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    Cinematography

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    While it is easy to make comparisons between the pupil of the eye and the f-stop of a camera or between the retina of the eye and photographic film‚ once we get past the basic similarities of the optics of the two systems‚ comparisons begin to rapidly break down. The eye is not only much more complex than a camera and its film‚ but the two imaging devices function by different chemical mechanisms. The photographer (or the automatic exposure system of the camera) regulates the f-stop opening and time

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    Cinematography in Birdman

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    Birdman Film Tech Analysis Paper #1 Charles Schloff COM 251 D010 21 January 20‚ 2015 The film Birdman directed by Alejandro González Iñárritu stresses the importance of cinematography in filmmaking and creates fluid transitions from one scene to the other‚ making the movie seem like it has been filmed all in one take. He also uses the motion of the camera‚ whether shaky‚ fast or slow moving‚ to stress certain people and certain scenes. He creates this fluidity to reflect the importance

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    Casablanca Cinematography

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    Casablanca Cinematography The film Casablanca directed by Michael Curtiz and released in 1943—at the height of World War II—is set in December 1941 in Casablanca‚ French Morocco. It is a time of escalating power of the Nazi party‚ which attempted to gain control of most parts of the world starting with Europe and Northern Africa. As a result of the ascending power of the Nazis and anti-German sentiments‚ many Europeans were desperate to flee their homes. Because Casablanca was not yet taken over

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    The Wizaed of Oz

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    The Wizard of Oz Review by Harvey Karten Copyright © 1998 Harvey Karten I’d like five bucks for every time someone called out to me‚ “Hey‚ Toto!” when I walk my cairn terrier around the neighborhood. “Is that really Toto?” adults would stop and ask me‚ and I’d of course reply‚ “Sure it is; I’ve had him for sixty-three years now.” As for the kids‚ well‚ surprisingly enough some of them never saw “The Wizard of Oz” so the best they can do is say‚ “Ma‚ Ma‚ look at the dog!” Pretty soon

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    life affected the book and movie‚ The Wonderful Wizard of Oz. In the book and in the film‚ his life affects the setting‚ characters‚ and conflicts in the story. Kansas‚ where Dorothy lives‚ is the same as South Dakota‚ where L. Frank Baum’s adulthood took place. His childhood was the inspiration for Oz. Baum’s experience with a tornado made the cyclone in the movie. Little do readers know that his life sometimes is a mirror image to the land of Oz and Kansas. Baum moved to South Dakota‚ which is

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    about a thief (Cobb) with a rare ability to enter people’s dreams‚ and be able to reveal their secrets from their subconscious. He then gets offered an inverse task of planting an idea in a CEO’s mind. Mystery/sci fi films usually concentrate on cinematography‚ so they can bring out the genre of the movie by using lighting‚ and camera work‚ and props especially for sci

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    Cinematography: Pariah

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    as a lesbian from the start‚ in contrast to many other coming-out stories. We’re not directly told a lot of things‚ but we’re still given a lot of information about the characters and their stories through these film techniques. These uses of cinematography‚ sound‚ editing‚ and narrative to help tell the story are prevalent throughout the whole film‚ and are used effectively to elevate a convincing coming-of-age story into something much more unique. The use of lighting‚ color‚ shots‚ and angles

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    Oz as Utopia

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    Taylor Wilton Dr. Ethna Lay The Wonderful Worlds of Utopia Americans crave Oz because of it ’s utopian vision. On the surface‚ Oz appears to be a perfect utopia to Dorothy. When she first arrives‚ Oz is bright‚ colorful and full of magic and wonder while her home in Kansas is dull‚ lifeless and devoid of hope. In Kansas‚ it ’s as if the citizens are stuck with no real plans or goals for the future. In Oz‚ traveling down the elaborate‚ intertwined yellow brick road offers Dorothy a great chance

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    Trials of Oz

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    book about the legal system‚ the cases and about himself. Other composers also set their own agenda‚ and these biases cannot be overlooked.For example‚ in the Trials of Oz Robertson exercises supreme authority to decide who is guilty or innocent. He uses language to describe the defendants as “honest young men” and to characterise Oz as a “harmless coffee-table magazine for the revolution that would never happen”. Robertson also uses language to construct the reader’s disapproval of Justice Argyle

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    In the children ’s story‚ "The Magic Art of the Great Humbug"‚ all of the characters run into problems with their identities. The old man has the most difficulty with his own identity. He wishes to be a great wizard with superhuman capabilities. The Tin Man‚ Scarecrow‚ and Cowardly Lion have trouble with desiring qualities that are only common to humans. Finally‚ Dorothy runs into trouble with the symbols around her that establish her identity. The common problem that consumes each character

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