are best made in to musical films. Musicals are able to break down language barriers‚ telling the plot of the film through song which evokes plenty of emotion that is universally understood. West Side Story is a perfect example of a musical where choreography and music helps the audience to understand the story even though they might not understand every word of the lyrics. Musicals are able to effectively tell a story if the plot is more simplistic. Contrary to [romantic] comedies and dramas‚ turning
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audience member you have to interpret each part of the dance and create your own story. This means that each person watching will have a different experience because people interpret thing in different ways. All of the dances consist of songs and choreography that is very powerful. It is evident that the dancers in each of the performances are highly skilled dancers and each of these dances are well rehearsed. The final dance is creating the best story for the audience and creates high levels of emotions
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Alvin Ailey Alvin Ailey is a multicultural modern dancer known for his great accomplishments in dance and choreography. He founded the Alvin Ailey American Dance Theater and throughout his lifetime created some 79 ballets‚ many of which have appeared in the repertoire of major dance companies. It was on a junior high school class trip to the Ballet Russe de Monte Carlo‚ he fell in love with concert dance. He became inspired by performances of the Katherine Dunham Dance Company and classes
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Driscoll School of Irish Dance. I am not sure where the group was from‚ whether they were local or came from Ireland as well. They were a wonderful dance group who used steps from traditional Irish dance but also incorporated a lot of different modern choreography as well.
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English: What is being a grown up for you? A few days back‚ I saw a controversial music video from an artist‚ who was once known for her wholesome image. In the video her clothes were very vulgar‚ and their choreography was provocative. Her song involved references to partying‚ alcohol‚ and drugs. As I scrolled down to read the comments‚ I came upon one that said: “Get lost! Give her a break‚ she grew up”. This statement I found a mockery to the concept of “being a grown up”. Growing up is not
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microphones on so they were nice and loud but whoever was controlling the microphones could have used a little more practice because their voices would cut in and out and the audio person would turn the wrong person’s microphone on. They all had great choreography and gestures. The set was excellent. It was hand painted and fit the story very well. They also set the mood of a scene very nicely by using lights and sound effects. The music was very catchy and interesting. The costumes were very good as well
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named Otis Williams‚ Paul Williams‚ Eddie Kendricks‚ Melvin Franklin‚ and David Ruffin‚ who became the Eligins and then became the Temptations. This group was very special and unique. They were special and unique because of their finely tuned choreography‚ distinct harmonies‚ and stylish suits. The Temptations had two producers named Berry Gordy and Shelly Berger. The Temptations record company was named Motown records. Berry Gordy was the producer of Motown Records. The Primettes became the Supremes
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Harold Hill and his seventy six trombones marched their way into The Philadelphia High School for Creative and Performing Arts’ "The Music Man". "The Music Man" follows the story of conman and traveling salesman‚ Harold Hill. Hill peddles instruments‚ and claims he’ll form a band of all the boys in town using his revolutionary "think" method of instrument playing. His plan is to order uniforms‚ which take about four weeks to arrive‚ collect the money‚ and skip town. But his plan encounters a massive
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Jenna Zeringo Singin’ in the Rain In 1952 Gene Kelly and Stanley Donen directed MGM’s musical comedy “Singin’ in the Rain”. Fifty five years later in 2007 it ranked number five on the American Film Institute list of “List of Greatest Films”. It’s evocative to Americans and is generally considered the best Hollywood musical film; it was not a Broadway production until several years later. Gene Kelly not only directed the classic but he also choreographed and starred in it as Don Lockwood.
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