CIMABUE: Virgin and Child in Glory surrounded by six angels‚ c. 1280‚ wood‚ Musee de Louvre 1. ARTIST: Cimabue- also known as Cenni Di Pepi’ a. Generally regarded as one of the first great Italian painters to break away from the Italo-Byzantine style‚ a.i. he still relied on Byzantine traits. b. Painter and mosaicist‚ b.i. Cimabue used the formal traits of Byzantine art‚ b.i.1. Brought emotional aspects‚ b.i.2. An increased concern with naturalism‚ b.i.3. New awareness of three-dimensional
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Giotto di Bondone‚ was born 1266–67/1276‚ near Florence Italy and died Jan. 8‚ 1337‚ in Florence at the age of 70. Before his death‚ the city of Florence appointed him head Florentine architect and chief of public works. He is believed to have been a pupil of the Florentine painter Cimabue and to have decorated five different chapels. He became so widely known that the poet Dante made mention
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Chapter 19 From Gothic to Renaissance: 14th Century Italian Art The essentially religious view of the world that dominated medieval Europe began to change dramatically in what is called the European Renaissance. Although religion continued to occupy a primary position in the lives of Europeans‚ a growing concern with the natural world‚ the individual‚ and humanity’s worldly existence characterized the Renaissance period. The Renaissance‚ which means “rebirth‚” extends roughly from the 14th through
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Art 1110 Study Guide #2 (Chapters 10 through 15) • Chapter 10 Early Christian and Byzantine Art Concepts: Understand the origins of Early Christian and Byzantine art and the difference between the two Vocabulary: Catacombs Apse Transept Cruciform Nave Side Aisle Narthex Atrium (see figure 10.3 for an illustration) Clerestory Basilica Planned Church Central Planned Church Ambulatory Mosaic Process Pendentive Minaret Lunettes Images: 10.3‚ 10.4 Plan and cross section
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Renaissance painting Giotto‚ Lamentation‚ Cappella degli Scrovegni In Italy in the late 13th and early 14th centuries‚ the sculpture of Nicola Pisano and his son Giovanni Pisano‚ working at Pisa‚ Siena and Pistoia shows markedly classicizing tendencies‚ probably influenced by the familiarity of these artists with ancient Roman sarcophagi. Their masterpieces are the pulpits of the Baptistery and Cathedral of Pisa. Contemporary with Giovanni Pisano‚ the Florentine painter Giotto developed a manner
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Mosaics were created by: COLORED GLASS Madonna refers to: THE VIRGIN MARY At one time Ravenna was an important outpost for the Byzantine Roman Empire: TRUE Pendentives are found around which of the following: HAGIA SOPHIA What did Paul the Silentiary say about Hagia’s Sophia’s dome? IT LOOKED AS IF IT WERE SUSPENDED FROM HEAVEN What does Hagia Sophia mean? HOLY WISDOM Iconoclasm refers to which of the following? DESCTRUCTION OF IMAGES Byzantine churches were mostly centrally
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Rucellai Madonna‚ Duccio Duccio di Buoninsigna was an Italian artist from the city of Siena. He lived during the end of the 13th century and the beginning of the 14th. Throughout his life he was hired to complete many important works in government and religious buildings around Italy. During the 1300’s Duccio became one of the most favored and progressive painters in Siena. He is now considered one of the founders of Western art. Not much is known about Duccio’s life. But there are records saying
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are dark‚ but still light enough to allow us to view “biblical stories‚ legends of the saints‚ the lives of heroes like Roland and Charlemagne‚ and scenes of everyday medieval life”. Giotto’s Arena Chapel contains the frescoes of the painter Cimabue Giotto. The fresco of the Nativity is a part of the story of the virgin. The story of the incarnation and infancy of Christ begins on the Chancel Arch and continues to the middle register. The pulpit by Nicola Pisano is different from other pulpits
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Italo-centic • Saw Byzantine art as negative (emotion) as well as French Gothic style • Cimabue • Marker the end of the byzantine style • Probably from Florence • His style indicates that he had absorbed elements of Classical plasticity and a late medieval tendency to express emotion through surface patterns of rich color and gold leaf as well as through content • Crucifix 1275 o In showing the dead Christ‚ Cimabue was in tune with his recent iconographic developments‚ which departed from the previously
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+500300 B.C 580 B.C Pythagoras born 470 B.C Socrates born 427 B.C Plato born 347 B.C Plato dies 384 B.C Aristotle born 399 B.C Socrates dies 322 B.C Aristotle dies 100BC. 198 B.C Polybius born 151 B.C Ptolemy inactive 146 B.C Greece came under Roman rule 121 B.C Ptolemy first active 117 Polybius dies 120 B.C Plutarch died 106 B.C Cicero born 100 B.C Caesar ruled Rome. 7060 B.C 70 B.C Roman poet Virgil born‚ Rabbi Hillel born
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