trying to go about her day to day life. So when She got killed I actually felt sorry for her. I liked the cinematography of the film they knew when to zoom in and zoom out.example would be when they zoomed on Lennie squeezing the blood out of curly’s hand. Moreover when they zoom out when George shot Lennie. In all honesty‚ I can’t remember all the parts when the did cinematography work‚ but there was one shot of the town and the camera zoom out on them‚ then zoomed back in‚ in order for us
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season one has a strong bond and immense chemistry from their first interaction‚ until their last. In addition‚ the story line is engaging and offers the audience scenes that keep you on the edge of your seat‚ the show’s use of visual effects and cinematography greatly assists in this. Although the show has numerous strong points‚ there are some aspects that fall flat‚ like a supporting character’s
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The type of cinemas listed is niche Genre‚ meaning they’re trying to attract a certain type of audience to market to. These niches genre are informative‚ it allows the viewers to get an insight into the culture‚ instead of relying on stereotypes‚ assumption‚ and prejudicial judgments. African American Cinema can sometimes be riddled with stereotypes and negativity of the race and culture. Seldom‚ there is a movie made about the African Americans in the journey into conceding in the corporate America
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Mrozowski Room 418‚ Montgomery Hall 401 829 7877 Monday‚ Tuesday‚ Wednesday 10:00Am - 1:00PM rmrozows@scad.edu MONTGO 111 Tuesday / Thursday 2:00 PM - 4:30 PM School of Digital Media‚ Department of Visual Effects‚ Savannah VSFX 503 - Cinematography for Visual Effects Section: 01 CRN: 10296 SCAD Mission: The Savannah College of Art and Design exists to prepare talented students for professional careers‚ emphasizing learning through individual attention in a positively oriented university
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Rear Window DIRECTOR: Alfred Hitchcock YEAR OF PRODUCTION: 1954 COUNTRY: USA LANGUAGE: English Week 1: Discuss the relationship between spectators and cinema in relation to the film style of Rear Window by Alfred Hitchcock. Stam‚ Robert and Roberta Pearson‚ “Hitchcock’s Rear Window: Reflexivity and the Critique of Voyeurism‚” in Deutelbaum and Poague‚ eds‚ A Hitchcock Reader‚ 2nd ed‚ Chichester‚ UK. & Malden‚ MA: Wiley-Blackwell‚ 2009. Alfred Hitchcock’s “Rear
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technically brilliant films‚ won Academy Awards for film editing‚ sound effects editing‚ visual effects‚ and sound. It also received BAFTAs for Best Sound as well as Achievement in Special Visual Effects and was nominated for production design‚ cinematography and editing. In 2012 it was added to the National Film Registry for
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Title of film: Slumdog Millionaire Directed by: Danny Boyle Co-directed by: Loveleen Tandan Produced by: Christian Colson Based on: Q&A by Vikas Swarup Year Produced: 2008 ‘Slumdog Millionaire’ is a 2008 British drama film centring on the journey of an 18-year-old Indian boy from the Juhu slums (located in Mumbai‚ India)‚ called Jamal Malik. This film focuses on his success in winning 20 million rupees as a contestant on the Indian version of “Who wants to be a Millionaire?” and the obstacles
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while in prison. The story has a strong message of hope‚ spirit‚ determination‚ courage‚ and desire. Eventually‚ Andy and Red achieve their own dreams of freedom from isolation‚ from law‚ from racism and hate. The film’s storytelling‚ acting‚ cinematography‚ editing‚ sound‚ and other critical analysis is fantastic and makes for an outstanding movie. I will explain how all of these cinematic components contribute to one of my all-time favorite movies‚ and how the poignant message of hope and freedom
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process of making a film. Each aspect and technology used is as important as selecting the film title and cast. In the following paragraphs I will perform a critical review of the film King Kong (1933)‚ including genre‚ cast‚ setting‚ story‚ sound‚ cinematography‚ context‚ meaning and likeability of the film followed by a recommendation to the public or general audience as whether to see it or not. King Kong (1933) is directed by Merian C. Cooper and Ernest B. Schoedsack‚ original screenplay written by
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c Cave of Forgotten Dreams Cave of Forgotten Dreams (2010) is a documentary created by German director Werner Herzog. The film is shot in 3-D and takes place in the Chauvet Cave found in the south of France. The film speaks of the earliest known cave paintings‚ as well as other evidence of Paleolithic life. Known to create perplexing and extremely pensive documentaries‚ Herzog takes his audience on a journey never before seen using 3-D. He transforms what
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