There are many differences in many different types of Cinderella stories around the world‚ Such as Germany‚ France‚ and Ireland. But in this essay we are focusing on the Chinese version‚ Yeh-Shen and Egyptian version‚ Rhodopis. We are going to see the differences‚ similarities‚ and the relating facts of all the magic helpers in both of these versions of cinderella. Looking at both stories or all stories and or versions of Cinderella we need to look at differences and similarities and how most of
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unless they chose to have one. After he writes about tough‚ no-worries princesses‚ he goes on to state that princesses could finally have found a happy medium. Contemporary writers now say that today’s Cinderella would have to be attractive but still be able to make the honor roll. The Cinderella story doesn’t have to be all love and affection between the Prince and the Princess‚ and the Princess does not always have to be saved by the prince. He thinks the princesses don’t always need to prove
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article‚ “The Princess Paradox”‚ James Poniewozik describes how the princess era is making a comeback. He uses a lot of examples of cinderella stories and other fairytale projects to describe how the princess era is becoming a trend today. He goes into a lot of depth about these movies and fairy-tail projects to get his point across. In the article‚ “Cinderella and Princess Culture”‚ Peggy Orenstein starts off by telling us how she came “unhinged” at the dentist’s office whenever the dentist
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Does this have to be the case? Is there an impenetrable border between childhood and adulthood‚ or can certain things carry over? Depending on your age and personal experience‚ fairy tales like Cinderella can be perceived in several drastically different mindsets. As a young child‚ Disney portrayed Cinderella as a magical rags to riches tale where a poor maiden was swept off her feet by her Prince Charming and lived happily ever after. Complete with insightful talking mice‚ extravagant ball gowns and
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from traditional customs to more liberal ideas. One example is the view of Cinderella and how she may be detrimental to young females or how she can be molded to society’s view and become empowered. Critic from Time magazine and author of “The Princess Paradox‚” James Poniewozik discusses how the idea of princesses can be powerful or harmful to the adolescent women of today. He emphasizes Hollywood’s version of Cinderella in real life portrayals and suggests that there are quite a few princesses
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Cinderella Comparison-Contrast Essay In this essay‚ I will be comparing and contrasting two Cinderella stories Aschenputtel and Yeh-Shen. Aschenputtel is a German folktale written by the Grimm brothers‚ and Yeh-Shen the Chinese version written by Ai-Ling Louie. They are both stories about two young beautiful maidens who are treated badly by their stepmother and stepsisters. Afterward‚ they are rescued by loyalty. The story’s message is to teach people that goodness is always rewarded in
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her one true love who saves her from her misery‚ at then end of the story they marry each other and hap a happily ever after. For example‚ in the movie Cinderella‚ a young girl is orphaned after her father dies leaving everything to her wicked step mother who forces her to become the family’s servant while her two daughters live with ease. Cinderella sneaks her way into the prince’s ball only to have him fall in love with her‚ but as the clock strikes twelve she rushes off leaving the prince with nothing
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Coatie‚ and they were married at once. My thoughts on the story Rashin Coatie were encouraging. I found that this story had the same general theme of the Cinderella story that I had read as a child. This story is fiction‚ meaning not true‚ but it was very well written. The plot was very similar to the original Cinderella version. In the Cinderella I read‚ a King loses his wife and he has a young girl who is very beautiful. The
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Have you ever wonder how many different “Cinderella” stories exists and how each one is different around the world? Although there isn’t just one “Cinderella” story most people have heard‚ but around 340 to over 3‚000 different versions such as The Irish Cinderlad‚ the Irish tale‚ and Yeh-Shen‚ the Chinese version. Both stories differ from the well-known French adventure. However‚ these two versions of Cinderella‚ “Yeh-Shen”‚ the Chinese version‚ and “The Irish Cinderlad”‚ the Irish version‚ have
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limitations. Gender rigidity is primarily produced in a child’s first years through advertising in toys or clothing‚ and forms limitations for gender roles later in life‚ such as jobs or behavioral mannerisms. In an excerpt from Peggy Orenstein’s Cinderella Ate My Daughter‚ Orenstein sheds light on a major product from the multi-billion dollar company of Walt Disney that is cashing in on gender roles: the Disney Princesses and their doll merchandise. “There are more than twenty-six thousand Disney
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