"Cinematography of the godfather" Essays and Research Papers

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    Reservoir Dogs

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    on anything in this matter. Some films capture the hearts of many people all over the world‚ and are loved and remembered by all. These films deserve a place in history books. We refer to them as ‘Classics’. E.g. Citizen Kane‚ Casablanca‚ The Godfather … Of course not all films that are viewed by millions of people are classics. Some film producers like Jerry Bruckheimer are known to produce action-packed‚ hyped up‚ commercial films with low artistic value and make billions of dollars. These

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    Cheating Death

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    Death Jakob and Wilhelm Grimm’s short story “Godfather Death” is about a man who fathers twelve children comes to father thirteen. Unfortunately the man cannot afford to feed his thirteenth child‚ so he sets out to find a godfather for the child so he will be taken care of. The man does not want the good Lord to be the godfather because he believes the Lord does not properly distribute wealth and poverty. The man does not want the Devil to be the godfather either because he believes the Devil tricks

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    God Father

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    Francis Ford Coppola’s The Godfather (1972) is among the best films ever produced. Consistently ranked as one of the top three films by the American Film institute‚ this gangster film sits among the likes of Citizen Kane (1941)‚ Lawrence of Arabia (1962)‚ and the more recent Schindler’s List (1993) (American). When it was released‚ The Godfather was nominated for ten Academy Awards‚ and won three: Best Picture‚ Best Actor (Marlon Brando)‚ and Best Adapted Screenplay. The film was adapted from the

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    well. • He includes many different camera angles. • He also has a low key lighting and shadow effect involved some of his films mostly The Godfather films Part I and Part II. List of Feature Films - Dementia 13 (1963) - The Rain People (1969) - The Godfather (1972)‚ The Godfather Part II (1974)‚ The Godfather Part III (1990) - The Conversation (1974) - Apocalypse Now (1979) - Jack (1996) - Youth Without Youth (2007) - Tetro (2009)

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    compare and contrast

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    ENG 135 At first glance‚ the The Godfather and We Own the Night appear to be quite different‚ but open closer examination‚ they do possess some similarities. Although they are different in the areas of the time period‚ the plot‚ and the characters‚ they are similar in the areas of having violence‚ having family problems‚ drug issues in the movie. The time period of the two films is obviously different. The Godfather is a 1972 American crime film directed by Francis Ford Coppola and produced

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    Symbolism in Brothers Grimm “Godfather Death” In literature‚ symbolism is used to suggest an underlying meaning in a story. In the story of “Godfather Death‚” a quite ironic title‚ the Grimm brothers used a multitude of symbols to convey the story’s moral value. The Grimm brothers used seven symbols in this story. All of them play a part in conveying the message that death cannot be defied‚ death is constant‚ and death is fair. The father in this story searches for a godfather for his thirteenth child

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    Compare and Contrast

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    as if it was something we can stop from happening. In fact we can’t‚ it is the only thing guaranteed to us in this life. “Appointment in Samarra” and “Godfather Death” are very good examples of this irony‚ they both talk about running away from the character Death. Even though “Appointment in Samarra” is very analogous to “Godfather Death” they share quite a few differences‚ though the authors’ use of language‚ ending‚ and plot. In “Appointment in Samarra” Maugham uses

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    sad. "I wish I could go to the ball‚" he whispered‚ "And so you shall‚" said a voice. Cinder looked up. There‚ standing by the door‚ was a man dressed in a golden tuxedo and carrying a gold wand. "Who are you?" gasped Cinder. "I am your Fairy Godfather‚" came the reply. "And I’m here to make your wish come true. But I

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    that it is important not to just rush into a romantic relationship because people can change and be deceptive. In the book‚ Anne‚ a kind and gentle girl‚ wanted her sister Sophia to come home with them to keep her safe from Bernard‚ Sophia’s cruel godfather‚ who she is about to marry. However‚ by doing that‚ their family might be in big trouble since they don’t have any money and Bernard was going to give them some. Anne said‚ "You mustn’t marry him‚ Sophie. He was so cold. So terrible. Come away with

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    academic hype and know that even the most cautious of scholars will risk indiscretion on a book jacket. But in this case the hyperbolic claim may be understated. Messenger’s book is a phenomenon. I am at a loss to think what manifestation of The Godfather narratives (book‚ film trilogy‚ related movies‚ television programming)‚ or what aspect of authoring‚ filming‚ marketing‚ or what theoretical perspective or intellectual framework Messenger overlooks in this comprehensive‚ intelligent‚ and definitive

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