Aristotle uses six different points to define a tragic hero. The tragic hero must be of noble stature and have greatness. Though the tragic hero is pre-eminently great‚ he/she is not perfect. The hero’s downfall is partially his/her own fault‚ the result of free choice‚ not of accidental means. The hero’s misfortune is not wholly deserved and the punishment exceeds the crime. The fall is not pure loss. And though it arouses solemn emotion‚ tragedy does not leave the audience in a state
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To be a tragic hero‚ the heroes must be inherently good people who have good intentions. In addition to their changes in fortune‚ tragic heroes must‚ in the end‚ recognize their own responsibility for their behavior and accept their fate with dignity. In Sophocles‚ Antigone there are two types of tragic heroes a traditional tragic hero and a sophoclean tragic hero. Traditional Greek tragic heroes have four main qualities: Arete‚ a type of excellence‚ Hubris‚ an excessive degree of pride‚ Ate‚ imprudence
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Tragic Hero In many‚ a tragedy do the tragic heroes have flaws that lead themselves to their own demise. The main character always acts exactly on his or her own emotions; thus aiding their tragic flaw and leading to their own demise without giving them the time to stop the repercussions of their emotion driven actions. In the play “Antigone” by Sophocles many of the characters are simply too headstrong and passionate about their beliefs to realize that they would greatly regret the decisions
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Professor Slattery English L202 October 10‚ 2012 Upholding Jocasta as the Tragic Hero What makes a tragic hero? Aristotle lays down groundwork of a tragic hero as being essentially good. They are neither villain nor saint because they have flaws. Several elememts are nevcesary to have a tragic hero‚ they are the tragic flaw‚ the reversal‚ recognition‚ and hubris. These generally make up the story of the tragic hero‚ and in the case of Jocasta‚ the wife and mother of Oedipus in Sophocles’ Oedipus
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Introduction “A hero deserves admiration due to his inherent goodness. If he succumbs to unmerited suffering‚ he becomes a tragic hero.”_1 In Aristotle’s own words‚ “a man cannot become a hero until he can see the root of his own downfall.” This statement gives the gist of Aristotle’s concept of a tragic hero. A hero must fall from grace and must be able to clearly comprehend the cause of his fall. The “fall” must take place due to an error in judgement that arises out of some flaw (hamartia)
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Hamlet is a tragic hero in the true sense of terrible event because he died trying to complete his goal of avenging his father. He is a tragic hero who asked Horatio to let his story be known of how he saved Claudius but‚ in the process‚ lost everything he loved‚ including his own life on one level people might not believe completely he is a tragic hero because he did not die at the hands of Claudius. Instead‚ he died at the hands of Laertes through Claudius’s dishonest actions. Hamlet might have
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example of Shakespeare’s ability to manipulate his audience through creating a tragic hero. A tragic hero who‚ because of a flaw‚ tumbles from a well-respected hero to a cowardless murderer. It is through Shakespeare’s manipulation of figurative language‚ dramatic conventions and social expectations of the seventeenth century‚ do the audience witness the demise of this mixed up man. Macbeth’s persona of the tragic hero is enhanced even more when the characters around him influence his decisions‚ creating
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*DATE* *TEACHER_NAME* *CLASS _#* *DAY_MONTH_YEAR* Brutus‚ the Tragic Hero There is much debate as to who plays the part of the tragic hero in Julius Caesar‚ but through analysis and literal evidence‚ it can be proved that Marcus Brutus plays the tragic hero. The definition of a tragic hero‚ as by Dictionary.com‚ is “a literary character who makes an error of judgment or has a fatal flaw that‚ combined with fate and external forces‚ brings on a tragedy.” As given by examples in the play‚ Marcus
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"Poetics" which discussed the characteristics of a tragic hero. In this composition of philosophy and literary theories‚ Aristotle’s ideas revolve around three crucial effects to audience members. First‚ the audience must develop an emotional attachment to the tragic hero. Next‚ the audience must fear what may befall the hero. Finally‚ once misfortune strikes‚ the audience pities the suffering hero. Clearly‚ for Aristotle’s theory to succeed‚ the tragic hero must be a complex and well-constructed character
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Statement: Oedipus is the embodiment of Aristotle’s characterization of a tragic hero through his ability to preserve his virtue and wisdom‚ despite his flaws and predicament. Introduction I. Sophocles’ Oedipus: A Tragic Hero A. Definition of a tragic hero B. Oedipus Character as it relates II. Tragedy A. Language of Tragedy B. Tragedy as it affects the audience III. Plot A. Aristotle’s idea of a tragic plot B. Significance of the plot IV. Virtue and Morality A. Identifying
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