| |Key elements of the Cinderella story | |We are going to explore the history of Cinderella stories in order to develop an understanding of the elements of the story | |that are appropriated in the film Cinderella Man. | |
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Disney’s original movie Cinderella (1950) and Rodgers and Hammerstein’s Cinderella (1997) both consist of songs throughout the movie. “A Dream is a Wish Your Heart Makes” is sung by Cinderella where she is seen singing to her animal friends to always keep dreaming. It consists of rhymes in the end of almost each line and the words rhyme with each other every other line. There are different types of rhymes used throughout the song. The second and fourth lines end with asleep/keep‚ which are perfect
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In the autobiographical book “Chinese Cinderella”‚ the author‚ Adeline Yen Mah‚ goes through a lot of hardships and difficulties with her family and life in general. She is not treated as part of her Fathers family and is sent away to live in a boarding school away from them. Adeline’s relationship with her family is very distant and cold‚ she is unloved and unwanted. No one acknowledges her or shows any heed and sympathy towards her. This relationship is shown in line 28 when she asks ‘Where is
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The author of Chinese Cinderella Adeline Yen Mah illustrates the relationship she experiences within her family which defines the impact in her life as an individual. Throughout the novel‚ Adeline uses characterisation‚ images‚ symbols and language to illustrate her journey from one who was abused and assaulted by her stepmother Niang‚ to one who loved and cherished by her Aunt Baba. In her book‚ Adeline Yen Mah uses the characterisation of her stepmother Niang to describe the negative relationship
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The story of Cinderella began in ancient China and has since been translated and recreated numerous times into stories‚ plays‚ and even movies. Perrault and Disney’s versions of Cinderella took special interest to Louis Bernikow‚ in which she analyzed in her essay “Cinderella: Saturday Afternoon at the Movies”. In the essay‚ Bernikow shows that “there are two worlds in the Cinderella cartoon‚ one of women‚ one of men” (270)‚ and that the women in the story need men. In “Cinderella: Saturday Afternoon
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This book is as good as your favorite book times four. It keeps getting better and better as you read it. The novel Chinese Cinderella by Adeline Yen-Mah is inspiring because it talks about how Adeline was always working hard even though her family did not like her. As she grows up she gets sent to many boarding schools and that makes her work even harder. Aleline never gave up on her dream no matter what happened. For example‚ “It was announced today that 14 year old Hong Kong schoolgirl Adeline
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stepmother originated in Grimms’ fairy tales in 1812 as a morbid tale of the beauty and vanity that fit with the culture of the time. However‚ modern adaptations have evolved to reflect the state of the audience. Disney’s more recent adaptation in 1937 was meant for a much softer generation of children than those raised in the 19th century‚ while Universal Pictures adaptation moves back to dark origins to appease an adult audience that has grown from its predecessor. When the Grimms’ Brothers published
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The Grimm Brother’s Tale of Thievery A long lost son‚ a deadly bet‚ robbery‚ attempted murder‚ and much deception all contribute to the allure of the Grimm Brother’s folktale‚ "The Master-Thief". While the folktale appeals to the human romanticism of crime‚ specifically of excellent criminals‚ the basic story carries morals and a hidden cognizance of human perception that not always does good outdo evil. "The Master-Thief" boils down to a story of tests. A peasant farmer meets a well-off gentleman
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The Singing Bone by The Brothers Grimm translated by Margaret Taylor (1884) In a certain country there was once great lamentation over a wild boar that laid waste the farmer’s fields‚ killed the cattle‚ and ripped up people’s bodies with his tusks. The King promised a large reward to anyone who would free the land from this plague; but the beast was so big and strong that no one dared to go near the forest in which it lived. At last the King gave notice that whosoever should capture or kill
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Orenstein’s three year-old daughter entered the “princess phase‚” Orenstein became increasingly frustrated. As a feminist‚ she worried about the negative effects the princess obsession would have on her daughter and other young girls in their futures. In “Cinderella and Princess Culture‚” Orenstein sets out to discuss these effects. She discovers that although it seems as if this princess craze is creating negative gender stereotypes at an early age‚ maybe princess enthusiasts are really benefitting from their
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