and our socio-cultural phenomena of being perfect; this duality is ‘all over’ her works. Green Pink Caviar is a nearly eight minute movie that was exhibited in the lobby of the MoMA for over a year and was also shown on digital billboards on Sunset Boulevard in LA‚ and the Creative Time MTV billboard in Times Square‚ New York. It is also known for being the backdrop of Madonna’s Sticky & Sweet Tour during the opening song. It is interesting to see how her work is mixed between high art and low
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where one blocks or represses disturbing thoughts. Freud believed that one could access the unconscious mind through dreams and wrote an entire book about it. The movie Spellbound embraces Freud’s ideas and Alfred Hitchcock and Salvador Dali use cinematography to weave them into a riveting suspense filled cinematic ride. Dr. Peterson is a stifled‚ straight-laced‚ psychologist that works at Green Manors Mental Hospital in Vermont. She employs Freud’s psychoanalysis techniques with her patients as was
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monuments downtown. One could compare the concrete plazas of Downtown LA and the Sony Center dominated Postdamer Platz and see little difference. Both stolid markers of their city’s presence. These places seem to be modern appropriations of the boulevard. Seemingly places that would allow for the experience of spectacle for all involved‚ but then
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framing to portray a scene or character in a way that provides information to the viewer. Throughout The Dark Knight Rises‚ (2012)‚ Christopher Nolan uses framing to convey the balance of power between characters of a given scene. This element of cinematography is most evident in shots that feature the villain‚ Bane. Even though the actor that plays Bane is 5’9”‚ he appears taller and powerful due Nolan’s use of low angle framing. During the scene in the airplane before Bane parachutes out of the wreckage
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by Michael Radford who captured Orwell’s technologically inclined society through a visual medium. Radford’s film portrayed Orwell’s idea of 1984 more effectively. This will be proven through examination of additions and deletions of scenes‚ cinematography‚ and casting. Radford’s additions and deletions leave the audience questioning his choice. At the end of the film Radford leaves the audience with unanswered questions‚ whereas in the novel‚ Orwell had clear visual clues the answered the questions
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great efficiency and accuracy‚ the movie director Sean Penn follows faithfully in Christopher McCandless or aka “Alexander Supertramp’s” footsteps with intensive research‚ and it illuminates the young man’s personality as he saw it. Different cinematography techniques‚ such as long shot‚ pace‚ building a scene‚ and monologue‚ had been used to create the dramatic scenes‚ to engage audience in the mixed feeling of the movie‚ and most importantly bring the whole message to life. One of the
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Other than that the changes made in the movie were not that significant from the novel; the cinematography‚ the actors‚ and
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lens and camera choices were used effectively to convey the director’s point of view. It seemed like every choice made by the director Mike Nichols director and the director of cinematography Bob Surtees was justified. The outcome of each shot played an important role in shaping the message of the film. The cinematography of Bob Surtees is very complicated and thoughtful but at the same time seems poetic and spontaneous. All of Mrs. Robinson and Benjamin’s scenes pass in a musically backed montage
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Phoenix Material: How Films Communicate Film List. Each answer must be at least 50 words in length and written in complete sentences. Submit Parts II & III in Week 2. The Untouchables (Palma‚ 1987) Question Your Response Identify aspects of cinematography
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Creek 2” is a film which fits these criteria. “Wolf Creek 2”‚ directed by Greg McLean and released in February 2014‚ is a film which everyone should see because of the clever way stereotypes are challenged‚ Australian values are shown‚ and cinematography shows the natural beauty of outback Australia. “Wolf Creek 2” is about a couple of foreign travellers backpacking around Australia who are disturbingly interrupted by an outback serial killer who then turns on a traveller attempting to save them
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