ODEON AND UCI CINEMA GROUP AND ITS BUSINESS ENVIRONMENT By Viktoriya Nikolaeva Yordanova BADM 004 Business Environment Advanced Diploma in Accounting and Finance London College UCK 08 February 2010 List of contents Summary Page 3 Identifying the mission‚ objectives and responsibilities of ODEON and UCI Cinemas Group Limited and its environment Page 4 Conclusion Page 12 References Page 13 Summary There are many governmental
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Do you agree with the view that the British New Wave cinema of the late 1950s and early 1960s were part of a wider social revolution that was taking place in British society? The British New Wave was characterised by many of the same stylistic and thematic conventions as the French New Wave. Usually in black-and-white‚ these films had a spontaneous quality‚ often shot in pseudo style on real locations and with real people rather than extras‚ apparently capturing life as it happens. Source 2 says
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participates: independent cinema‚ film theory‚ ethnographic documentary‚ and so on. Her work can be thought of‚ from the figure of the interval‚ as an intermediate space open to multiple crossings‚ a zone of unforeseen associations of the sensible and the intelligible. The notion of the "interval" arises with reference in the works of Trinh T. Min-ha‚ in order to expand the conventional classifications implied in the acts of thinking and representing reality. In her book Cinema Interval‚ Min-ha mentions
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The Visceral Politics of V For Vendetta: On Political Affect in cinema. By Brian L. Ott* pages 39-54 Abstract This essay concerns the role of political affect in cinema. As a case study‚ I analyze the 2006 film V for Vendetta as cinematic rhetoric. Adopting a multi-modal approach that focuses on the interplay of discourse‚ figure‚ and ground‚ I contend that the film mobilizes viewers at a visceral level to reject a politics of apathy in favor of a politics of democratic struggle. Based on the
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Baz Luhrman was made famous by his three films that come under the title of the ’Red curtain trilogy’. These three films are Strictly Ballroom‚ Romeo + Juliet‚ and Moulin Rouge. Red curtain cinema is a term made up by Luhrman. It is about breaking cinematic rules and boundaries. It is a refreshingly new and unique style of movie making that gets the audience to take part and enjoy the film. Luhrman has established a degree of adaptability in all his works. Luhrman devised the Red Curtain style of
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HITCHCOCK BLONDES RESEARCH PAPER Hitchcock‚ Blondes and Cinema: Bermuda Hell Triangle Submitted by Mirac Ethem Özdağ ID# : 20700401 DPT: MAN ENG102-94 Submitted to Bengisu T. Akalın SPRING 2008 HITCHCOCK‚ BLONDES and CINEMA: HELL TRAINGLE There are thousands of topics and articles written about Hitchcock films‚ because of his being undoubtedly one of the greatest directors in our decade. In today’s cinema world‚ many directors do not hesitate to admit that they are inspired
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“South Korean cinema both borrows from and rejects Hollywood.” How far is this true in Save the Green Planet? In order to discuss the extent to which Jang Joon-Hwan’s ‘Save The Green Planet!’ (2003) borrows from and Rejects Hollywood‚ it is important to identify exactly what type of film it is and what it is trying to do. Save the Green Planet (STGP) is a very typical South Korean New Wave film. ‘New Waves’ in cinema are basically film movements which involve a series of experimental (and often
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The Third Party Syndrome in the Philippine Cinema: Psychoanalysis’ Perspective “Kaya kabit ang tawag sa kanila kasi daig pa nila ang epoxy kung kumabit. Kaya querida kasi mga kiri. Kaya mistress kasi nakaka-stress.” -Jaclyn Jose‚ A Secret Affair (2012) No Other Woman. The Mistess. A Secret Affair. These films are just a few of the recent offerings of ABS-CBN Star Cinema‚ one of the leading production houses in the country. Aside from all being acclaimed films‚ these three all revolve around
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Reaganite Cinema – Hollywood Propaganda or Clever Social Critique? In the difficult times of Cold War‚ Hollywood produced a number of action films‚ all of which shared similar narrative patterns – American hero arises and defeats the evil empire of Soviet Union (whether literally or figuratively). The films like Rocky IV‚ Rambo III and Red Dawn are considered the striking examples. As Stephen Prince notes in his book: “...all of the others (Reaganite cinema films) pursue as well the great
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American Independent Cinema: Restlessness and Anxiety at Home and on the Open Road Aims of my project The aim of this project is to explore the American Independent cinematic style‚ and ascertain what it reflects. Areas that interest me within the American Independent sector of film are‚ the road movie sub genre‚ youth culture and the American family. In this study‚ I plan to look at films from 1960s to present in my exploration. One of the most interesting features I have found within most American
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