the largest chain of cinemas in Malaysia‚ Golden Screen Cinemas (GSC). It was founded in 1981 as Golden Communications Circuit‚ while the Cathay is the one of the oldest cinemas in Malaysia until 1998. At the same time the website has been launch in 1981. Besides‚ GSC was founded in 1998 as a merger of Golden Communications (GC) Circuit and Cathay Cinemas. The merger has resulted in the biggest single entity in the Malaysian cinema entertainment business. The first GSC cinema to operate in Malaysia
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Classical Hollywood Cinema era took place after the silent cinema era. This was roughly between the late 1920s and 1960s. The start of this “Golden Age of Hollywood‚” began with the film‚ The Jazz Singer‚ which was released in 1927. It was the first movie to have used synchronized voices as a vitaphone talkie. This was how they brought sound into the films. Unfortunately‚ the vitaphone ended up putting the silent film actors out of work‚ eventually putting an end to the silent cinema era. After The
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In the article Visual Pleasure and Narrative Cinema‚ published in 1975‚ Laura Mulvey‚ a British film critic‚ has set out the concept of visual pleasure named scopophilia (Mulvey 485) and explained its presence in Hollywood cinema. She points out that this scopophilia is taken from “the pleasure in using another person as an object of sexual stimulation” (Mulvey 487)‚ explains that when men looked at women‚ men as the subject can get scopophilia by looking at women in the object position. In contrast
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of opening is synonymous with transnational cinema as it lets the viewer know exactly what to expect without the film even starting yet. It is through this that the audience know how to watch the film and critically engage it. Brazilians watching are made aware that the intent of the film-makers is to appeal to other nations as well as their own. The construction of the opening of a national film differs only slightly from that of transnational cinema in that any and all production companies shown
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: the masquerading gaze Chapter 2: the male body as erotic spectacle – women and sexual looking 1. : alternative gazes 2. : Can women look at men? 2.3: ‘the fourth look’ Chapter 3: Feminist counter cinema and Queer cinema 3.1: the avant- garde theory film 3.2: lesbian/gay spectators and lesbian representations Conclusion Bibliography References Introduction. Part 1 Throughout my dissertation I will be exploring the classical
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American Independent Cinema: Representational Analysis of Women Throughout the years women have had a very hard time making their presence known in the male-dominated film industry. Since the very beginning females have been overlooked in the film and television industries. In the competitive harsh world of cinema women have been represented in numerous ways. They have been traditionally viewed in an over-sexualized manner‚ as objects‚ or as secondary characters supporting a male
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How Indian cinema evolved over the years A hundred years ago on this date‚ India’s first film Raja Harishchandra was released. Over the past hundred years‚ our cinema and its facets have evolved and how!! The hero From mooch to macho From a bulky mustached Raj Kapoor in the 40s to a six-pack flaunting‚ butt-baring John Abraham now‚ the Bollywood hero has had quite a makeover. The 50s was the era of method-acting with the likes of Dilip Kumar‚ while in the 60s‚ Rajesh Khanna and Dev Anand
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Faez Khanmohamed Professor Todd Boyd CTCS 192 2nd August 2012 Shift in Objectification of Women within American Cinema Imagine a film opens with a shot of immensely vast blue eyes. The shot slowly expands to show a nose and red blushed cheeks. The shot continuously expands to show lips drowned by red lipstick‚ a slender neck‚ the cleavage of breast‚ flat stomach‚ and eventually slender long legs. This opening could very well be used in many films for the reason that it invites the viewer
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like Marnie. Elizabeth Ramsy states that the child figure thus occupies an ambiguous liminal space “that threatens as it unites ideas of domesticity” (Olson 6). ] Wetmore in his article‚ “Psycho without a cause: Norman Bates and Juvenile Delinquency Cinema” compellingly argues that Psycho has many tropes common/characteristic of a juvenile delinquency or JD film. Hitchcock’s films abound with “dangerous children” (Wetmore 219) masquerading
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Hepatitis C: Nutrition Care QQQQQQQQQQQQQQQQQQQQQQQQQQQQQQ QQ QQ QQQQ QQ QQQ QQQQQQQQQQQQQQ QQQ Canadian Guidelines for Health Care Providers Canadian Guidelines for Health Care Providers Endorsed by: ♦ ♦ ♦ ♦ ♦ Canadian Association for the Study of the Liver Canadian Association of Hepatology Nurses Canadian Hemophilia Society Canadian Liver Foundation Hepatitis C Society of Canada Funding for the development and dissemination of these guidelines was provided by Health Canada‚ Community Acquired
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