responsibility of understanding what needs to be allowed to be created by using the camera and the film rather than what the camera and the film creates. A safe conclusion: a director has to deal with what happens within the image which considerably enhances the area and scope of his responsibility of being merely a caretaker of the photographed world. The filmmaker and more precisely the director has the big task at his hand to transfer his vision to the photographed element‚ reassemble the fragmented
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many stylistics and thematic elements in both films the Killer and Internal Affairs. The theme of honor and friendship is present throughout both films. The structure of both films follows two men on opposite sides of the law who find a relation to each other in their opposition to a greater evil being a triad boss‚ who playing both sides. Both films have the elements of trust and betrayal‚ extreme moments of violence‚ and dark humor. The plot in both films were also somewhat similar because you have
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budget drama from writer and director Liz W Garcia‚ premiered at Sundance Film Festival 2013 where it competed for Best Dramatic Film and had limited release. Garcia was “inspired” by Andrea Arnold’s film ‘Fish Tank’ “where the performances are so naturalistic…she’s able to be gritty and lyrical” (Garcia‚ 2013). ‘Cinema screen is interested in representation’ (McClements‚ 2016)‚ and the drama genre adheres to this idea as Jule Selbo (a professor in the Radio Television and Film)‚ says is a ‘very real world
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Plot and Structure: Crash takes place in a modern day Los Angeles in the time span of approximately 36 hours. The plot of the movie is told between multiple characters‚ all of which are of different class and backgrounds but all share prejudice towards people who aren’t of the same race. All of the events unfolding are in chronological and sometimes simultaneous order. The movie begins with one of our main characters‚ Detective Graham Waters (Don Cheadle) Waters and his partner/girlfriend
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Burbank California. He has actively been a creative and iconic film director‚ producer‚ artist‚ writer and animator since 1982. Tim Burton is best known for his dark‚ gothic‚ chilling‚ and unusual horror and fantasy films. His work is derived from many inspirations‚ such as Christopher Lee‚ Vincent Price‚ Edgar Allen Poe‚ Edward Gorey‚ Alan Moore‚ George Melies‚ Dr. Seuss‚ and Paul Whitehouse. In addition‚ Tim Burton watched the films of Ray Harryhousen. He used the influences provided by their stop
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Hollywood perspective as other countries make their own films even compete against the familiar style. Transnational films break through both ‘national’ and ‘international’ forms and can be taken on a global and local scale. Though‚ it does not limit media to one country‚ but works across many national cultures and economies. Films are not limited to just one country; they can be filmed across one or in many. Although‚ due to the original context of the film‚ not every country may be able to fully grasp all
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The Film Piracy Problem The Film Piracy Problem Teacher Overview Film piracy is the illegal copying and distribution of movies in print‚ videos‚ DVDs or electronic files. New developments in digital technology make server-based or peer-to-peer (P2P) file sharing on the Internet convenient and relatively fast. A negative consequence of this new technology‚ however‚ is online theft of copyrighted material. This lesson introduces students to the problem of film piracy‚ focusing specifically on Internet
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prison‚ and yes…even basketball. Paramount Pictures presents an MTV Films Tollin/Robbins production of a Thomas Carter Film‚ “Coach Carter‚” starring Samuel L. Jackson. Directed by Thomas Carter‚ written by Mark Schwahn and John Gatins‚ the film is inspired by the life of Ken Carter. Produced by Brian Robbins‚ Mike Tollin and David Gale‚ and executive-produced by Van Toffler‚ Thomas Carter‚ Sharla Sumpter and Caitlin Scanlon‚ the film also stars Robert Ri’chard‚ Rob Brown‚ Ashanti and Debbi Morgan.
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IN CINEMATOGRAPH FILMS Presentation At Asian Academy of Film and Television October 6‚ 2004 ©2004 LEX ORBIS Part - I October 6‚ 2004 ©2004 LEX ORBIS 2 Contents Idea – Expression Dichotomy Meaning of Copyright What do you protect Meaning of the “work” Works in which Copyright Subsist What is a Cinematograph Film Who is the owner of Copyright Owner in Cinematograph Film It is complex to ascertain the copyright in Cinematograph Film October 6‚ 2004 ©2004 LEX ORBIS 3 Let
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Ice-Fili Analysis Table of Contents I- Introduction 2 II- Analysis 3 1- External Analysis 3 i) Porter’s 5 Force 3 ii) Key Success Factors 4 2- Internal Analysis 5 i) Value Chain Analysis 5 ii) Financial Analysis 6 III- Decision Opinions with Evaluation 6 IV- Recommendation and Implementation 8 1- Short Term Activities 8 2- Long Term Activities 9 V- Exhibits 10 i) Exhibit A: Financial Ratio Analysis and Calculations 10 ii) Exhibit B: Decision Matrix 11 Introduction First time
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