To play a tune you have to place your finger(s) on certain frets to play a chord. The chords that make up the song are C‚ G‚ Am‚ Em‚ B7‚ A7 and F. To play a C you place your ring finger on the fourth string and third fret. While playing a G you place your first finger on the second string and the second fret‚ ring finger on the third
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quite possibly from an even earlier Greek word "Kithara". Another prospective origin of the name guitar is a combination of two Indo-European roots: guit-‚ meaning music‚ similar to the Sanskrit word sangeet‚ and tar a widely attested root meaning chord or string. A third prospect for the word guitar’s origin could be that it is a Persian loanword to Iberian Arabic. The Arabic word qitara is a name for various instruments of the lute family the come before the western guitar. The name guitar could
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112 Free Worship Leader Resources by Gangai Victor Copyright & Licensing Information This book is licensed for your personal use only. No part of this book may be reproduced or distributed in any form except in case of brief quotations or book reviews. Please note that much of this publication is based on personal experience and anecdotal evidence. Although the author has made every reasonable attempt to achieve complete accuracy of the content in this book‚ the author assumes no responsibility
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AbstractHow does a helicopter generate enough lift to fly? How does a speedboat get moving fast enough to pull someone on water skis? Here ’s a project on designing propellers to do the job. ObjectiveThe goal of this project is to investigate how changes in chord length affect the efficiency of propellers.IntroductionA propeller‚ like an airplane wing‚ is an airfoil: a curved surface that can generate lift when air moves over it. When air moves over the surface of a moving propeller on an airplane‚ the air
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melody are B D# F A#‚ which is similar to E minor dominant 7th (B D# F# A). However‚ Williams replaced F# with F and A with A#‚ so the chord doesn’t make sense‚ quite like wizardry itself. As well as this‚ phrases usually end in the dominant chord‚ then the tonic chord. However‚ in part A‚ the second last chord is the dominant of the dominant (F#7) and the last chord‚ expected to be the dominant of the tonic‚ is the tonic itself (E minor). The cadence doesn’t make sense‚ again‚ much like
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Music 407 Chapter 1: What is world music? A Point of Departure: Five Propositions for Exploring World Music 1. The basic property of all music is SOUND * Tone – the duration (length)‚ frequency (pitch)‚ amplitude (loudness)‚ timbre (quality of sound). * All sounds have the potential to be tones 2. The sounds (and silences) that comprise a musical work organized in some way * Music is a form of organized sound * Listening: CD 1:1 (Beethoven’s Symphony #9) & CD 1:2 (Japanese
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JAZZ IMPROVISATION At the heart of jazz lies improvisation. Jazz improvisation is the process of spontaneously creating fresh melodies over the continuously repeating cycle of chord changes of a tune. Musical improvisation is the spontaneous creative process of making music while it is being performed. For example‚ improvisation is like speaking or having a conversation as opposed to reciting a written text. Most improvisation is structured‚ with certain predetermined structures shaping
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The sole trigonometric function used by the ancient Greeks is the chord‚ which is closely related to the sine function (Toomer 7). What is known from Ptolemy is that Hipparchus produced a table of chords‚ which were an essential tool in the early development of trigonometry. According to Theon of Alexandria‚ who worked in Alexandria as a teacher of mathematics and astronomy‚ Hipparchus wrote a treatise in twelve books on chords in a circle‚ which has been lost (Sarton 286) . It is believed that
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Example (picture). Examples of a figured bass include: the 6 5 representing that the 6th‚ 5th and 3rd note above the a sharp should be played creating a f sharp minor seventh chord in first inversion. The 5 3 similarly represents to the organ player that the 5th and 3rd notes above the E should be played‚ creating a diatonic chord. Vivaldi’s depiction of the arrival of spring can also be seen through the tempo marking of allegro (fast‚ brisk and lively) and the key of E major‚ one very fitting for the
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FIELD WORK NO. 5 LAYING OF A COMPOUND CURVE USING TRANSIT AND TAPE OBJECTIVES: To be able to lay a compound curve by incremental chords and deflection angle method. To master the skill in leveling‚ orienting‚ and using transit effectively. To work cooperatively with one’s group mates and efficiently perform the required task. MATERIALS/INSTRUMENTS: 2 range poles Chalks 50 meter tape Theodolite METHOD/PROCEDURE: The professor gives the following data: I1= 60⁰ D 1=
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