The opening scene of Macbeth has an emotionally orienting function. First‚ there is the thunder and lightning‚ triggers for fright. Moreover‚ unnatural figures such as the witches are likely to provoke at least anxiety‚ if not fear. There was also the physical appearance of the witches‚ which prepares us for disgust. The witches conclude their colloquy with the well-known lines‚ “fair is foul‚ and foul is fair. Hover through the fog and filthy air”. When they say “foul and “filthy air” Shakespeare
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Citizen Hearst: A Comparison of William Randolph Hearst and Citizen Kane Orson Welles was undoubtedly one of the most talented filmmakers of his time. Along with the innovative camerawork and advanced cinematic techniques that made Citizen Kane a success‚ Welles also allowed for viewers to connect with his film by providing them with a real life example of the main character. Citizen Kane owned a massive estate called Xanadu that was based upon Hearst’s San Simeon. Kane and Hearst were also
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There’s no doubt that Citizen Kane is a great movie. It is a pioneering film that forever changed film making. Its plot is one of the most creative and original in all of movie history. The cinematography is stunning. Citizen Kane is about those images that we all reflect and project‚ the sum total of which -the impressions we make on other people- are all we that leave behind us. That central‚ unsolveable riddle of personality is at the core of what makes Citizen Kane so endlessly watchable.
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the Don’s daughter. Within this opening sequence‚ there are many scenes with Michael sitting with Kay and talking about his family. He goes as far as to tell Kay about family secrets and how there was a hit put out on someone and how his family was involved. Kay is taken aback by this naturally‚ but the audience is even more taken aback because they’re seeing a member of the Corleone family go against family code. That opening scene contrasts from the final scene in the first film in many ways‚
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Citizen Kane is a film open to many interpretations and analyses. It tells the story of its main character through the complex points of view of those who knew him. Or thought they knew him. The character of Charles Foster Kane is played by‚ and done so in an enigmatic performance‚ by Orson Welles. The intrinsic bias and prejudice of the “narrators” in this film creates conflicting accounts of who Charles Foster Kane really was. Kane was a private man; closely guarding his true identity‚ making
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a not so obvious conflict with the gods in this epic. Although the gods in this story are “divine” they often portray similar characteristics as mortals such as anger‚ and jealously. Juno who is the queen of the gods‚ wife of Jupiter from the opening scene portrays these traits. “What could wound the queen of the Gods with all her power? Why did she force a man‚ so famous for his devotion‚ to brave such rounds of hardship‚ bear such trials?” (Virgil‚ 1 9-12) This rage against Aeneas and his men is
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angles and camera movement are all key parts in developing an effective film. To have the capability to represent an atmosphere‚ mood and setting; everything must come together to represent the main purpose of the film. In the film‚ “The Crucible”‚ the scene being analyzed; the main purpose is to represent the hysteria. In this essay‚ things like sound and music‚ camera angles and camera movement can all be used to achieve an overall effectiveness of the film and it’s purpose. Music and sound can play
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Orson Welles used light and shadow not as a necessity but to give scenes a certain meaning and atmosphere. He used lighting expressively to inject viewers with desired emotions. Prior to that moment movies and their messages were transmitted from the screen to the audience through the content of the film rather than the way it was shot. (Alton‚ 87) In other words‚ ‘Citizen Kane’ can be seen as the first time ever for a filmmaker to use the technicality of filmmaking in conjunction with the content
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An exploration of the jigsaw sequence in Orson Welles’ Citizen Kane. The life of the fictional newspaper magnate Charles Foster Kane‚ as depicted by Orson Welles (1941)‚ is the larger-than-life story of a wealthy and powerful man. And yet‚ Kane’s story is one of loneliness‚ loss and a desperate need to be loved. Kane is at once a powerful patriarchal figure‚ ruling those around him by sheer force of will‚ and a lost little boy in search of the mother who sent him away. This essay will seek to tease
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weren’t feeling uneasy already‚ this caption should do it. It brings up questions and makes you want to know the answer. This visual is effective in instilling a feeling of mystery‚ it does this through not showing the face of the figure‚ scrambling scenes from the movie‚ and giving a vague setting. There is a very sharp contrast between the shadowy figure and the firey face in the background. Like stated before this brings up questions and uses an emotional appeal. Is that the man’s face? Is that
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