himself beyond our imaginations to provide his audience with entertainment. Looking at the two films My Left Foot and Gangs of New York‚ we are presented with two controversial characters played by Day-Lewis. Presented in these two films‚ Day–Lewis allows the audience to forget that they are watching a film by allowing them to become part of the world that has been created by the actors as well as the directors and their incredible filming techniques. Day-Lewis in My Left Foot took the idea of preparation
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head Personal Film Evaluation Criteria Paper Personal Film Evaluation Criteria Paper Elizabeth Bryant University of Phoenix Personal Film Evaluation Criteria Flashing back on all the films I have watched over the years I never taken notice to analyze not one of them the way that I have learned in this film study course. My techniques used as of the present time for evaluation the qualities of films has just began because I have started this course. The way how I view films back then is totally
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Although that the film is a rural comedy‚ Berlanga imitates some of the most important film genres: western‚ film noir‚ epics and Soviet Realism. These different genres‚ most of them American‚ are used in the dream sequences of the film. With those dreams‚ the director tried to explain the fears and ambitions of the characters and to make a relationship between the genres and the ideology of the characters. The first character that we see dreaming in the film is Don Cosme who is the priest of the
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My Best Friend’s Wedding Courtney-Anthony-Br English 225 Introduction to Film Instructor: Hazar Shehadeh May 9‚ 2013 “My Best Friend’s Wedding” is a romantic comedy that hit the movie scene in 1997 about a 27 year old woman who made a pact with her best friend and former lover that by age 28 if neither was married that they would marry each other. Four days before her 28th birthday her best friend calls with news of him getting married. Now she has to decipher whether she wants to be
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Textual Analysis in Film Camera Analysis ← Composition ← Framing ← Camera Height ← Angle of view ← Depth of field ← Choice of lens Mise en Scene Film Analysis questions ← Dominant: Where is our eye attracted first? Why? ← ← Lighting Key: High Key? Low Key? High Contrast? Some combination of these? ← ← Shot and Camera Proxemics: What Type of shot? How Far away is the camera from the action? ← ← Angle:Are we ( and the camera)
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Also known as "white heat" films and "the real thing‚" the snuff film myth lives on like Bigfoot‚ despite the fact that no law enforcement agency in America has publicly admitted to ever locating one. Alan Sears‚ former executive director of the Attorney General’s commission on pornography during 1985-86‚ agrees with the more than two dozen law enforcement agencies I interviewed. "Our experience was that we could not find any such thing as a commercially produced snuff film‚" says Sears. "Our commission
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Case Analysis: LAFD The Los Angeles Fire Department (LAFD) is still plagued with a culture of hazing‚ even though hazing was officially prohibited in the 1940’s; as the department became more diverse the pattern of hazing became stronger towards minorities and women. LAFD officials tried to change such culture by increasing diversity and trying specially to recruit more women‚ but their approach to recruiting and retaining more diverse recruits was also troubling and later led to ethically wrong
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Racism in Film Throughout the history of film in the United States‚ the depiction of race has only changed slightly. Although‚ the display of various races in film is pertinent to the specific time period in which the film was made‚ films have‚ for the most part‚ always portrayed white superiority over other races. People of color have traditionally been presented in a negative way (if presented at all) that helps to maintain the status quo where whites are at the top of the social hierarchy. A
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young man of today can go without food but not without a film. The cinema is the cheapest and the most popular form of amusement. Laborers can afford to miss their evening meal‚ not their evening show. Students prefer films to reading books. Thus‚ cinema exercises a very powerful effect on society. Cinema is a universal teacher. It educates the people in different branches of learning. Our film producers have made very purposeful films to collect public opinion against some of the social evils
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In the exposition to Shine‚ we have a strong sense of the dominance of David Helfgott’s father in David’s early life. Our sympathies almost certainly lie with David. How does the director‚ Scott Hicks‚ achieve this? From the up-close-and-personal scenes with the adult David at the beginning of the film‚ our attention is focused on him. When Hicks takes us back to David’s childhood‚ we are aware that David is the focus but Peter Helfgott’s presence is stifling. He dominates every scene. Hicks conveys
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