Hollywood is the most popular form of cinema and filmmaking; it is the first one that comes to mind when people think of cinema today. But‚ the world is not limited to just the American and Hollywood perspective as other countries make their own films even compete against the familiar style. Transnational films break through both ‘national’ and ‘international’ forms and can be taken on a global and local scale. Though‚ it does not limit media to one country‚ but works across many national cultures
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1 . Theatre Of India The earliest form of the theatre of India was the Sanskrit theatre. It began after the development of Greek and Roman theatre and before the development of theatre in other parts of Asia. It emerged sometime between the 2nd century BCE and the 1st century CE and flourished between the 1st century CE and the 10th In an attempt to re-assert indigenous values and ideas‚ village theatre was encouraged across the subcontinent‚ developing in a large number of regional languages
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V. Shantaram-A versatile genius film director from Bollywood December 11‚ 2009 | Filed under: Featured | Posted by: Mithi Chinoy V. Shantaram-A versatile genius film director from Bollywood For Rajaram Vankudre Shantaram or V. Shantaram as we know him‚ learning filmcraft was indeed a very difficult task‚ considering that this Kolhapur boy had no formal education at all. He was born on November 18‚ 1901‚ in Maharashtra’s princely state of Kolhapur to a Jain family of very modest means‚ hence the
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Dharam Dev Ânand (born September 26‚ 1923) is a famous Indian actor and film producer. His real name was Devdutta Pishorimal Anand. Dev Anand is one of the most popular stars the Hindi Film Industry has seen. In his heydays‚ he was considered the epitome of the suave‚ urban gentleman. His elder brother Chetan Anand is credited to bringing him and younger brother Vijay Anand into the film world. Though he did launch his son Suneil Anand in films with Anand aur Anand‚ the film and Suneil did not
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itself defeated‚ war ravaged and in great economic turmoil. Italy‚ the once romantic agricultural Mediterranean gem was attempting to recover from Nazi occupation and reindustrialize. Fascist leader‚ Benito Mussolini‚ believed cinema‚ to be the most powerful weapon; “Il cinema è l ’arma più forte" he constructed the Cinecittà. It became Europe’s largest film studio‚ so large it could have been its own city. His assassination marked the downfall of his ‘white telephone’ propaganda movies and the rise
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| music by | Shankar-Ehsaan-Loy | Cinematography | Sachin Krishn | Editing by | Santosh Mandal | Distributed by | Illuminati Films Eros International | Release date(s) | * 12 August 2011 | Running time | 164 minutes[1] | Country | India | Language | Hindi | Budget | 420 million (US$7.7 million)[2] | Box office | 424.3 million (US$7.8 million) (domestic nett) | Aarakshan (Hindi: आरक्षण‚ translation: Reservation) is a 2011 Hindi film starring Amitabh Bachchan‚ Saif Ali Khan and Deepika
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INTRODUCTION * The Aamir Khan starrer Ghajini has created waves at the box office by raking in Rs 90 crore worldwide on the first weekend of its release. But much before that‚ the film had already created waves in the world of marketing by setting new standards for the industry. * Ghajini has been marketed as ‘India’s first event film’ one that has the potential to become a successful business venture rather than just the box office success of the movie. * Apart from the ongoing success of
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Press : History. Derek Bose(2006) ‘Brand Bollywood: a new golobal entertainment order’‚ Sage publications : Performing Arts. K. Gokulsing‚ Wimal Dissanayake(2004) ‘Indian Popular Cinema: a narrative of culture change’‚ Trentham Books:Perforing Arts‚ Ashish Rajadhyakhsa‚ Paul Willemen(1999) ‘Encyclopaedia of Indian cinema’‚ British flim institute : Performing Arts. Saldanha‚ Arun (2002) ‘Music‚ Space‚ Identity: Geographies of Youth Culture inBangalore’‚ Cultural Studies 16(3): 337-50. Vatsyayan‚ Kapila
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Sixteen (2002) and This Is England (2006) Within the last few years British Cinema and Realism have been linked. “Realism began in the 1930’s with documentary films‚ and a prime example of this is with the ‘father of documentary’ John Grierson‚ who founded the British documentary movement and created classic films such as Drifters (1929)‚ Industrial Britain (1933)‚ Song of Ceylon (1934) and Night Mail (1936).”In which British Cinema depicting the daily lifestyles of working class citizens. Social Realism
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After exploring the two different characteristics between Italian neorealism and post war Japanese cinema‚ I can compare that both types of cinema relate to the lives of the country. By that I mean‚ their work was influenced on the struggles and culture of the two countries. After screening Rashomon and The Bicycle Thief‚ I found distinctive yet similar styles between cinematography and narrative. Comparing both the films‚ The Book Thief and Rashomon exposes arguments of the early-twentieth century
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