The King’s Speech‚ directed by Tom Hooper‚ is a British biopic produced in 2010. The film illustrates the story of Bertie‚ later crowned King George VI‚ and his stammer affliction. It follows Bertie’s wife’s pursuit to help her husband‚ employing Lionel Logue‚ an Australian speech pathologist‚ to assist‚ and potentially cure Bertie of his speech condition. The King’s Speech unravels the tale of how two entirely adverse characters end up the greatest of friends. Leading cinematographer‚ Danny Cohen
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How does neil Marshall use cinematography and lighting to demonstrate symbolism and intertextual references in The Descent? In this essay I’m going to write about how elements of lighting and cinematography are used to build suspense throughout the film. The Descent is about six women who embark on a caving expedition‚ only to find that they become trapped inside of the cave and must defend themselves against a strange breed of monsters that lurk in the dark shadows of the cave. The scene I am
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In the first scene‚ medium close-up shot of a teenage girl as she talks about her disappointment in her father and that she pitys him; suggesting almost sarcastically that someone should ’put him out of his misery’ ‚another male out of shot suggests that maybe he could kill her father himself. This first establishing scene sets up the film and brings up the question why does she want her father dead‚ and does this male out of shot end up actually killing her father. The way the first scene is shot
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Sunset Song‚ by Lewis Grassic Gibbon‚ is the story of a young Scottish peasant girl‚ Chris Guthrie‚ and her development from childhood to adulthood in the small farming village of Kinraddie. The principal theme of the novel is that of change. This is depicted through the eyes of Chris Guthrie whose stream of consciousness dominates the novel’s narrative‚ although parts of it are written from Kinraddie’s perspective‚ in the community voice. The characterisation of Chris in this novel is successful
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The blockbuster film Ocean ’s Eleven‚ released in 2001‚ was the first film of a trilogy of heist films directed by Steven Soderbergh. This big budget crime-thriller remake of the 1960 ’s Rat Pack favourite conveys the intricately thrilling plot where Daniel Ocean leads a rag-tag group of con artists and ex-cons for the monumental heist of 3 major Las Vegas Casinos. This sequence is significant because it sets up the diegesis of the film and also gives us an insight into the character of the protagonist
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An individual detailed analysis on the style‚ editing techniques Mise-en-scene and cinematography in the film "Eternal sunshine of the spotless mind". Michael Gondry’s Eternal sunshine of the spotless mind (2004) is not your typical Hollywood rom-com. Its cinematic style is very original and by far out of the ordinary for its genre. The use of techniques and the way the film is produced is the reason why it is so memorable. The non-linear narrative is based around a middle-aged guy who falls in
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In the film Citizen Kane directed by Orson Welles‚ the soundtrack‚ composed by Bernard Herrmann‚ is implemented precisely to work concordantly with the cinematography in order to evoke specific emotions. Hermann uses the rise‚ fall‚ and build up of his music in order to arouse a sense of drama‚ tension‚ and peace in the viewer. By doing this‚ Welles and Herrmann further promote many overlying themes they attempt to convey throughout the movie. Towards the beginning of the film there is a scene
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has been murdered in her apartment that was meant to look like a suicide. The classic noir was a fascinating account of the kind of moral doubtfulness and detachment that was typical post-War American society. This film was revolutionary for its cinematography (movideva). 1949- The Third Man Director-Carol
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style images that will look like film stills‚ most of them staged‚ models performing and dressed as different characters as expected in Film noir style movies. I see Film noir as stylistic approach to photography‚ it is beautiful and inventive cinematography that is still highly popular within modern film industry. What draws my attention to it is black and white contrast photos with intense shadow and lighting. It is a narrative representation of fictional characters‚ I believe that Film noir
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glimpses of the hallowed white walls of the shrine. However‚ this is possible only at low tide. Doing this offers the perfect opportunity to acquaint oneself with the beliefs of the local community and provides a peek into their way of life. Address: Boulevard Sidi Abderrahmane‚ Casablanca‚ Morocco https://www.flickr.com/photos/ennaimi/5323834305/in/photolist-c8Zppj-97s3sD 10) Ligue Arab
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