few Imperfections‚ is sure to find its way back to Broadway and the hearts of all those who sit and watch. In addition to the director‚ the lighting design by Charlie Morrison was breathtaking. All of the special effects‚ costumes‚ scenery‚ and choreography were brilliantly enhanced by Morrison’s creative lighting cues. From deep into the dark purple and lime-green black lights of Ursula’s lair to the orange and pink sunsets at its surface‚ there was not a moment that the light design was anything
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4-30-2011 Always Marching It starts in early July and ends in late June. It involves great precision and discipline. High school marching band can be a full time gig for any music student that chooses to dedicate their life to this activity. High school marching band has three different seasons that a high school music student can participate in‚ fall‚ winter‚ and parade. The first marching season begins in early July and proceeds through early November. This season involves every section of
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Film 106 23 November 2011 Comparative Essay: Dirty Rotten Scoundrels The musical Dirty Rotten Scoundrels is based on a popular 1998 film by the same title. The storyline is about two conmen‚ (1) Lawrence Jameson who is played by Patrick McBride and (2) Freddy Benson who is played by Tom Andrew/Reed Willard‚ living on the French Riviera. Now Lawrence is a cultivated and suave gentleman who cons rich ladies out of their money by pretending he is prince of a small country that doesn’t exist and
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contradiction. A performer of power‚ a person of timidity. A dancer with strength‚ a fragile man. A choreographer basking in the light of progress and controversy‚ a patient who rarely chose to speak. Vaslav Nijinsky used his outlet of dance and choreography to prove to himself to his parents‚ his partners‚ and the public. When words failed‚ art displayed the inner yearnings of a man badly prepared for
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Focus Lessons from K-pop’s Global Success SEO Min-Soo K-pop’S GLobaL reach On the heels of the successful launch of Korean TV dramas in foreign markets‚ K-pop began to make inroads in China‚ Japan and Thailand in the early 2000s. In recent years K-pop has expanded into Europe‚ the Middle East and the Americas in a second “Korean Wave.” K-pop’s current reigning girl group‚ “Girls’ Generation‚” made their nationwide US debut with an appearance on “The Late Show with David Let60 | www.seriquarterly
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found interesting was that he never auditioned dancers‚ he kept it very personal by employing friends of friends‚ which enforces a personalisation to the piece‚ as they were true people who were hand picked‚ as opposed to technique dancers dancing choreography. The Intent The intent was clear from the beginning and I feel the piece was too long‚ revisiting the same idea that we had already established at the very start. The piece was about communication on different levels‚ it showed this by having
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’Hair’ is a play about the choices and struggle of a group of people in the 1960s‚ called hippies. Hippies believed in peace and love‚ not war and violence‚ growing out their hair as a representation. The play was inspired by a need to change the social standard in America. ’Hair’ is a rock musical about the revolution of sexuality and social standard. Their mission was to change people’s perception of racism‚ environmental destruction‚ poverty‚ sexism and sexual repression‚ violence at home and
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The entire video was shot in one take‚ which for such a complex choreography and orchestration of the set‚ is quite impressive. The illusions in the video are created using a moving set over a stationary floor‚ allowing for objects simply resting of the floor to appear as though they are moving without any external forces
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Expression Carrie Noland here is expression in Cunningham’s choreography? Are the moving bodies on stage expressive? If so‚ what are they expressing and how does such expression occur? Several of the finest theorists of dance—among them‚ Susan Leigh Foster‚ Mark Franko‚ and Dee Reynolds—have already approached the question of expressivity in the work of Merce Cunningham. Acknowledging the formalism and astringency of his choreography‚ they nonetheless insist that expression does indeed take place
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“Audiences today want a real experience in their live performance‚ because they can get great script based entertainment at home‚ through various new media sources. Traditional theatre‚ which appeals on a mental‚ and hopefully also emotional level‚ has not been enough to compete with other media‚ and audiences have been declining. Physical theatre‚ by contrast appeals to the audience on a physical and emotional level‚ providing a much more immediate experience than traditional theatre” ~ (Artmedia
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