the largest motion picture theatre exhibitor in Canada. The Toronto-based partnership serves approximately 60 million customers under the following five brands: Cineplex Odeon‚ Galaxy‚ Famous Players (including Coliseum‚ Colossus‚ and SilverCity)‚ Cinema City‚ and Scotiabank Theatres. This portfolio utilizes multi-branding to target a wide scope of quality seeking segments without damaging its premium end brands. Critical Success Factors in the Movie Theatre Industry The core service of exhibition
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Sam Maloney International Cinemas September 19th‚ 2011 Restivo‚ MW 12:00 EXAM 1 “One artistic strength of Hong Kong cinema‚ then‚ is its use of parallels and motifs—musical‚ visual‚ or verbal—to bind together episodically plotted films.” : In Plots p 120 So far in this Chinese Cinemas class‚ I have noticed something every film we have viewed in class and every Hong Kong film I have watched outside of the lecture: the stories flow perfectly. At first the films could come off as confusing
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It is hard to imagine a film taking place in a vacuum; without a set‚ there cannot be a film. Therefore architecture and cinema are immediately intrinsically interlinked. Even if no actual buildings are shown on screen‚ this still holds true. This is because architecture is not just about the design and erection of a building‚ but it is the establishment of a place in time. After all‚ the ‘first task of architecture is to mark man’s place in the world.’ Already the framing of a space‚ the manipulation
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Banquet Cinema By: Donna Vining BUS 368 Venture Capital & Banking Instructor: Melody Clements April 2‚ 2012 Banquet 2 The Banquet Cinema Last year while on vacation‚ we went to a dinner theater. We had a great time. This got me to thinking that it would be a great opportunity to start a business in my home town like this. There would be little competition because there is only one small theater in town. I would have an advantage over this theater because my cinema would
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MODERNITY AND NATIONHOOD IN INDIAN CINEMA MODERNITY‚ NATIONHOOD AND NEHRUVIAN IDEOLOGY AFTER INDEPENDENCE B.A FILM PRODUCTION TERM PAPER SUBMITTED TO ASC-UCLAN SEMESTER- 1 COURSE: REVIEW: READING FILMS COURSE CODE: SUBMIT BY: BHAVNEET SIROHI DATE: 28 JANUARY 2013 INTRODUCTION In this paper I address some of the ways in which ideas of modernity and nationhood is tackled in Hindi films after independence .My primary interest is to understand how modernity and Nationhood was
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When observing the Northwood Cinema Grill‚ I decided to observe two servers on Friday and one server on Saturday‚ so I could see if any of their patterns overlapped and to watch their interactions with their customers. Going into this observation I was interested in what qualities make an effective server and how the customers responded to those qualities. I observed the Northwood Cinema Grill from noon to 12:30 on Friday. The weather Friday was very cold and windy. I reached the front of the
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Bollywood‚ the greatest dream factory on the Indian subcontinent‚ is the most productive film industry in the world. It makes up to eight hundreds films a year‚ twice as many as Hollywood‚ and about fourteen million Indian people go to the cinema everyday. Films are made so fast that sometimes actors on set shoot scenes for four different films at a time‚ using the same backgrounds and the same storylines. III. What makes Bollywood films unusual ? Like any film industry
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Originality and Repetition in Contemporary Cinema It seems that the innovation of Contemporary Cinema has come to a stand still. Audiences are becoming more and more difficult to please‚ as films endure the comments of "seen that!" or "that’s been done before!" leaving filmmakers struggling to break away from the rigid structure of genre to produce somethings fresh and new for contemporary audiences. Hollywood‚ in particular‚ is being seen as producing films that are "commercial‚ aimed at a mass
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Jan 11 2004 Hyderbad‚ India Sex and violence in films is no child’s play. Actress Raveena Tandon realised that to her discomfort at the inaugural function of the 13th International Children’s Film Festival recently. There were reportedly a lot of red faces in Hyderabad when some children sang and danced to the tune of raunchy film numbers during the opening festivities. While both Andhra Pradesh chief minister Chandrababu Naidu and Union I&B Minister Ravi Shankar Prasad expressed
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Introduction The term‚ ‘Third Cinema’ was coined in an interview with the Argentine Cine Liberacion group‚ published in the journal Cine Cubano (March 1969)‚ and was then more fully developed in the manifesto “Towards a Third Cinema: Notes and Experiences for the Development of a cinema in the Third World‚” written by Fernando Solanas and Octavio Getino‚ members of that group. Femi Shaka describes it as “a tool for creating a revolutionary consciousness for the mass mobilization for society for
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