"Cinema of India" Essays and Research Papers

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    Chinese Cinema

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    Topic: Hong Kong cinema has been characterized by a strong transnational and global nature. Chinese identity and its relationship with Hollywood. Introduction: In the 1990s of Hong Kong‚ its movies‚ styles‚ stars and filmmakers were exportable to Western market. In the essay I will focus on how Hong Kong cinema become “transnational” and “borderless” in recent years‚ and relying on Hong Kong actors analyse it’s the relationship with Hollywood. Thus Hong Kong cinema in general is a crucial

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    Cinema of the Philippines

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    The Philippine cinema is the youngest of the Philippine arts‚ and still is considered as one of the popular forms of entertainment among the Filipinos. It directly employs some 260‚000 Filipinos and generates around PHP 1.5 billion revenues annually.[1] Contents [hide] 1 Overview 2 History 2.1 Origins 2.2 American period 2.3 World War II and Japanese occupation 2.4 1950s 2.5 1960s 2.6 1970s to early 1980s 2.7 Contemporary period 2.7.1 Late 1980s to 1990s 2.7.2 2000 and beyond 3 See also

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    Big Cinemas

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    and scaling of variables 10 Sample design 16 Data analysis plan 17 Main objective of the study The main objective of our research is to find out how to improve the ticket sales of Big Cinemas. For this purpose we analyzed both internal and external environment of big cinema. We also determined the strength and weakness of it in comparison to its competitors. We have considered various factors to find out whether ticket sales can be increased or not. Some of the factors

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    Essay on Cinema

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    Essay on Cinema Cinema is a relatively new alternative to the theatre and other performance-based entertainments. Cinematography‚ however‚ has much longer history and has already evolved a lot during the last fifty years. The history of movies goes back to centuries from today. It started with motion pictures and‚ mostly as a part of social gatherings‚ such as carnivals and festivals‚ slowly started to gain its importance in the world of communication and entertainment. The twenty first century

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    National Cinema

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    Is the label “national cinema” still a useful one? Critically evaluate the usefulness of the term in relation to at least two films from this course. 1. floating life 2. chunking express 3. my blueberry night Like different countries have different culture‚ customs and give people different feeling‚ as an important part of one’s culture industry‚ movies from different places gives people different sense of feeling. That’s the magic of National cinema. But under the big trend of globalisation

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    Digital Cinema

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    IMPACT AESTHETICS: BACK TO THE FUTURE IN DIGITAL CINEMA? Scott McQuire Millennial fantasies As anyone interested in film culture knows‚ the last decade has witnessed an explosion of pronouncements concerning the future of cinema. Many are fuelled by naked technological determinism‚ resulting in apocalyptic scenarios in which cinema either undergoes digital rebirth to emerge more powerful than ever in the new millennium‚ or is marginalised by a range of ‘new media’ which inevitably include some

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    Literature and Cinema

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    LITERATURE AND CINEMA FANTASY IN FILMS Life is a Theme of Literature‚ Literature is the expression of Life. Life fashions Literature and Literature moulds Life. The intimate relation between Literature and Cinema is one of the common place truths which have been illustrated again and again‚ both Social and literary life history. Literature is the most fascinating creation of a literary artist based on the style and stategy of life. Life and reality are the basics

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    Cinema as a Language

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    Cinema as a Language Silence film had reached its artistic peak by 1928. It seemed like cinema had developed into an art most perfectly with silence. The realism that sound would bring could only be seen as chaos. However‚ the sound proved that it didn’t come to destroy; on the contrary‚ it had a responsibility and it came to fulfill its mission to the cinema. The point is whether the technical revolution formed by sound track actually the aesthetic revolution. Considering editing‚ we cannot

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    Elements of Cinema

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    Elements of the cinema TIME * Since the images of moving pictures move in time‚ time is the most important element of the cinema. In the cinema it is subject to contraction‚ expansion‚ breaks or leaps through the manipulation of the director. The three aspects of the time 1. Physical time is the time taken by an action as it is being filmed and as it is being projected on the screen. A film may actually show what is happening in real life. * Physical time in the cinema can be distorted

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    Cinema of Attraction

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    When one contemplates the concepts of cinema and attractions‚ the ideas of the modern day blockbuster film might come to mind. World disasters‚ car chases‚ and high profile police investigations are just some of the story lines that attract people to theatres year round. The term "cinema of attraction" introduced by Tom Gunning into the study of film is defined more precisely. To quote Gunning‚ a cinema of attraction: "directly solicits spectator attention‚ inciting visual curiosity‚ and supplying

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