"Cinematography of the godfather" Essays and Research Papers

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    The Godfather has won many awards in different prestigious award ceremonies; praised for the best screenplay‚ directing‚ costume designs‚ acting skills and many more. When Francis Ford Coppola launched The Godfather‚ many was impressed; and probably still will be by the film‚ not only in America but internationally. Not only that‚ people give positive feedbacks

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    The Godfather Analysis

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    Vito(protagonist): The Godfather presents Vito as the paradigmatic Mafia don. He is wise and intelligent‚ an excellent reader of others’ intentions‚ and a smooth‚ subtle talker‚ able to convince with words‚ not only bullets. Though a ruthless‚ violent criminal‚ Vito is also a warm‚ loving father and husband. In his later years‚ Vito comes across as relaxed and playful‚ even mellow. He has lived a rich‚ full life and earned a quiet retirement. Vito is both the perfect father and the perfect Godfather‚ making him

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    The Godfather is an insightful sociological study of violence‚ power‚ honor and obligation‚ corruption‚ justice and crime in America. Part I of The Godfather Trilogy centers on the Corleone crime "family" in the boroughs of New York City in the mid 1940s‚ dominated at first by the aging godfather/patriarch "Don" Vito Corleone. As a turn-of-the-century Silician immigrant‚ he is the head of one of the five Italian-American "families" that operates a crime syndicate. The ’honorable’ crime "family‚"

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    Egyptism In The Godfather

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    The baptism scene of The Godfather showcases some of the best editing in film and plays a critical role in the film as a whole. In this scene viewers watch The juxtaposition between Michael Corleone’s baptismal vow to renounce evil and the merciless slaughter of the heads of the five families to ensure his position of power. This scene demonstrate the haunting reality of who Michael is as now as he is christened into leadership with the blood of all those who stood in his way. The concept of time

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    Jaws Cinematography

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    During the film Steve Spielberg uses music‚ a mysterious shark and camera techniques such as simultaneous track and zoom‚ long shot‚ close up shots and medium shots to build suspense‚ tension and scare the audience. The music represents the shark‚ especially its movements and its presence. In the title sequence the camera is moving along the seabed like a shark. Spielberg makes the audience believe that the camera is viewing things through the shark’s eyes‚ he uses a camera shot called point of

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    Citizen Kane-Cinematography Citizen Kane is about a man who is given the chance to be successful and he is but he dies with his last words being rosebud but what does this mean‚ people are trying to find out. In the end we find out it’s the sledge‚ which symbolises his childhood that he lost. Orson Welles created a new style of filmmaking by as he said himself in interview “ignorance.... sheer ignorance” One innovative aspect Citizen Kane introduced was deep focus because in lots of scenes

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    Last Days Cinematography

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    features of this scene amalgamate to make it a powerful microcosm of the film by both displaying and representing the main theme of Blake’s inner struggle to escape his thoughts and reconnect with reality. Through the effective use of mis-en-scene‚ cinematography‚ sound‚ and editing‚ this scene demonstrates a unique significance that makes it stand out from the rest of the film. In this scene‚ mis-en-scene functions to propel the viewer into focusing on the development of Blake as an alienated character

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    Power In The Godfather

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    on love‚ others lean towards money‚ it may be achieved through money‚ relationships‚ or even the misfortune of others‚ but why does power have the persuasion to change a person and what drives them to gain more? Mario Puzo‚ the author of "The Godfather" does an excellent job of showing the many outcomes that power has on people. He writes about Don Corleone‚ the head of the Corleone family whom has unlimited power and influence throughout the east coast‚ yet he remains a respected business man

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    This scene is the intro to ‘the Departed’ directed by Martin Scorcese. It is a compression of time with narration by Costello that gives insight into some of the characters‚ mainly Costello himself and background information such as location. It effectively establishes the position of the main characters and the public’s reaction of them‚ letting us know what the movie is going to be about. I loved the camera work in this scene and the way Costello’s portrayed‚ he is later referred to as ‘the rockstar’

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    The movie Moonrise Kingdom (Wes Anderson‚ 2012) tells a story of two children‚ Sam and Suzy‚ who feel estranged and disconnected in their small island community of New Penzance. Wes Anderson’s use of cinematography and other audiovisual elements creates a highly stylized movie that explores the concept of family and the need for people in our lives. In the scene towards the end of the movie in which Sam and Suzy make a risky climb up to the top of the church bell-tower‚ in the middle of a storm‚

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