A comparison of Independence Day and 2012 VIDEO | AUDIO | Scene opens to INDEPENDENCE DAY‚ to where destruction happens. The camera pans around the scene‚ the eyes of thousands watching the destruction occur. A man mumbles‚ “Oh crap” in astonishment that the end of the world is occurring. | Oh crap is right! Hi‚ my name is and I’m going to be comparing the films Independence Day‚ along with 2012. I have enjoyed these films from the second I have watched them all‚ and I hope you all enjoy this documentary
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Ramya Krishnan Ramya Krishnan was born in 1967 in Chennai. She is the niece of veteran Tamil comedian Cho Ramaswamy. She received initial training in Bharathanatyam‚ Western and Kuchipudi dance forms and has given many stage performances. Ramya started her acting career at the age of 13 and has an acting career spanning over 32 years. She first played the lead role in Vellai Manasu‚ a Tamil film opposite Y. G. Mahendra. She was studying in 9th standard when she acted in that film. She is most
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Dancing Through the Night and All That Jazz From the very beginning of the 1800’s‚ musicals and operas have always been an interesting and popular source of entertainment. With the introduction to film and the use a vitaphone in the early 1900’s‚ the production of musical films were created. A musical film had the actors singing songs that are related in with the storyline. In the years of silent films‚ musical films were unable to be produce because the audience would be unable to hear the actor’s
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Noor Khan Aesthetics & Video SAAMPT Assignment: Write about Mise-en-scene. In the film industry‚ the various amounts of different types of film are incredible. But as different as films may seem‚ they all have one element that links them all together. That element is known as mise-en-scene. Mise-en-scene is a French phrase that means “putting into the scene.” Mise-en-scene includes elements such as setting‚ lighting‚ costume‚ camerawork‚ figure movement and expression (acting). Each movie
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The Bicycle Thief The Bicycle Thief is probably the best known and most highly praised of all the Italian Neorealist films of its era. The films of the Neorealist movement were characterized by several primary ideas. Instead of featuring stories focusing on glitz and glamour‚ Neorealist films focused on the poor and the working class. Instead of building and fabricating complex sets to film on‚ they did their filming on location. And instead of trying to get the most well known‚ highly paid celebrity
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1 When in talks about the most influential movement in film history‚ many would point out that Italian Neorealism has created a great impact of it’s own in the 1940s. Post‐World War II in Italy birthed a lot of films that supported this national movement. This essay aims to explore the themes and the mis‐en‐scene of the film “The Bicycle Thief” by Vittorio De Sica and how it serves as an unforgettable representative of the neorealism genre. With regards to it’s mise‐en‐scene‚ “The Bicycle Thief” represented every
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- Introduction - Once upon a time in Culver City‚ California‚ there was a studio with a lion as its logo called Metro-Goldwyn-Mayer. For many years‚ under the leadership of Louis B. Mayer‚ Dore Schary‚ and others‚ the studio created magnificent musical films that remain unsurpassed creations in movie history. Mainly‚ there were three musical producers‚ Arthur Freed‚ Joe Pasternak‚ and Jack Cummings. Each producer had his team‚ these were referred to as “units”‚ such as the famous “Freed Unit”
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Grease (1978) music: Leonard Bernstein I think the effectiveness of a musical film in comparison to a film score in a non-musical largely depends on the target audience of the film‚ genre of film‚ and plot of the film. In musical films like Grease‚ Chicago‚ Les Miserables‚ West Side Story‚ and Mama Mia‚ the musical and choreographed aspects of film work with the plot in an effective manner. I feel like [romantic] comedies (eg. Mama Mia and Grease) and dramas (eg. Les Miserables and Chicago) are
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CHAPTER IV Style technique in girish karnad’s “hayavadana” If style maketh the man‚ it follows from the proverbial dictum that from one’s style the person behind it can be deciphered. However with the case of Girish Karnad‚ though we comprehend a style‚ it is a style that cannot be compartmentalized. Being a versatile genius‚ his style and theme varies. InYayati ‚ we find a story from the Mahabharata fused with Western form. In Tughlaq a theme from History mingled with Parsi theatre. InNagamandala
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Bicycle Thieves (1948) and Pickpocket (1959) are two films revolve around the morality of theft. Both director Vittorio De Sica’s Bicycle Thieves and Robert Bresson’s Pickpocket tell tell a similar story‚ and wonderfully use perspective and camera movements to tell them. Bicycle Thieves follows Antonio Ricci (Lamberto Maggiorani) as he struggles to provide for his wife Maria (Lianella Carell) and his son Bruno (Enzo Staiola). Antonio gets a job‚ but needs a bicycle in order to fulfill his employment
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