same genre‚ including Rock Sound and Kerrang. I have chosen these magazines because they are the same genre of magazine in creating and they are also bold and creative. On the November edition of the Kerrang magazine the key signifier is a medium close-up shot of musician and role model Oli Sykes. The encoder has used eye contact to create a direct mode of address with the decoder. It makes the model look seductive and attractive‚ which appeals to the target audience who are people in groups E and
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Allie is going to go against her parent’s will of them not being together. Her love for Noah has got the better of her feelings for her parents which lead to her betraying their trust. In the movie‚ close-ups are utilized to show the full of hope‚ and optimistic facial emotions on Allie’s face The close up shot on Allie’s face indicates that she is willing to do anything for the love she has for Noah‚ which includes betraying her parents. Another instance where love causes them to betray another is
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medium close-up shot of a teenage girl as she talks about her disappointment in her father and that she pitys him; suggesting almost sarcastically that someone should ’put him out of his misery’ ‚another male out of shot suggests that maybe he could kill her father himself. This first establishing scene sets up the film and brings up the question why does she want her father dead‚ and does this male out of shot end up actually killing her father. The way the first scene is shot also brings up other
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all eventually pass away. Themes relating to mortality are demonstrated in the film through us human’s persistence to live and delay fate‚ our inevitable acceptance of death‚ the importance of relationships and love and how impactful the death of a close person is. Throughout the film‚ characters aim to delay their inevitable death and make the largest impact they can to help others. The idea of a “deferral” is a symbol of hope and how Kathy and Tommy share “verifiable” “true love” for each other.
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L’Âge d’or (The Golden Age) was Luis Buñuel’s second film and was released in 1930. The patrons of this film were a French couple who got impressed by Buñuel’s first film: Un Chien Andalou (An Andalusian Dog) (Sánchez Vidal ‚ cited by Stone‚ 2013). The film has a critical reception‚ which censures the selfish of middle upper class. Corresponding‚ it is a surrealist film and focused upon inner and outer realities at the same time (Radall‚ 1976:4). I am going to analyze the sequence from the mid-way
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Film Studies- ‘The sixth sense’ With a close up of the award‚ the clip begins with our view of the couple only in reflection of Malcolm’s recent award‚ which is made to seem meaningless as we can’t read the writing despite it being in centre of the frame. The award is in a red frame. This already seems to be warning to both Malcolm and Anna that danger could be heading their way‚ especially during the reflected close-up shot of the two. It also makes us wonder why this prop appears slanted on the
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Related Text Folio ________________________________________________________ Title: Remember Me Composer: Alice Walker Type of text: Fictional Poem ------------------------------------------------- Publication date: December 15‚ 2000 Context: Alice deals with many issues‚ most of which concern historical and modern race problems in America. Through this she brings to national attention the cruelty and inhumane abuse that Americans and Africans endured. Audience: Young adults‚ teenagers
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much like in the film Decasia. Having random found footage like these do not follow a narrative which is much like features of surrealist films. a narrative which is much like features of surrealist films. In this shot there is an extreme close up of the end of a cigarette and editing has been used to make the burning ash flash multicoloured this is much like the formalist film Decasia where pictures and images have been highly edited to give an uneasy feel and also shows
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fence‚ or otherwise ‘imprisoning them’. During the film as they walk along side the 1500 mile fence‚ it shows how close to being taken captive the three girls are. Another theme in ‘Rabbit Proof Fence’ is the theme of family bonds. This is shown through plot and camera shots. Camera shots help to represent the theme of family bonds when there is a close up shot of Maude and Molly looking up to the Spirit Bird. This shows both the physical and emotional closeness of the two‚ as well as the strong relationship
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and close-up horrified reactions of the people around the pram. He builds suspense and creates a connection between the film and the audience‚ reflecting the sheer insanity of the scene. As the massacre plays out‚ Eisenstein increases the pace of the editing‚ adding further to the tension and excitement. This style of editing allows the brain to believe the edits are created by real events‚ rather than a director’s deliberate intent. The framed images in the film are carefully chosen. Close-up
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