distinction of colours can be often used to represent certain aspects about people. In the novel The Great Gatsby they are used to describe the personalities of Myrtle and Daisy as well as Gatsby’s. With certain colours they wear they are able to express their identity‚ and it can also have an affect on their behaviour. Jay Gatsby exploits colours to show of his wealth. Through colours people are also distinguished to which social class they belong to. F. Scott. Fitzgerald uses colour to identify Myrtle’s
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The movie is themed with an old environment around 1950s or 1960s. It is associated with drugs and sex. It is about a person who is passionate on writing. His name is Sal Paradise. He had his friends namely‚ Carlo Marx and Dean Moriarty. Dean Moriarty had a wife named‚ Marylou. They enjoyed being together. They get drunk and smoked marijuana and sometimes they are having sex. Sal and Carlo are great aspiring writers. They are writing a book‚ poem and stories. One day‚ Dean and Carlo left for Denver
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What is the Chemical Basis of Colour in Fireworks? Abstract: The purpose of the first experiment was to see the light spectra of different elements‚ and confirm that each element shows unique emission spectra‚ in terms of being able to identify an unknown substance. The analysis is expected to show that elements do indeed have unique emission spectra‚ allowing elements to be identified by their emission spectra. After burning different chemicals under a Bunsen burner‚ the colourful light was
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John Ford’s Directing Techniques in the Film Stagecoach By Bob For Cine 121 (01) John Ford’s film “Stagecoach” from 1939 had several important hidden messages tucked away inside it. The film has everything from social injustice to alcoholism‚ prostitution‚ gambling‚ and even working class people in general. This paper’s aim is to bring to light some of these messages that are expressed through Ford’s use of mise-en-scène and cinematography. In the scene when Ford introduces Dallas‚ it is
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1. Colour Fastness to Light This method is intended for accessing the resistance of the colour of textiles to the action of daylight. Principle: A specimen of the textile is exposed to the light from a Xenon arc lamp under prescribed conditions‚ along with eight dyed wool standards. The fastness is assessed by compared the fading of the textile with that of the standards. Apparatus and Materials: - Blue standards - Humidity Test Control Fabric - Light fastness test apparatus containing
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Edward scissorhand is a movie made in 1990 directed by Tim Burton. This story is about a man called Edward that gets created by an inventor with a few incomplete parts to make him look quite different than others. Being different and unique he finds it very hand and struggles endlessly to try and fit into the society he is brought into. He is challenged to adapt into the new life and environment that he has never experienced before. When Edward‚ an outsider enters into the community there is confusion
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them. Colours symbolise a great deal in this film and some colours have particularly strong meanings. Green is the most prominent colour in the film‚ and it also forms part of the title. It can represent envy‚ evil‚ trickery‚ growth‚ renewal‚ life‚ neutrality‚ passivity and indecision. It is a sign of freshness‚ youth‚ virtue and peace. In the film‚ we can link green to global warming‚ a sick feeling‚ unhealthiness‚ weirdness‚ depression and pollution. It is also ironic because the colour green represents
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account the effect of everything that appeared in the ’frame ’ of onstage space. These elements had to further the purpose and function of the play. So too in film. Generally there is nothing in a film frame that is not meant to be there‚ that is not planned. So elements of the frame have a purpose in the act of constructing the meanings in a film. Mise-en-scene is a huge topic‚ and this module will not cover it all. I will especially not go into lighting in great detail. Nevertheless‚ it is important
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Othello Paper The tragedy of Othello was caused by the insecurities and changing character of Othello himself. Racism and the villainous Iago both contributed to the evolution of Othello’s character. G.K Hunter the author of “Othello and Colour Prejudice.” Discusses how the prejudices against Othello‚ both in the play and also the prejudices Shakespeare’s audience already conveyed towards darker skinned people‚ were framed to doom Othello from the start. Hunters article gives a historical
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“I would argue that feminist film studies is not only still alive and well‚ but has‚ in fact‚ become much more heterogeneous‚ dynamic‚ and open in its scope‚ encompassing not just film analysis but also television and new media studies…” says Karen Hollinger from Feminist Film Studies (Hollinger 19). Film’s have definitely grown and expanded from the years pass. Women are now starting to be given roles other than those to please the male eye such as the girlfriend‚ secretary‚ receptionist‚ or mother
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