Katherine Dunham was born in Chicago‚ Illinois on June 22‚ 1909 as the youngest child of Albert Millard Dunham and Fanny June (Guillaume)‚ with an older brother‚ Albert Jr.‚ as well as children from her mother’s first marriage. Her heritage included Indian‚ French Canadian‚ English‚ Malagasy (Madagascan) and African ancestry (Aschenbrenner 7). Dunham’s mother passed away when Katherine was only four and their father left the children with their aunt Lulu‚ where Katherine faced multiple instances
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“Discuss in choreographic terms the use of space in Jardi Tancat. In your answer‚ refer to the variety of configurations or groupings of dancers.” ‘Jardi Tancat’ which is Catalonian for ‘enclosed garden’ was Nacho Duato’s first major choreography. The work explores the hardship and sorrow of the Catalonian people as they struggle working in the barren‚ water stricken Catalonian land. Duato has portrayed this concept through the powerful movement of three female and three male dancers‚ all dressed
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Frenchman who came to be known as "the father of Russian ballet‚" left us a legacy of classical ballet that continues to this day. He greatly expanded the role of male dancers and we have him to thank for the leaping‚ twirling‚ breathtaking men’s choreography we see in ballets now. While numbers are hard to find it appears that he staged at least fifty original ballets and created dances to thirty-five operas in addition to reviving another seventeen ballets. In reality he probably contributed to many
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Dance competitions provide dancers with a different type of dance than the basics such as ballet and modern companies. Joe Tremaine started this path that has now lead into a full blown competitive dance world. Joe Tremaine started dancing when he was four years old in Oak Ridge‚ Louisiana. His mother put him in dance class because he was a shy kid. She would take him to dance class three times a week in Monroe which was a 35 mile drive. He loved it and was immediately hooked from the first dance
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Discuss the ways that choreographers use the aural setting to help them to communicate the choreographic intention. Use a range of examples from at least three professional works. The aural setting can be used in many ways to communicate the choreographic intention‚ for example‚ it can help tell the story and it can enhance character‚ mood and atmosphere. The aural setting can also help to set the scene and tell you where a dance is set‚ for example‚ place or era. Nutcracker! (2002) by Matthew
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Chorographic Fusion between Contemporary Dance and Indigenous Movement in Bangarra Dance Theatre Stephen Page has been the Artistic director of Bangarra Dance Theatre since 1991. During this time he has choreographed many works‚ including his two major pieces Ochres and Fish. Ochres was first performed in Sydney in 1995 playing an essential part in traditional life and it explored the significance of ochres. Fish is also about the earth and the power of the elements‚ Fish focused on the waters of
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BANGARRA DANCE THEATRE Historical Background: Bangarra is an aboriginal and Torres Strait Islander organisation founded in 1989 by dancer and choreographer‚ Carole Johnson. Based at Walsh Bay in Sydney‚ Bangarra exists to create a foundation for the care and celebration of Aboriginal and Torres Strait Islander cultural life. Since 1991‚ Bangarra has been led by Artistic Director and Choreographer Stephen Page who has created a unique style‚ fusing traditional aboriginal dance and contemporary
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Part A Safe dance practice is the guidelines and principles put in place to reduce risk of injury and help prolong a dancer’s career. We need an understanding of body placement‚ kinaesthetic awareness and coordination to perform to our full potential if wanting it to be successful. Dance as an art form is trying to communicate an idea or concept intent to an audience. The movement will partially communicate that‚ but it is how you express the movement that will tell a story. Our core performance
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that emphasize their fantasies‚ dream‚ feelings and emotions through robust movement. Both artists have similar styles in dance‚ however differences between the two exist. Firstly we come to note the similarities of movement style seen within the choreography of Graeme Murphy and Rafael Bonachela. The choreographers have both incorporated all the different elements of dance and have expressed themes through their pieces Synergy by Synergy and 2 One Another integrating
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The effects of Dance Imagery and its contribution towards healthy body alignment and positive development in dance. This essay will discuss how to focus on keeping ideal alignment by using Dance Imagery in the process of personal development throughout technique and independent rehearsals. (Ashley. 2005) “alignment is good posture‚ achieved by holding sections of the body in line with one another and using minimal muscular work”. Body alignment is about how your head‚ shoulder‚ spine‚ hips‚ knees
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