"Cinema of Kerala" Essays and Research Papers

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    Originality and Repetition in Contemporary Cinema It seems that the innovation of Contemporary Cinema has come to a stand still. Audiences are becoming more and more difficult to please‚ as films endure the comments of "seen that!" or "that’s been done before!" leaving filmmakers struggling to break away from the rigid structure of genre to produce somethings fresh and new for contemporary audiences. Hollywood‚ in particular‚ is being seen as producing films that are "commercial‚ aimed at a mass

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    Jan 11 2004 Hyderbad‚ India Sex and violence in films is no child’s play. Actress Raveena Tandon realised that to her discomfort at the inaugural function of the 13th International Children’s Film Festival recently. There were reportedly a lot of red faces in Hyderabad when some children sang and danced to the tune of raunchy film numbers during the opening festivities. While both Andhra Pradesh chief minister Chandrababu Naidu and Union I&B Minister Ravi Shankar Prasad expressed

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    HISTORY OF ELECTRICITY IN KERALA – Dr D Shina S N COLLEGE‚ Kollam‚ Kerala‚ India email - achushina@gmail.com ORIGIN AND GROWTH OF ELECTRICITY The history of electricity can be traced back to the eighteenth century. The first instance of sensing the phenomenon of electricity was the accidental observation of what was later found out to be neon glow by Framas Bauksbw in 1709 at the Royal Society in London. Luigi Galvani observed moving of the legs of a dead frog when touched with a metal scalpel

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    Brittany Oct. 12‚ 2012 Intro To Cinema Mid Term Paper The film the Minority Report with Tom Cruise falls into the American category of science fiction. Science fictional films often include scientific advances or major social changes. Being based in the year 2054‚ we see many imagined advances in the fields of science and technology. The whole idea of pre-crime is futuristic and incredibly advanced. Some of the properties that allow this movie to fall under the category of science fiction are

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    1) EVOLUTION OF FILM In 1873‚ Leland Stanford‚ a former California Governor needed help in winning a bet that he had made with a friend. Stanford was convinced that horse in gallop had all four feet off the ground and was bent on proving it. Since it was impossible to prove such a thing by merely watching a horse race‚ he employed the services of Eadweard Muybridge‚ who was a well-known photographer. Muybridge worked on the problem for four years and finally came up with a solution in

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    While open discontent of the power minister Aryadan Muhamed on the KERALA Budget 2103 has created heated discussion among political circles experts in power sector affairs have came out supporting the minister. The minister’s opinion that power sector deserves strong budgetary support at this juncture is worth serious consideration. The finance minister seems to be governed by the common notion‚ came up in the post liberalisation years that power sector shall be left alone to survive from its own

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    to telling the tale of man since it was born in 1895. The film Blood Diamond endeavours to tell to the world the story of post colonial Africa to highlight as it were the challenges that bedevil Africa. Many critics have complained that the world cinema is unfair to Africa because more often than not it portrays Africa negatively. On eighth December 2006 Blood Diamond added to the list of films about Africa done by non-Africans. When all is said and done about Africa as perceived through film the

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    Classics of Italian cinema 2010 Federico Fellini’s films were‚ and still are in many cases very controversial. Fellini attempts to convey many of his own ideas and attitudes into his works. Nowhere is this more evident than in his attitude towards faith‚ ritual‚ and religion. Fellini’s attitude towards faith‚ ritual and religion has always been critical. However‚ the way in which he demonstrates this criticism varies. These varying methods of criticism are clearly demonstrated‚ when one considers

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    Introduction The term‚ ‘Third Cinema’ was coined in an interview with the Argentine Cine Liberacion group‚ published in the journal Cine Cubano (March 1969)‚ and was then more fully developed in the manifesto “Towards a Third Cinema: Notes and Experiences for the Development of a cinema in the Third World‚” written by Fernando Solanas and Octavio Getino‚ members of that group. Femi Shaka describes it as “a tool for creating a revolutionary consciousness for the mass mobilization for society for

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    Revisiting The Golden Era Of Hindi Cinema Introduction : A country of 1.2 billion people‚ the ancient civilisation of India is a melting pot of cultures and juxtapositions. It is a land that will assault your senses all around. The vibrant colours‚ exotic aromas‚ cacophony of sounds‚ and the amalgamation of flavours will both enchant and offend. Within it more than 20 native dialects are spoken. But in this diversity there is unity found in the common language of their movies. Such is the

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