Bird. John J. Dunbar can also be described as a receptive individual because of the way he communicated with the Sioux Indians. When he first met the Sioux Indians he was very persistent on initiating their communication. 2. I thought that the cinematography in Dances with Wolves was
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In Slumdog Millionaire directed by Danny Boyle love conquers all is an idea worth learning about. Boyle uses cinematography‚ dialogue and gestures and flashbacks to show this idea. In Slumdog Millionaire directed by Danny Boyle an idea worth learning about in the film was the idea of love conquering all.Love conquering all is about two lovers being able to love each other no matter what hurdles stand in their way they manage to jump them due to their immense love for each other. This universal
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In this movie‚ its cinematography and sound is the most _________. In the Mood For Love represents the affair between two neighbors who will not sink to the level of their cheating spouses even though the connection between them is very strong. There are a lot of tight framed close-ups that convey the intimacy between the viewer and the characters; as well shooting behind things like windows‚ flowers‚ and curtains which gives the viewer a “peeping tom” feel like they are intruding on a personal moment
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Chapman Fernandez Barbara Perez Composition II 6/14/2012 The Avengers (2012) The Avengers is a visually‚ exciting movie because of its epic special effects and cinematography. This movie amazed viewers with the modernization of classic comic book story lines and well-timed comic relief‚ making it the most successful comic book movie in recent history. The brains behind this miraculous accomplishment is writer/director Joss Whedon. He has been described as one of those people who‚ either you
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noticeable attribute in this film is how both the score and cinematography immediately set the films tone. The film opens with the piercing sounds of violins and a bass-filled montage of ambience. The shot then opens with a dark serene view of a shoreline that is nothing short of uncomforting and unsettling. This style of instrumental music is played vaguely throughout the entire film‚ sometimes even unnoticeably behind dialogue. The films cinematography never strays from its grungy and dirty point of view
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Alienation and Loss of Identity in ‘American Psycho’ by Bret Easton Ellis and ‘The Catcher in the Rye’ by J.D. Salinger ‘A modern world based on pure individual self-interest‚ ironically leaves the individual in a chronically weak condition. Without a binding collective culture‚ without solidarity‚ the individual – isolated‚ adrift on tides of momentary desires – is open to manipulation and the most subtle forms of freedom.’1 Slater’s words fully encapsulate the grasping feelings of alienation
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Discuss whether Alfred Hitchcock can be considered an auteur. Illustrate your argument with specific references to two of his films. In order to ascertain as to whether Hitchcock can be considered an auteur‚ the understanding of what makes an auteur and its origin needs to be explored. It is believed that a director can either be classified as a metteur-en-scene or an auteur. The classification of an auteur originates from the early 1950’s‚ when a magazine in France‚ Cahier du Cinema’ produced
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mystery didn’t make too much of an impact straight away but as film moved on into the future Citizen Kane became one of the critics best loved movies because of it cinematography‚ film techniques‚ lightning‚ music‚ editing‚ transitions‚ etc. I will be analyzing a number of key scenes in Citizen Kane with relation to the cinematography and other techniques above. The film contains umpteen numbers of key scenes but breaking them down you gets the big main scenes‚ which set the film from the start
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different. Her out-of-touch relationship with reality is given form through her desire to make her “greatest picture yet.” The segment of Sunset Boulevard that will be analyzed in this essay is significant because‚ through the use and interplay of cinematography‚ editing‚ elements of Mise-en-Scene‚ and the dialogue‚ Norma’s delusions are highlighted and magnified. The first few moments of part one of the segment use specific elements of Mise-en-Scene and the dialogue to begin the reinforcement of Norma’s
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The cut-scenes and cinematography elements contributed to the film’s shaping of an enthralling piece of art. Camera shots in the film added a more effective component to the situation and the angle of the shot intensified the depth of the characters. Usually when two shots are mixed it is a more effective choice of cinematography; for example‚ there is a mid-shot with a low angle in the scene- Boone is shown in a mid-shot
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