Francis Ford Coppola’s film The Godfather‚ epitomizes the theme “it’s business‚ not personal”. The movie was created in 1972‚ showcasing Vito Corleone (Marlon Brando) and Michael Corleone (Al Pacino). This movie shows the struggles of the Corleone family to protect their empire from the other mafia families living within New York. Coppola visually portrays the theme “it’s business‚ not personal”. The Corleone Family says this to hide the fact they are doing violent things in reality. The family
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Italian writer Mario Puzo wrote The Godfather in 1920. In 1972‚ the book was made into a movie. Part two followed in 1974‚ and part three in 1990. The plot follows the feuds between five big New York mafia families. Compared to the movie‚ the book had many more side stories featuring supporting characters. Of note is how the novel version had an epilogue that the movie completely ignored. Although there are some changes and flaws‚ the 1974 film adaptation of the book has a similar plot and is a very
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to character‚ and to reveal or conceal as little or as much as he pleases. Throughout this tale‚ you can see that the doctor is defying Death each time he switches the beds around and is conflicted between doing what he wanted to or to listen to Godfather Death. This is evident when the doctor says “If I could only deceive Death for once‚10” thought the physician.” He will be angry‚ of course‚ but because I am his godson he will shut one eye‚”11 “I will risk it”12. The conflict and struggle against
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family matter? Yes family always matters. It is necessary to have some sort of family structure in order to have a stable foundation. This need for stability and structure is how the family survives and the children find safety. In the movies The Godfather and Scarface we will discover how the two differ when it comes to family and family business. These two patriarchs have different views on family and how the family is involved in the business. In this discovery one struggles to gain and maintain
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GODFATHER – RESTORATIVE 3-ACT STRUCTURE Ameya Gore ACT – 1 Act-1 begins with the exposition of all the main characters‚ during the wedding of Connie Corleone. We are introduced to the Don‚ Sonny‚ Mama‚ Johnny Fontane‚ Luca Brasi‚ the Consegliere etc. as Michael talks to his love interest about his family. At this time‚ Michael is detached from the family and all its interests. He is a war hero‚ and is happy being that. The power of the Corleone family
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of stereotypes based on over-simplified ideas about womanhood like the domestic goddess‚ the success and the screw-up‚" (www.greencine.com). This study attempts to discuss how these stereotypes are addressed throughout Francis Ford Coppola’s The Godfather Part II. McCarty claims that the gangster movie "has been male-dominated for most of its existence‚" and is a true example of what McCabe would term as a "patriarchal film." It is for this reason that this study will highlight the film‚ as it is
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Identifying Heroes: The Godfather and Pulp Fiction The form of Classical Hollywood films is‚ first and foremost‚ invisible. In a Classical Hollywood film‚ the narrative is foremost‚ and style serves the narrative. Camera angles‚ lighting and editing patterns such as the shot/reverse-shot pattern aim to give us the best possible perspective on the unfolding events(1). These events are arranged in a strongly causality-oriented linear narrative‚ with one event causing the next. This narrative is
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millions of them flock to car showrooms every year to purchase all-terrain vehicles half the price of a unit that will never touch any terrain but pavement. Various media ranging from adverts such as these‚ to so-called movie classics’ like "The Godfather" are negative influences on today’s society. Millions every day are forced to sit through programs that portray actors doing things which most would find unethical and wrong. So what’s the difference between
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Joker is a character in the film that does not care about the reward or the financial gain that most criminals want after they commit a crime‚ he just wants to kill and destroy everything for no apparent reason. In The Dark Knight there are many cinematography techniques used however there are six main techniques which are used to focus on the chaos which the Joker creates; cross cutting‚ smash cut‚ extreme close up‚ zoom shot‚ tracking and fast cut. In The Dark Knight‚ smash cut is a technique in
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Analysis of the Cinematography of "American Beauty" Cinematography is an art form‚ not just an aspect of a movie. Cinematography affects the mood and tone of a movie as well as the viewers’ feelings while watching a movie. In American Beauty this is demonstrated beautifully through camera techniques‚ lighting‚ and the framing of the shot. Camera techniques include aerial‚ deep focus‚ pan‚ shallow focus‚ slow motion‚ soft focus‚ and the tracking shot. Lighting is more than just shining a light
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