By: Nistha Pithava Nistha Pithava Art History 1 December 12‚ 2012 Take Home Final: Part 1 Section I: Ancient Near East The works of the art that is related to the Near Eastern time period incorporates the arts of Mesopotamia‚ which is ancient Iran‚ Syria‚ and Turkey between the periods of 3500 through 399 B.C. The dates of begin in the Neolithic prehistoric times and end in the historic or dynastic periods‚ which for the most part is prior to the Christian era. Near East
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The Changing Role and Status of the Artist 1300 – 1600 To explore the changing role and status of the artist during the period 1300 – 1600 we have first to look at the period of time prior to this. For a thousand years before‚ Rome had ruled most of Europe‚ bringing new developments in technology‚ education and government‚ but after Rome fell to invaders in 542 CE‚ Western Europe became stagnant‚ a period we now term as the Middle Ages. Ordinary people did not venture far from their hamlets
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Development of Society In the beginning of our course of study‚ around the Iron Age‚ agrarian village societies began to emerge throughout Europe. Although they left few examples of what they looked like‚ they did leave evidence that their culture valued war‚ and was strongly oriented toward horses. Centuries later‚ when Rome had already conquered most of Europe west of the Rhine‚ the Roman Empire absorbed the Iron Age agrarian village cultures and began introducing them to Roman influences: language
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In the century preceding the Renaissance‚ landmark artists Cimabue and Giotto made an important stylistic shift that signaled the beginning of a new kind of art. They rejected the ethereal‚ flattened world that had dominated Italo-Byzantine painting for centuries; and in its vacancy they created believable visual illusionism—a depiction of space‚ volume‚ and the observable world. This artistic development was built upon by Renaissance artists like Fra Angelico who championed the use of scientific
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Cathedral of Florence (1290) o Very Romanesque piazza w/ limited decoration o Cathedral: gothic pointed arches not very tall‚ dome by Brunelleschi • Life of John the Baptist door by Andres Pisano (1330) Giotto • Cimabue o Virgin and Child Enthroned (1280) • Gesturing to baby • Giotto o Virgin and Child Enthroned (1310) • Holding Jesus like a mother‚ Jesus= peace sign o Arena Chapel (1300) • Cobalt Blue ceilings‚ paintings everywhere • Lamentation‚ commisoned‚ wht type of organization
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The worldwide‚ iconic centerpiece for art and history known commonly as The Louvre has been the home to the French monarchy‚ a battle fortress during the Hundred Years War and currently as a world-class museum with art ranging from the Mona Lisa by Leonardo DaVinci(which some believe to be a self-portrait of DaVinci) to artifacts from Ancient Egypt to Greek‚ Etruscan‚ Native American and Near East antiquities. But the Louvre was not always the artistic mecca that the world has familiarized the name
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Vasari and his role during the Florentine High Renaissance: Girogio Vasari was born in Arezzo‚ Tuscany during the Renaissance in 1511. As a young man he showed a remarkable interest and talent for painting and soon became a student of the famous artist Guglielmo da Marsiglia. After his apprenticeship‚ he moved on to study more in Florence‚ which was home to many other prominent Renaissance artists before he moved on to study in Rome. It was in Rome that he was exposed to the works of his idols
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History of Art in the Renaissance Period The Renaissance was‚ essentially‚ a revival or rebirth of cultural awareness and learning that took place during the fourteenth and fifteenth centuries. It followed the Middle Ages‚ and was basically a time of the revival of learning after the Middle Ages‚ or Dark Ages‚ a time‚ like its name suggests‚ with little increase of ideas‚ inventions or developments. In looking in to the matter of how the Renaissance first started‚ one understands that it was a
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Art Hist. Review Ancient Greek Art and Arch. (600 BCE-30 BCE) The Early Classical Period 480-450 BCE 5.23 KRITIOS BOY Acropolis‚ Athens 480 BCE -Marble -He is self confident and serious looking -He is a sculpture in the round -The artist is believed to be KRITIOS -The statue has an S-curve to him and is in the contrapposto pose‚ which is when artists use tension and relaxation around the central axis of the body to increase to muscular tension and enhance the musculature of a body. It is
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writers and artists comment on one another with appreciation‚ as when Petrarch likenedSimone Martini‚ and Ugolino Verino likened Sandro Botticelli‚ to Apelles. There were also various allusions to the dawning of a new age with Dante‚ Petrarch‚ Cimabue‚ Giotto and Duccio. Of greater moment is the inclusion of arts in humanistic memorializations of the illustrious‚ notably the accounts of artists’ lives written by Vasari and Karel van Mander.
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