its Effect on Architecture "The emperor’s personal sanction of Christianity gives it status‚ which creates greater need for rituals and administrative structure. Christian churches‚ memorial structures‚ and mausoleums soon spring up in Rome‚ Constantinople‚ and other cities" gave opportunity for architects to create a new design. Christian basilica architectural design was for the needs of the congregation‚ which meant a new kind of design. With the spreading of the influence of Christianity
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were significantly influenced by the Greeks‚ they did in fact make many of their own architectural discoveries that allowed them to build massive buildings‚ extensive roadways‚ and amazing aqueducts. Indeed‚ the Romans are the masters of modern architecture‚ with their inventions of both concrete and the arch ultimately changing the face of the world. The True Arch: While the Greeks use arches‚ they did not use it for their structures‚ except for drainage systems and tunnels. The Romans‚ however
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population. Ever since its beginnings in the first century AD‚ it grew exponentially. Massive numbers of its followers have caused it to have considerable influence on the world culture. Since the majority of its followers were from what is considered the western world‚ the influence of Christianity on it was greater than elsewhere. The impact of Christian philosophy in the areas of politics‚ economy‚ business‚ law‚ education‚ science and human relations will be discussed in this report. While the issues
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both Christian and pagan influences. Pagan values consist of victory‚ and its constant reward through fame. Christian traits consist of loyalty‚ good leadership‚ and fairness‚ even in times of war or battles. Beowulf makes a lot of references and stresses the fact that he values fighting his battles with his bare hands. Another Christian value that is presented‚ and exercised by Beowulf in this epic poem‚ is that wealth must be shared unselfishly. Beowulf’s juxtaposition of pagan‚ and Christian values
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Almost everything that happened in ancient Greece influenced us‚ but art and architecture is the area the Greeks made the biggest contribution. To begin with‚ the ancient Greeks influenced the way many of the sculptures are today. The sculptures that were men were called Kouroi‚ the women were called Korai. Back in ancient Greece the sculptors began to create and sculpt their statues in more relaxed postures. Occasionally‚ they constructed their sculptures in an action scene. Sculptors oftenly were
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The Influences of Islamic Culture towards Architecture I. Introduction Islamic architecture encompasses a wide range of both secular and religions style from the foundation of Islam to present day. Most of the building is influenced by Islamic element with variety of style in which are Persian style‚ Indo-Islamic style and Indonesian-Malay style. II. Body A. The first style of Islamic culture that influences the architecture is Persian style. 1. Persian style can be identified
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Throughout history‚ there have been numerous factors that have influenced the development of western architecture. The most influential factor of classical architecture was humanism. The ideology of humanism is an attitude centered chiefly in the values‚ interests‚ and potential of human beings (Webster’s II New Riverside Dictionary 205). Humanism is what leads to the development of the Classical World as we know it. In the Classical World‚ that is ancient Greek and Rome‚ the ideology of humanism
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Christian religious practises‚ such as baptism‚ have a deeply significant influence on the lives of adherents. Most Christian denominations‚ apart from Quakers and Salvation Army‚ practise baptism. Which is a salvation ritual based upon the old Jewish tradition of “Mikvah”‚ which is the process of purification through ritual bathing. Baptism is also an initiation ritual in which has many important symbols‚ the most important being water‚ which symbolises the cleansing of original sin. It has an important
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The building in Renaissance architecture[ Despite its history‚ the building is seen as one of the great examples of the new style. Its more notable features include: • the attempt to create a proportional relationship between nave and aisle (aisle bays are square whereas nave bays are 2X1. • the articulation of the structure in pietra serena (Italian: “dark stone”). • the use of an integrated system of column‚ arches‚ entablatures. • a clear relationship between column and pilaster‚ the
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culture‚ it is also no longer the expression of our culture”. This move‚ which separates ornament and culture‚ links Modernist architecture to the culture of modernity. Reading this now two things emerge. The first is a statement of intent – Modernist architecture clearly defines itself in relation to culture. The second is a question – how today can the relation between architecture and culture to be understood? Despite the clarity of the Loos’s definition‚ this contemporary question has a persistent quality
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