1. Emma and Clueless Clueless begins as (opening scene) * Scene I- Cher’s House * Soundtrack over: “Kids in America” by The Muffs (A variety of shots of girls having fun- opening montage) * Cher’s voice-over- “So OK‚ you’re probably thinking‚ “Is this‚ like‚ a Noxzema (popular skin cleanser brand among females as a facial cleanser or make-up remover) commercial‚ or what?” But seriously‚ I actually have a way normal life for a teenage girl. I mean I get up‚ I brush my teeth‚ and I pick
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Emma/Clueless speech Draft thesis: The ideas of appearance vs reality‚ development of maturity and love are ideas explored through techniques‚ Appearance vs reality -blindness to truth Emma | Clueless | * Manipulating reality to suit perception of it * Resulting self-deception‚ confusion‚ misunderstanding * Dramatic irony empowering us to see through human flaws and social failings of Emma. This often has unexpected results:-Mr Elton’s proposal “she could have been so deceived...she
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Emma / Clueless comparative essay – film techniques How do the film techniques help in the exploration of the themes in ‘Emma’ and ‘Clueless’? Refer to the films in detail. The directors of the films ‘Emma’ and ‘Clueless’ use a range of film techniques to highlight the themes of the texts. Diarmuid Lawrence and Amy Heckerling explore the themes of marriage and matches‚ distortion of vision‚ social and moral responsibility‚ and the importance of self-knowledge. A detailed analysis of four parallel
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A hundred and seventy years apart‚ yet Jane Austen’s novel and Amy Heckerling’s film both explore the themes of marriage‚ money and social status. The values and techniques of the composers are demonstrated by the final chapter of Emma and Scene Three of Clueless‚ at the school walkway. On the one hand‚ we have the small‚ traditional English village of Highbury. On the other‚ Beverly Hills‚ icon of consumerism‚ globalisation and change. Both are experiencing escalating social fluidity as wealth
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CLUELESS VS. EMMA Adaptations of Jane Austen’s‚ Emma‚ are usually period pieces diligent in capturing and replicating the manners‚ dress‚ language and values of the original text. Clueless‚ written and directed by Amy Heckerling‚ deviates drastically from the norm‚ as the film is not a period piece. While Emma is set in the early nineteenth century in the country village of Highbury‚ sixteen miles out of London‚ England‚ Clueless is set in Bronson Alcott High School almost two hundred years later
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classic novel Emma‚ by Jane Austen. However‚ have you ever considered that Emma is Clueless? Yes‚ Amy Heckling’s 1995 movie‚ Clueless‚ can be related to the novel Emma‚ published in 1816. There is no doubt that Clueless substantially derives‚ and is adapted from Emma. However‚ apart from similarities‚ there are differences and adaptations from Emma to Clueless. These are necessary as a result of the disparity in values and attitudes between the early 19th century England of Emma and late 20th
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How has Heckerling’s transformation of Emma revealed the changes in context and values? Heckerling’s transformation of Emma reveals the changes in context and values through sharing its ideas but altering some features. By keeping the ideas the same‚ Heckerling is able to display the contextual differences. Emma‚ a novel written by Jane Austen‚ follows the life of a wealthy woman living in Regency England‚ 1816. Clueless‚ a film created by Amy Heckerling‚ similarly follows the life of a wealthy woman
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the novel Emma‚ by Jane Austen and the film Clueless by Amy Heckerling‚ we discover that both texts are influenced by‚ and reflect the values of their respective contexts. Emma is set in the isolated‚ rural town of Highbury‚ England in the early 1800’s‚ at a time where society had placed value on social hierarchy. This distinction between classes was largely determined by family lines and inheritance. It is in the upper class of society that Jane Austen places her protagonist‚ Emma‚ “handsome
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Parallels are drawn between the values and attitudes of post-modern and regency society in Emma ’s carriage incident and Clueless ’ car scene. In Emma‚ Mr Elton displays complete disgust and outrage at the notion of marrying the socially inferior Harriet‚ exclaiming ’Good heaven! What can be the meaning of this? ’ This segregation and incompatibility of differing social classes is also portrayed in Clueless through Elton ’s outburst of ’Don ’t you even know who my father is? ’ revealing the transcending
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The 1993 hit film Clueless ’‚ written and directed by Amy Heckerling‚ exemplifies how popular culture re-appropriates Austen ’s novel‚ Emma ’ to serve updated agendas. Clueless ’ involves a storyline‚ which closely follows the text of Emma ’. However‚ there are some key points of difference in the transformation that has taken place. This is due to the individual context of the 19th Century prose text and that of a modern appropriated film text. The context can be divided into three focal categories:
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