The Tempest is a painting by the artist Giorgione in 1508‚ in the High Renaissance period. Not much is known about Giorgione’s personal life and this painting is one of five works preserved‚ but The Tempest is thought to be a major milestone in Renaissance painting. It was painted with oil paints on a canvas‚ and was commissioned by the nobleman‚ Gabriele Vendramin. The true meaning behind The Tempest is up for debate‚ there are many theories on who the two characters in the foreground are. Some
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One Acts Drama Festival: My First Acting Competition Every year during my high school there would always be auditions held to be in the One Acts Drama Festival. Each school in the area would make a play to be seen by judges where the festival was held and there would only one winner. I never tried out to be in the One Acts Drama Festival but my senior year I did. Everyone at my school who wanted to participate would have to act out a two minute monologue in front of our school’s director‚ in this
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Gustave Caillebottes work‚ Paris Street; Rainy Day‚ is an oil on canvas painting measuring seven feet‚ ten inches by six feet‚ one inches. As mentioned previously‚ the art work is painted with oil on a large canvas. From a distance the brushstrokes are hardly visible in the painting. There appears to be little‚ if any‚ impasto evident. Upon closer inspection‚ the texture of the brushstrokes can be described as grainy and the lines dividing objects are not as crisp. The painting is fairly large.
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The movie The Terminal is a fictional story about a man named Viktor Navorski who travels to the U.S. from his native‚ fictional nation of Krakozhia. Upon arrival at JFK International Airport in New York City‚ Navorski discovers that his Krakozhian passport and visa are no longer valid due to the outbreak of a civil war in his home nation while he is on the plane. As a result‚ the U.S. no longer recognizes Krakozhia as a sovereign nation‚ and he is not permitted to neither enter the country nor return
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The Inspiration of Millet "It is the treating of the commonplace with the feeling of the sublime that gives art its true power." ––Jean-Francois Millet. A humble peasant man‚ Jean-Francois Millet was an artist who‚ although perhaps unknown to himself‚ was to strongly influence French art‚ and French history as a whole. Millet’s humble background led him to paint pieces‚ such as The Sower‚ which would change mankind’s view of poor citizens and agricultural laborers‚ allowing these men‚ and their
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“Paris Street‚ Rainy Day” Introduction My favorite painting is called Paris Street; Rainy Day. It was completed by the artist Gustave Caillebotte‚ in 1877 .It can be found now in The Art Institute of Chicago (AIC). I picked this painting because the painting looks sophisticated although it has been painted long time ago‚ the colors are elegant and the city look modern‚ although there’s no direct eye contact or communication but people seems to be glad and enjoying
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This paper will discuss various elements of mise-en-scene‚ specifically; character development‚ lighting‚ performance‚ costume‚ makeup in the film "Casablanca".(Michael Curtiz‚1942) The setting of the story sets the tone for the entire film. Shots of tanks and planes show the violence of war that coincides with the cutthroat city that is Casablanca. From there‚ those sentiments are reinforced when a man is shot in the street while another man pick pockets someone whom is distracted. The mood of the
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What was the effect of photography on painting in the nineteenth century? The photograph was developed in 1839 simultaneously in England and France by Talbot and Daguerre. That is the technique of chemically fixing of an image produced by exposure to rays of sun. William Fox Talbot was an English scholar and scientist who developed the negative and positive process. He used sensitive paper soaked in sodium hyposulphite called calotype. This became the basis for all subsequent photography. Photography
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‘Painting is dead’. Mr David Walcott introduced his approach to contemporary art and painting. ‘Use paint only to make texture; and to make the painting into its own independent object.’ Painter is left a little confused. ‘So this isn’t a painting course?’ He politely asks. ‘Well‚ yes it is technically. In this course you will learn to create and develop your own personal approach that does not rely on any outdated techniques. We will de-construct painting in such a way that you will not need to
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In the 18th century before America was one unified nation from sea to shining sea‚ paintings would mostly be of and for the rich. Pieces of that time period were predominantly portrait paintings with unrealistic backdrops‚ created indoors within the confines of art studios. Furthermore‚ at the turn of the 19th century artists began moving away from workrooms and pushed towards the great outdoors. This change spawned a revolutionary artistic movement during the early 1800’s initiated by Thomas Cole’s
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