This presents someone who is able to reach her success in young age. It shows someone who is do nothing and stay still. There are two sentences in this meme‚ they are: 1. The first sentence is “22 years old won an Oscar”. “22 years old” is the range of young-age. “Won an Oscar” means someone’s success to achieve the best achievement in film industry. So‚ it presents someone who is able to reach his success in young age. 2. The second sentence‚ “And I’m just sitting here masterbating”. The word
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How does neil Marshall use cinematography and lighting to demonstrate symbolism and intertextual references in The Descent? In this essay I’m going to write about how elements of lighting and cinematography are used to build suspense throughout the film. The Descent is about six women who embark on a caving expedition‚ only to find that they become trapped inside of the cave and must defend themselves against a strange breed of monsters that lurk in the dark shadows of the cave. The scene I am
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In the first scene‚ medium close-up shot of a teenage girl as she talks about her disappointment in her father and that she pitys him; suggesting almost sarcastically that someone should ’put him out of his misery’ ‚another male out of shot suggests that maybe he could kill her father himself. This first establishing scene sets up the film and brings up the question why does she want her father dead‚ and does this male out of shot end up actually killing her father. The way the first scene is shot
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The blockbuster film Ocean ’s Eleven‚ released in 2001‚ was the first film of a trilogy of heist films directed by Steven Soderbergh. This big budget crime-thriller remake of the 1960 ’s Rat Pack favourite conveys the intricately thrilling plot where Daniel Ocean leads a rag-tag group of con artists and ex-cons for the monumental heist of 3 major Las Vegas Casinos. This sequence is significant because it sets up the diegesis of the film and also gives us an insight into the character of the protagonist
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An individual detailed analysis on the style‚ editing techniques Mise-en-scene and cinematography in the film "Eternal sunshine of the spotless mind". Michael Gondry’s Eternal sunshine of the spotless mind (2004) is not your typical Hollywood rom-com. Its cinematic style is very original and by far out of the ordinary for its genre. The use of techniques and the way the film is produced is the reason why it is so memorable. The non-linear narrative is based around a middle-aged guy who falls in
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In the film Citizen Kane directed by Orson Welles‚ the soundtrack‚ composed by Bernard Herrmann‚ is implemented precisely to work concordantly with the cinematography in order to evoke specific emotions. Hermann uses the rise‚ fall‚ and build up of his music in order to arouse a sense of drama‚ tension‚ and peace in the viewer. By doing this‚ Welles and Herrmann further promote many overlying themes they attempt to convey throughout the movie. Towards the beginning of the film there is a scene
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Comparison and Contrast Recently while watching two old film classics‚ Vertigo and Notorious‚ I found myself thinking of other movies directed by Alfred Hitchcock. Most of his movies have many things in common‚ while remaining completely independent of each other. These two films have different plots‚ actors‚ and most obvious one is filmed in color the other black and white. Which leads me to believe that Alfred Hitchcock really knew what he was about; as a result his films all a have a distinctive
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The mise en scene elements implemented into Run Lola Run are universal and have been used by big name Hollywood directors. An example of such is ‘Vertigo’ directed by Alfred Hitchcock in 1958. Tom Tykwer was a fan of Hitchcock and was familiar with his work. He decided to administer two (2) of his ideas. Similar to Vertigo‚ there was a significant reference to spirals. For example‚ in Run Lola Run‚ the ‘spiralé’ café located behind Manni’s phone box can be seen in all three (3) scenarios. As well
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where one blocks or represses disturbing thoughts. Freud believed that one could access the unconscious mind through dreams and wrote an entire book about it. The movie Spellbound embraces Freud’s ideas and Alfred Hitchcock and Salvador Dali use cinematography to weave them into a riveting suspense filled cinematic ride. Dr. Peterson is a stifled‚ straight-laced‚ psychologist that works at Green Manors Mental Hospital in Vermont. She employs Freud’s psychoanalysis techniques with her patients as was
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film about justice and loyalty. Hell or High Water is impressively robust with clever‚ dialogue-driven suspense!! Chris Pine is convincing as beautifully country and rather James Dean at times. I cannot rave more about the cast‚ screenplay‚ and cinematography. It is a well-told story about brothers‚ family‚ loyalty‚ justice‚ grit‚ good guys‚ bad guys‚ and sacrifice with some funny lines and hefty action along the bad guys’ epic plan‚ which is also the good guys’ pursuit. I forecast this as nominee
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