced by Greek astronomer Ptolemy back in 150 AD1 and then eventually noticed by 17th century Arabic mathematician Abu Ali al Hassan ibn Alhaitham (whose name was later Latinized into Alhazen)2 . Alhazen
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The A and Fb are not diatonic to the key of eb minor‚ and whilst A is a passing chord between bb and ab‚ the Fb seems more structurally significant. Because of this‚ Brown [1997] states “the intermediary chords arise from contrapuntal motion between the V chord in measure 5 and the VII chord in measures 9-10‚” suggesting that the chords between bb and Db are not of much structural importance. However‚ if these chords were omitted‚ the harmonic character of the song would become so different that
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