The Third Party Syndrome in the Philippine Cinema: Psychoanalysis’ Perspective “Kaya kabit ang tawag sa kanila kasi daig pa nila ang epoxy kung kumabit. Kaya querida kasi mga kiri. Kaya mistress kasi nakaka-stress.” -Jaclyn Jose‚ A Secret Affair (2012) No Other Woman. The Mistess. A Secret Affair. These films are just a few of the recent offerings of ABS-CBN Star Cinema‚ one of the leading production houses in the country. Aside from all being acclaimed films‚ these three all revolve around
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music that have been identified. Through a little research‚ you can often times see that most of the current genres of music were rooted in older genres such as jazz. This essay in particular will discuss hip hop which has roots stemming from jazz‚ blues‚ and also gospel music. In Understanding Black American Aspects in Hip Hop Cinema by Tani Sanchez‚ we see an excerpt where music scholar Craig Werner establishes a three step process in which hip hop music is associated with the gospel. These steps include
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In the article Visual Pleasure and Narrative Cinema‚ published in 1975‚ Laura Mulvey‚ a British film critic‚ has set out the concept of visual pleasure named scopophilia (Mulvey 485) and explained its presence in Hollywood cinema. She points out that this scopophilia is taken from “the pleasure in using another person as an object of sexual stimulation” (Mulvey 487)‚ explains that when men looked at women‚ men as the subject can get scopophilia by looking at women in the object position. In contrast
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regarded as the two chief Italian expositors of neorealism. Zavattini worked as the screenwriter for Vittorio De Sica and authored several of the masterpieces of neorealist cinema including Ladri di biciclette (1948) and Miracolo a Milano (1950). Aristarco founded the journal Cinema Nuovo and encouraged the idea of Italian cinema as a natural progression fron neorealism to what might be called critical realism. Interested in promoting a realist agenda reminiscent of Lukács’s throughout the arts‚ Aristarco
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of opening is synonymous with transnational cinema as it lets the viewer know exactly what to expect without the film even starting yet. It is through this that the audience know how to watch the film and critically engage it. Brazilians watching are made aware that the intent of the film-makers is to appeal to other nations as well as their own. The construction of the opening of a national film differs only slightly from that of transnational cinema in that any and all production companies shown
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Sexual and Violent Content in Cinema and its Effects on Audiences A persistent debate has harassed at motion picture decades. This debate regards sexual and violence content in film and whether they can have a damaging effect on audiences and society. In this assignment I shall research current thinking and draw up my own conclusion from my findings. Public opinion currently holds the belief that violence and sex as portrayed in the media has led to a decline of moral values and has contributed
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American Independent Cinema: Representational Analysis of Women Throughout the years women have had a very hard time making their presence known in the male-dominated film industry. Since the very beginning females have been overlooked in the film and television industries. In the competitive harsh world of cinema women have been represented in numerous ways. They have been traditionally viewed in an over-sexualized manner‚ as objects‚ or as secondary characters supporting a male
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Hepatitis C: Nutrition Care QQQQQQQQQQQQQQQQQQQQQQQQQQQQQQ QQ QQ QQQQ QQ QQQ QQQQQQQQQQQQQQ QQQ Canadian Guidelines for Health Care Providers Canadian Guidelines for Health Care Providers Endorsed by: ♦ ♦ ♦ ♦ ♦ Canadian Association for the Study of the Liver Canadian Association of Hepatology Nurses Canadian Hemophilia Society Canadian Liver Foundation Hepatitis C Society of Canada Funding for the development and dissemination of these guidelines was provided by Health Canada‚ Community Acquired
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How Indian cinema evolved over the years A hundred years ago on this date‚ India’s first film Raja Harishchandra was released. Over the past hundred years‚ our cinema and its facets have evolved and how!! The hero From mooch to macho From a bulky mustached Raj Kapoor in the 40s to a six-pack flaunting‚ butt-baring John Abraham now‚ the Bollywood hero has had quite a makeover. The 50s was the era of method-acting with the likes of Dilip Kumar‚ while in the 60s‚ Rajesh Khanna and Dev Anand
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ODEON AND UCI CINEMA GROUP AND ITS BUSINESS ENVIRONMENT By Viktoriya Nikolaeva Yordanova BADM 004 Business Environment Advanced Diploma in Accounting and Finance London College UCK 08 February 2010 List of contents Summary Page 3 Identifying the mission‚ objectives and responsibilities of ODEON and UCI Cinemas Group Limited and its environment Page 4 Conclusion Page 12 References Page 13 Summary There are many governmental
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