Citizen Kane‚directed by Orson Welles‚ contains multiple narrators who knew the late Charles Foster Kane. Through these narrations one sees the life of how one of the richest men of his time dealt with his livelihood and the people who surrounded him. For a man who seemed to have it all people failed to realize that he lacked one thing: a childhood. Kane’s lacking childhood affected his adult life by hindering his ability to keep healthy relationships; Welles portrays this to viewers through distance
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Discuss the ways in which Citizen Kane challenged the traditional narrative and technical elements of classic Hollywood cinema. Give specific examples using appropriate cinematic terminology. Citizen Kane is a 1941 American drama film directed‚ co-written‚ produced by‚ and starring Orson Welles. This was Welles’s first feature film. With this film‚ Welles introduced many new filmmaking innovations. Some of the innovations were in cinematography‚ storytelling techniques‚ and special effects‚ lighting
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Citizen Kane Along with its renowned outstanding cinematic achievements‚ what ultimately exalted Citizen Kane to such incredible heights was the character of Charles Foster Kane. In despite of reporters attempts to unveil the genuine Kane. Kane claimed the name of an enigma. The depth of Kane’s loneliness and isolation concludes in a vignette that will continue to impress generations of audiences . A series of rough chronological flashbacks tells the life story of Charles Foster Kane. The first
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Citizen Kane “the best film of the 20th century” according to the AFI and many other film organizations. André Bazin describes this film as “a discourse on method”. What Bazin is basically trying to say is that Citizen Kane is a technical movie for its time. Citizen Kane is a realistic film and it is number one because of it ’s cinematography‚ the framing‚ editing‚ kinetics‚ storytelling‚ soundtrack and it ’s overall message. Citizen Kane ’s photography was not like most films of their era. The
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allows composers to express some of the universal ideas which are quintessential to the society. Orson Welles’ 1941 film noir Citizen Kane is still relevant today mainly due to the valuable ideas it presents‚ along with the cinematography. He extends the life story of William Randolph Hearst‚ a newspaper mogul during his time to a fictional character‚ Charles Foster Kane. The universal ideas that resonates with the audience of 21st century include corrupting nature of power and wealth‚ emptiness
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John Alois Prof. Raffay CIN100/9259 12/3/09 Citizen Kane is often regarded as the greatest American film of all time. It expertly executes many different aspects of film making as an art form. Orson Wells used a new style of shot framing called Mise en Scene to show the dynamics in a scene. He also used lighting in ways that had never been used before. As the star of the movie as well‚ Orson Wells delivers an all time great performance as Kane. All these things add up to create one of the greatest
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instruments‚ etc.) Underscoring Music that occurs during the ending credits‚ for example‚ is underscoring because the characters cannot hear it Sound Effect/Natural Sound Like other movies‚ sound effects exist in this film. These effects include: When Kane kicks the
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THEORY 4CA1 Dr. Cesar Orsal CITIZEN KANE CRITIQUE PAPER Citizen Kane is investigative and melodramatic film. The quest for Rosebud and the journey of Charles Foster Kane’s life made the film interesting. It made the audience curious and able to hang until the end of the film. It was done in a flashback sequencing that gave Citizen Kane an exciting and interesting mood for its audience. . Citizen Kane as I observe‚ has two different stories in one film. First
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Citizen Kane is an American classic film from 1941 and it is regarded as one of the top ten greatest movies of all time. It was able to achieve this with a complex and clever way of telling a story and revealing the plot. Along with a great cast of new but talented actors‚ each helped brought their characters to life to make the film memorable. Especially the character Charlie Kane‚ whose performance made you both love him and hate him at the same time. The actor director Orson Welles crafted this
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when I saw Citizen Kane the first time. When it was over I couldn’t believe my reaction. My hands were shaking‚ my palms and arm pits sweaty. I felt my heart race like a jackhammer and I knew I more than watched a movie‚ I experienced one. True‚ I didn’t understand all the complexities of Kane‚ but I understood the phenomenal acting and fantastic drama. Years later I would understand more‚ but in that moment at 13 I saw storytelling for more than a two-dimensional celluloid. Citizen Kane really wasn’t
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