article Visual Pleasure and Narrative Cinema’ true to the representation of women in film noir? Feminism is a social progress that has had a large impact on film theory. Cinema is said to be taken by feminists as a medium which represents myths about women and their femininity and men and their masculinity. Previous feminist theory has been focussed on stereotypes of women particularly in film (Rosen‚ 1973) In her article Visual Pleasure and Narrative Cinema’ (1975) Laura Mulvey uses psychoanalysis
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I do agree because most people went to the cinema in their spare time and most people had a radio. The adverts in the cinema were probably to do with make up‚ sports like baseball‚ music like jazz‚ and obviously the advertising of radio’s‚ cars‚ fridges‚ telephones‚fashion etc. On one side it was the most important cause of the boom because it was showing everyone that there is more new and better products around for sale‚ because if they didn’t have a TV or another piece of technology that shows
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from overseas? What are the reasons for this? Should the government give financial support to local cinema to produce local films? It is unquestionably the case that there is a growing trend for people to watch foreign films in preference to films made in their home country. In this essay‚ I will discuss why this is the case and why I believe national governments ought to support home grown cinema financially. Perhaps the principal reason for the popularity of foreign made films is the globalisation
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It is not disputed that Cinema Paradiso is not a well recognized and awarded film‚ after winning many awards such as the Special Jury Prize at the 1990 Cannes Film Festival‚ considered to be one of the most prestigious awards within the film industry‚ however I as an audience member cannot help but think that without the superb acting and flawless direction‚ Cinema Paradiso would not be near as good a film if left just to the story alone. I intend to find out whether the film is just a sentimental
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In a nation that produces around 800 films a year Indian people see films a a very important part of their culture. For Indian people "cinema is integral to their lives; it is not a distant‚ two to three hour distraction‚ but an explicit life-style for them."(Jaya Ramanathan). The large screen provides an alternative‚ an escape from the realities of day-to-day life. The protagonists are totally identified with‚ the hero is applauded‚ the virtuous is worshipped and the villain is condemned. The actors
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Malayalam cinema and is regarded as one of the greatest filmmakers of India.[1] Adoor’s first film Swayamvaram (1972) pioneered the new wave cinema movement in Kerala. Most of his films go to festivals around the world‚ and are released in Kerala. All the eleven films he directed‚ from Swayamvaram to Oru Pennum Randaanum (2008)‚ were screened at several international film festivals and won him several national and international awards. He won National Film Awards sixteen times‚ Kerala State Film
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circumstances are feasible. 3.1 Summary about the Company ‘Cinema Paradiso’ is a mobile movie theatre system which brings the high quality experience of watching latest movies. It is a motion movie house with seating capacity of 25 per bus. It is mainly targeting the upper class people those who are unable to visit theatres due to their busy life style. So the company is targeting people living in flats‚ villas and other residential areas. Cinema Paradiso is also targeting people those who used to visit
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Kerala poets and writers * Akkitham Achuthan Namboodiri - A famous Malayalam poet who is honored by the epithet Mahaakavi. He won the Kendra Sahithya Academy Award for Malayalam in 1973. His famous poems include ’Irupatam Nuttantinte Ithihasam. Akkitham is associated with Tapasya _ a cultural organization. * Arundhati Roy - Writer‚ awarded the Booker Prize in 1997 for The God of Small Things‚ which is set in Kerala. Born in Kerala. * Balachandran Chullikkadu - Poet admired for his realistic
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do sometimes play host. The Shadow Puppetry Theatre has various forms throughout India. In this document I will explain about the types in the Southern part of India‚ including the forms of puppetry from Andhra Pradesh‚ Karnataka‚ Tamil‚ Nadu and Kerala. In Andhra Pradesh the type of shadow puppet theatre is called Tolu Bommalata. This word literally translates to “Leather Puppet Dance”. These performances are a very strong tradition in this region of the country and are not only famous for their
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