Citizen Kane-Cinematography Citizen Kane is about a man who is given the chance to be successful and he is but he dies with his last words being rosebud but what does this mean‚ people are trying to find out. In the end we find out it’s the sledge‚ which symbolises his childhood that he lost. Orson Welles created a new style of filmmaking by as he said himself in interview “ignorance.... sheer ignorance” One innovative aspect Citizen Kane introduced was deep focus because in lots of scenes
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features of this scene amalgamate to make it a powerful microcosm of the film by both displaying and representing the main theme of Blake’s inner struggle to escape his thoughts and reconnect with reality. Through the effective use of mis-en-scene‚ cinematography‚ sound‚ and editing‚ this scene demonstrates a unique significance that makes it stand out from the rest of the film. In this scene‚ mis-en-scene functions to propel the viewer into focusing on the development of Blake as an alienated character
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This scene is the intro to ‘the Departed’ directed by Martin Scorcese. It is a compression of time with narration by Costello that gives insight into some of the characters‚ mainly Costello himself and background information such as location. It effectively establishes the position of the main characters and the public’s reaction of them‚ letting us know what the movie is going to be about. I loved the camera work in this scene and the way Costello’s portrayed‚ he is later referred to as ‘the rockstar’
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The movie Moonrise Kingdom (Wes Anderson‚ 2012) tells a story of two children‚ Sam and Suzy‚ who feel estranged and disconnected in their small island community of New Penzance. Wes Anderson’s use of cinematography and other audiovisual elements creates a highly stylized movie that explores the concept of family and the need for people in our lives. In the scene towards the end of the movie in which Sam and Suzy make a risky climb up to the top of the church bell-tower‚ in the middle of a storm‚
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Cinematography History Cinematography is an art form in the field of filmmaking. Although the exposing of images on light-sensitive elements dates to the early 19th century‚[4] motion pictures demanded a new form of photography and a new aesthetic. On June 19‚ 1873‚ Eadweard Muybridge successfully photographed a horse named "Sallie Gardner" in fast motion using a series of 24 stereoscopic cameras. The cameras were arranged along a track parallel to the horse’s‚ and each camera shutter was controlled
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The Might of Spite Plot Summary The movie is about a guy (Antagonist) and a girl (Protagonist) living together that get turns to do the laundry. The guy (Thando) is very lazy‚ watches TV the whole day and refuses to do the laundry even after the girl (Carrie)‚ tries to force him physically. Carrie is miserable after that but then finds another way to get him of the couch. She tells him that his car is being stolen and when he gets outside‚ Carrie locks the door behind him. Thando sees his car isn’t
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Film – 8 3 October 2013 Cinematography Woody Allen utilizes many different camera angles and lighting techniques in his movies. The way he uses lighting can affect the mood and make things seem confusing with dark lighting or‚ on the contrary‚ make things seem all the clearer with more lights. A variety of modified lenses can help tell a story on their own with color filters‚ black and white‚ as he used in Manhattan‚ and shorter and longer lenses for depth perception. These shots can tell us
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ANALYSIS Check MateThe Cinematography and Lighting of The Shawshank Redemption The Shawshank Redemption is a 1994 motion picture adapted and directed by Frank Darabont from a short story by Stephen King. This film is in the classical style combining elements of both formalism and realism. It also combines elements of the dramatic‚ escapist (prison break)‚ and romantic genres. The film’s symbolism is made apparent through the use of many techniques and elements‚ but the cinematography and lighting effects
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Django starts off as an average slave but by the end of the film‚ turns into the greatest gun slinger in the west‚ saves his wife‚ and lives happily ever after. According to Robert Richardson‚ the cinematographer of this film‚ the goal of the cinematography was to use iconic American West backgrounds as a montage to show Django traveling and growing as person and bounty hunter. Tarantino used panoramic long shots and a widescreen aspect ratio to show the vastness of the American West and to symbolize
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The Matrix The matrix will forever hold a place as one of my favorite childhood movies as the action and computer generated imagery back in 99’…were ahead of its time. Today‚ I’m twenty years old‚ in college and assigned to re-watch this bad-ass movie and utilize my mature adult intelligence to “critically” think about the socially constructed reality at a college level. Therefore‚ I shall proceed to say that after watching the Matrix‚ the movie pertains to the socially constructed reality as a
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