Foreman’s film One Flew Over The Cuckoo’s Nest was developed from Ken Kesey’s novel One Flew Over The Cuckoo’s Nest. The screenwriters of the film are Lawrence Hauben and Bo Goldman. In One Flew Over The Cuckoo’s Nest Chief and McMurphy develop a close relationship during the escape scene‚ while in the ward during and after the craze with Cheswick wanting the cigarettes‚ and the final scene. First of all‚ Chief is a colossal‚ Native American patient who pretends to be deaf‚ and is in the mental
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duration the viewer gets‚ up until the final escape sequence. The scene for analysis takes place at approximately Twenty minutes into the duration of the film. The scene opens with a medium shot focused on Fontaine amidst his isolation. Fontaine looks up toward the ceiling with a facial expression that reads as saddened or lonesome‚ which slowly fades out‚ and fades back in‚ to a medium long shot of the character crouching in a vulnerable position next to the door. A close shot of Fontaine’s face
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beach’ as his last words provides reassurance for the troops in the wake of what is too come. It also gives the audience reassurance for a short moment before the boats land. However‚ the audiences view is changed when the camera shot changes to close ups of the different soldiers waiting for the boat to land. The worried facial expressions of the soldiers erases the first thoughts of the audience as fear is put back in to the soldiers. The sound effects of the shells bombing the beach adds to the
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society‚ especially in relations to gender roles when jacky says ‘lads do boxing and wrestling.. not bloody ballet’ demonstrates the stereotypes held in society. Also the slow zoom in on billy ‘dancing’ with boxing bags goes from a long shot to a close up shot on his ace. The growth in this scene where billy is discovering a world that he longing for an outlet to express himself in a natural way but he is
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above the head and the bottom of the frame is just below the waist. Most natural shot allowing the viewer to relate to the character. Often used to introduce the character for the first time. Close Up Top of the frame just above the head and just below the chin. Used to reveal character’s feelings. Extreme Close Up Used to reveal feelings without dialogue or to focus the viewer’s eyes on specific details. Point of View Shot (POV) A scene that is shot as if the viewer is looking through the eyes of the
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Discuss the ways in which Hitchcock sets the scene for the audience in the opening minutes of his film ’Rear Window’(1954) - 500 words Camera shots - Close up‚ medium shot‚ long shot‚ wide shot‚ framing. Camera Movements - Pan‚ track‚ crane‚ zoom‚ reverse zoom‚ tilt Editing - Cut‚ montage‚ fade in/out‚ dissolve‚ super impose‚ slow-motion Sound - Soundtrack‚ musical score‚ sound mixing and editing Other useful terms - scene‚ sequence‚ mise-en-scene‚ lighting‚ actor‚ theme‚ narrative‚ style and
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Billy Elliot Scene Analysis Scene Title and Description - Sound (Diegetic and non-diegetic) Movement 1. Opening titles: The song Cosmic Dancer hand places record by T-rex is heard as boy delicately on is jumping up and down. turntable‚ boy is seen The responder jumping up and down immediately assumes uncontrollably and that music plays an displaying a happy important role in this and carefree boy’s life. disposition. 2. A Disgrace in the Gloves - Setting (lighting and - Camera techniques - Text
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greatest failing (i.e the climax of his failing)? How has Shrek changed through his quest? What are the themes of the film? What is the social purpose of storytelling? How is the film Shrek similar and different to a fairy tale? Appendix 3 Close reading of Shrek – Act 3 Film sequence: Shrek and Donkey at the swamp and the wedding at Duloc (11 minutes)
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language as we use the term here: visual tools that add additional layers of meaning to the content of the story”(Brown Blain‚ 2013:15). The medium close up has the purpose to evoke an emotive response of the subject regarding the circumstances of the events that take place. He gazes helpless and is appalled by the atrocities that are in motion”the medium shot‚ like the wide shot‚ is relative to the
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opening moments of a film – introduces themes‚ characters‚ setting mood Reaction shot – generally a close-up of a character reacting to someone or something Proxemic range: Intimate distance (extreme close shots): ranges from skin contact to about eighteen inches away. This is the distance of physical movement – of love‚ comfort‚ and tenderness between individuals. Personal distance (medium close shot): Ranges roughly from eighteen inches to about four feet away. This distance tends to be reversed
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