‘Citizen Kane’ scene analysis Title: * Idea of him being an ordinary citizen * Using the last name tells us that hes powerful‚ well know‚ arrogant‚ hint to the complexities of the man (not easily defined) Newsreel: * Tone of voice: sensationalistic‚ dominant (telling us what the truth is) * Catalogue Kane’s possessions * Footage: grainy – its not showing the real Kane * Language: the ‘loot of the world’‚ ‘100‚000 trees’ – hyperbolic language (very wealthy) * Impression
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The French tune eventually overwhelms the German creating stirring scene and leading to Major Strasser conclusion that Laszlo must die. 3) The music for Gone with the Wind is the paradigm of the Classic Hollywood film score‚ and the music for Citizen Kane represents‚ like the film as a whole‚ a departure. Describe the basic characteristics of the Classic Hollywood film score using Gone with the Wind and other films from this
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Two landmark films in American cinema‚ Citizen Kane and It’s a Wonderful Life‚ touch upon the topic of the valuation of a man through different means and character development. Along with the television series The Simpsons‚ both of the aforementioned works expounds upon where value genuinely lies in American culture. In Orson Welle’s 1941 masterpiece Citizen Kane‚ viewers follow the life path of newspaper mogul Charles Foster Kane. The film begins with Kane on his deathbed dropping and shattering
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1. Citizen Kane: Rosebud I chose “Rosebud” because this word evolves the main sense of the whole movie. From the beginning with the scene of Kane dropping a crystal snowball before dying and whispering “Rosebud” to the end when the last scene shows us the image of a chair burning in which back this word was written‚ “Rosebud” may resume that part of Kane that hadn’t been seen or that never went to the public sphere. At the beginning we can read this phrase: “But America stills read Kane newspapers
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Assignment 2 Film Form Analysis Meshes of the Afternoon: The first scene I chose to analyze is the scene where the woman‚ who is the only person in the film‚ is falling out of the bedroom window. We come to realize that she is‚ in fact‚ falling inside of the house rather than outside of the window‚ causing confusion for the viewer. The camera is out of focus for a moment and is used at a Dutch Angle or Dutch Tilt Shot‚ giving the impression that the world in frame is out of balance‚ which
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formalism stand point‚ the narrative form is a mix of both. It is fictional‚ but it resembles the world we know. The style usually draws the line where things become unbelievable. To quota “Citizen Kane” as a example‚ the background of this film is a story that examines the life and legacy of Charles Foster Kane‚ a character based in part upon the American newspaper magnate William Randolph Hearst. Kane’s career in the publishing world is born of idealistic social service‚ but gradually evolves into
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that the meaning for this word was the name of a snow sled that a young boy wanted but couldn’t really get back. This pictured on a drama film in the 1940’s called “Citizen Kane” that was produced‚ directed‚ co-written‚ and starred by a man named Orson Wells. It is believed that this artifact was just an allusion to the only time Mr. Kane (Orson Wells) was truly happy in his childhood. I think this is a significant item because growing up he got everything he wanted then lost it‚ but this particular
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The film “Citizen Kane” used many different types of aesthetics to portray the scenes and characters in certain ways. The movie used music to help show what emotion the viewer should be getting from certain scenes. “Citizen Kane” had the characters dress in certain ways to show the differences in what their lives were like at certain points in the movie. These elements in the film help the audience contextualize what the characters are supposed to be like. The film also used different sound effects
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When conducting an interview for the American Film Institute‚ actor Jeff Bridges‚ discussing 1941’s Citizen Kane‚ said its director was "twenty-five years old‚ and he didn’t know what he couldn’t do...and Greg Toland gave him all the confidence in the world (2011‚ 0:28 sec.). Bridges was of course talking about the late‚ great Orson Welles. But who was Greg Toland? Well known in Hollywood at the time‚ Toland was a longtime cinematographer who had not only won an Academy Award for 1939’s Wuthering
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primarily he gained a lot of praise for his radio broadcast of the War of the Worlds. Besides this Welle’s filmography is probably what he is most well known for with such films as Touch of Evil‚ The Magnificent Amerbsons‚ and of course Citizen Kane. Citizen Kane to this date is regarded as one of the greatest films ever made however the film itself and Welles only received a best screenplay award. Welle’s was essentially a director ahead of his time who utilized the art of mise en scene to add further
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