Using integrated linguistic and literary approaches compare how sibling relationships are presented in King Lear and The Godfather. In both King Lear and The Godfather‚ sibling relationships are presented as volatile such as when Regan and Goneril temporarily collaborate to take Lear’s power but become obsessed with the competition for Edmund’s love and the camaraderie ends abruptly‚ while the Corleone siblings look out for each other and think family should come before business. King Lear is
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The blockbuster film Ocean ’s Eleven‚ released in 2001‚ was the first film of a trilogy of heist films directed by Steven Soderbergh. This big budget crime-thriller remake of the 1960 ’s Rat Pack favourite conveys the intricately thrilling plot where Daniel Ocean leads a rag-tag group of con artists and ex-cons for the monumental heist of 3 major Las Vegas Casinos. This sequence is significant because it sets up the diegesis of the film and also gives us an insight into the character of the protagonist
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An individual detailed analysis on the style‚ editing techniques Mise-en-scene and cinematography in the film "Eternal sunshine of the spotless mind". Michael Gondry’s Eternal sunshine of the spotless mind (2004) is not your typical Hollywood rom-com. Its cinematic style is very original and by far out of the ordinary for its genre. The use of techniques and the way the film is produced is the reason why it is so memorable. The non-linear narrative is based around a middle-aged guy who falls in
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In the film Citizen Kane directed by Orson Welles‚ the soundtrack‚ composed by Bernard Herrmann‚ is implemented precisely to work concordantly with the cinematography in order to evoke specific emotions. Hermann uses the rise‚ fall‚ and build up of his music in order to arouse a sense of drama‚ tension‚ and peace in the viewer. By doing this‚ Welles and Herrmann further promote many overlying themes they attempt to convey throughout the movie. Towards the beginning of the film there is a scene
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The review on God Father Rather than concentrating on everything that is great about The Godfather‚ a much easier way for me to judge its quality is on what is bad about it. Almost every film has something that I don’t like about it‚ but I can honestly say that I wouldn’t change anything about The Godfather. There is nothing weak about it and nothing that stands out as bad. That’s why it gets ten out of ten. This is one of those films that made me wonder why I hadn’t seen it earlier
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while overcoming some personal obstacles to their love‚ can not escape the societal disapproval of their relationship and the murderous feelings it engenders in others. Then focus on the four main techniques of film making‚ mise en scene‚ cinematography‚ editing‚ and sound and show how they contribute to the overall meaning of the film. In discussing the expressiveness of the film’s techniques you may need several paragraphs‚ at least one about each of the four main techniques. Be sure not
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of elements such as drama‚ movement‚ visual art‚ and etc. A lot of things could be seen in a film but one of the best points of film is that it tells a story. But making a film is not just storytelling. You have to mind other elements such as cinematography‚ lighting‚ editing‚ location and etc. to make a film. Every single detail in the film should be well thought of. It is one way of letting the audience feel; they are seeing a real situation from another perspective. Polanski said that “cinema
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for the story to sink in‚ but slowly and steadily‚ you get sucked into a world that’s dark‚ dangerous and demonish. The attire may be white‚ but the deeds are grey or black. Rajneeti is not only Mahabharata‚ but also the Godfather. Despite knowing the Mahabharata or Godfather‚ one is not able to presume what games the present-day Pandavas and Kauravas would play in Rajneeti. In fact‚ the story alters constantly‚ unravelling in a serpentine manner and speed‚ so much so that you don’t know what’s
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introduce them to the audience. This technique has proven to be useful in several different movies. My favorite of which being the “Godfather” (1972). The scene where the child is being baptized is coupled with violent murder scenes. This is used more to get emotional responses oppose to connection to the
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Martin Scorsese’s Goodfellas in it’s very essence isn’t a Marxist text‚ however‚ upon viewing the film with a Marxist perspective it is hard to deny some of the underlying values of the film which seem to lambast Capitalism and support the idea of a Marxist society‚ whether it was the directors original aim or not is a question I am not able to answer. The key to critiquing a film from this unique perspective is to put yourself into the mind of a Marxist viewer and analyse the details of the film
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