"Choreography" Essays and Research Papers

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    Bob Fosse

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    (all black‚ accentuated by hats and gloves). A perfectionist‚ Fosse liked detail in his choreography and would position his dancers down to the angles of their feet or their little fingers. As his career progressed‚ Fosse became increasingly fascinated with expressing sexuality and decadence through dance. Fosse’s peak year was 1973. In addition to his Cabaret Oscar‚ he nabbed Tonys for his direction and choreography of the Broadway musical Pippin‚ the eerily magical and sexually decadent story of

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    Les Demoiselles D Avignon

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    Spring. When the ballet first premiered in Paris‚ the audience were shocked and protested against the music and choreography (Fiero‚ Gloria). In fact‚ most if not all‚ of the public were of high class and expected a traditional composition/ballet that is calm and graceful. However‚ the “angular‚ dissonant and totally unpredictable” music as well as the “outrageous costumes‚ unusual choreography and bizarre story of pagan sacrifice” scandalized the audience; it was considered as savage(Fiero‚

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    Mats Ek Carmen Essay Example

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    stories. It will also discuss one of his major works Carmen and relate it with the original one. Mats Ek is a prominent and controversial figure of the contemporary dance. He has his own choreographic style and his work in contemporary dance choreography is contested. He was born in 1945. Eks mother‚ and his big influence‚ was the famous dancer and choreographer Birgit Cullberg‚ the founder of the world wide recognized‚ Cullberg Ballet Company. As said before‚ his mother was a huge influence for

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    The vocals are very frequently harmonized with. Bands like the Temptations and the Supremes do it quite often‚ whether it’s in the form of call-and-response or just vocal oohs and ahhs. Finally‚ one of the biggest aspects of motown music is the choreography. Again‚ following the KISS principle‚ the

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    originates from the north Mindinao region of the Philippines and is derived from Muslim culture. There are two known versions of Singkil-- the classical version and the modern Indarapatra version. Both version deliver very similar performances of choreography. Both versions consists of a princess‚ prince‚ court of fan girls‚ and male bamboo tappers all in which are clothes in colorful‚ silk malong embellished in jewels . What differs the two dances‚ however‚ is the power behind the characters and story

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    Russian Ballet

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    arrived in St. Petersburg. He found there a well-trained company‚ which consisted mainly of the employees of the Imperial household. They were not spoilt by the attention and glamour‚ because they were the Tsar’s servants. The Tsar wanted to see choreographies that had been seen in the times of the Sun King. That is there was combination of romantic stories with a luxury and pomp. Under leadership of Petipa the Russian ballet became extremely popular in the world. Within thirty years Petipa created

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    filled with serious societal undertones (Kourlas 2014). Snow White is no longer innocent‚ rather she is a sensually provocative adolescent portrayed with adult explicitness and garnished in what can only be deemed a “uni-diaper.” Embellishing his choreography with a mixture of electronic techno music by DJ Laurent Garnier and Gustav Mahler’s symphonies‚ Preljocaj’s customary

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    Bob Fosse Essay

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    distinguished by its economy (the power of a single gesture)” (Billman). Fosse was inspired by the natural sexuality of the human body and more specifically how dance can express a human’s sensuality. Fosse worked hard to create a staple for his choreography and he made sure his dancers worked equally as hard to embody

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    Marcia Milgrom Dodge

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    The  props  were  all  household  objects  that  children might play pretend with‚ and the  costumes  were  designed   as  if  picked up from around a house. The show earned  her a nomination  for the Lucille Lortel Award for Outstanding Choreography.  It  is  likely  because   of  this  production  with  ​ Seussical  ​ that  Dodge  has  gone  on  to  become  an  incredibly  successful  director.  She  worked  closely  with  Stephen  Flaherty  and  Lynn  Ahrens‚  the  composers  and  lyricists

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    Dancers in this play used many different forms of dance‚ using props‚ having a partner‚ or dancing in unison with a group. The movements in their choreography were very large‚ incorporating the whole body‚ generally performed in a sensual or risqué fashion. I was familiar with a few of the steps they included in their choreography‚ specifically grand battements‚ attitude leg swings‚ pique turns‚ and pas de bourrees. The dancers‚ similar to teaching from our class‚ always had a very elongated

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