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    love. The romantic score dominates the soundtrack as the sound of the train is no longer existent. As Alyosha and Shura stare at one another‚ the director choses to use an extreme close up while fading out with a dissolve into another romanticized close up of Shura. Masked by the intercut shot of the train moving‚ these close ups and the final two shot of the couple seem to be filmed in a studio to create a suitable romantic dream like atmosphere with the use of specific lighting. Alyosha’s final train

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    tracking shot behind the car creates a tension and intensity by creating a feeling of the car moving faster as the camera moves further away‚ honking and motorcycle engine noise fading in and out create the illusion of the speed of the taxicab Close up

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    entering rehabilitation‚ this suggests he want the audience to see that he remains the same character as before. Then he rises up through to hole to take centre stage‚ suggesting he has returned and wishes to be centre of attention. After‚ a close up shot is used to showing a remote control which says “Robbie” on one button and “More Robbie” on another. This suggests that the true artist is controlled by their desire of for fame. As in the video the DJ represents fame‚ demonstrated by Williams

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    below the heading. |  Salutation | Dear Mr./Ms. Smith: Dear Sir or Madam: Gentlemen: After the salutation there is a colon (:) | Dear Mr./Ms. Smith‚ Dear Sir or Madam‚ Dear Sirs‚ After the salutation there is a comma (‚) | Complimentary close | Sincerely‚ Sincerely yours‚ Yours truly‚ | Sincerely‚ Yours sincerely‚ Yours faithfully‚ | The format (layout) is the visual organisation of a business letter. You can follow many different formats when you create business letters. Be aware

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    The Reason Behind the Scene –Why We Keep Choosing “If the outlaw hero’s motto was ‘I don’t know what the law says‚ but I do know what’s right and wrong‚’ the official hero’s was ‘We are a nation of laws‚ not of men” (Ray 62). A Certain Tendency of the Hollywood Cinema‚ by Robert Ray‚ looks at the various opposing values in America through the history of Hollywood films and cinema‚ which one vital value is the dichotomy of outlaw hero versus official hero. Official hero tends to be an idealogy

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    shot of the character crouching in a vulnerable position next to the door. A close shot of Fontaine’s face really shows his emotion‚ very saddened and depleted of hope. It appears that Fontaine is analyzing the wooden door. From his remarks‚ the viewer can gather that the character has previous knowledge of wood and that dismantling the door is a possibility in his plan to escape the prison. Bresson is persistent on the close-up of the potential escapist’s hands‚ feeling the wood‚ working with tools

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    Discuss the ways in which Hitchcock sets the scene for the audience in the opening minutes of his film ’Rear Window’(1954) - 500 words Camera shots - Close up‚ medium shot‚ long shot‚ wide shot‚ framing. Camera Movements - Pan‚ track‚ crane‚ zoom‚ reverse zoom‚ tilt Editing - Cut‚ montage‚ fade in/out‚ dissolve‚ super impose‚ slow-motion Sound - Soundtrack‚ musical score‚ sound mixing and editing Other useful terms - scene‚ sequence‚ mise-en-scene‚ lighting‚ actor‚ theme‚ narrative‚ style and

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    society‚ especially in relations to gender roles when jacky says ‘lads do boxing and wrestling.. not bloody ballet’ demonstrates the stereotypes held in society. Also the slow zoom in on billy ‘dancing’ with boxing bags goes from a long shot to a close up shot on his ace. The growth in this scene where billy is discovering a world that he longing for an outlet to express himself in a natural way but he is

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    Seven

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    and checking the forensic reports so as to see the causes of the two first deaths. He is not concentrated in his task‚ he is watching TV and drinking beer while is working. In fact‚ he is tired because he has not reached any conclusion. An extreme close-up shot shows he is kind of thoughtful‚ he does not see anything in common between the two first deaths. In addition to this‚ cross cutting or parallel editing reflects how they work and how they face investigations. So we can see again the contrast

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    expression and the details of gesture‚ the camera zooms in to Sky’s face. From Figure 3 to 4‚ we can clearly see Sky’s eyebrows becoming more slanted and his face tenser. This is portrayed noticeably as the camera zooms in from a medium close-up shot to an extreme close-up shot as seen in Figure 5. Also‚ the calmness in Nameless facial expression shows that he is confident and fearless whereas scenes of Sky’s spear vibrating shows a frightened self.

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